Poster depicts an illustration of a bird perched beside a broken egg, while another bird to its left perches on plants. Includes the following sponsor logos on the left-hand border: City Government of Addis Ababa, TOTAL, Ethiopian Insurance Corporation, KOJJ Food Complex, Wabe Shebelle Hotel, Coca Cola, DIRE Industries, and St. George Beer.
Strip of lawn divided by a walkway with planting beds on either side. The beds contain rose standards and other flowers. The house, with a screened-in porch, is in the
Text on a teal background, surrounded by an illustrated border using South Pacific motifs. Additional text translates the poster title into various South Pacific languages. Poster suggests that anyone can become infected with AIDS, regardless of their culture or religion.
Red poster with four panels, each depicting a different child seated at a classroom desk. Text of poster is arranged to give the impression of a clock. The letter "A" is placed at the "nine" position, "I" at the "twelve" position, "D" at the "three," and "S" at the "six" position, spelling the word "AIDS" around the face of the clock. Poster urges for schools to get involved in education efforts against AIDS.
Poster depicts a doctor, arms crossed, frowning at a figure of a person who is being crushed by a large, black rectangular space which contains the poster text. The picture emphasizes the message: there is no cure for AIDS, so use protection.
Top half of the poster is textual, with subheadings "How do you catch the AIDS virus?" "Why do we need to protect ourselves?" and "Let's talk about AIDS." Lower half of the poster depicts Dr. Clement Malau of the PNG National AIDS Council sitting at a desk. On the desk is a laptop computer with a map of Papua New Guinea on its screen, a microscope, and specimen tubes. The poster suggests the importance of open communication and scientific understanding of the causes and prevention of AIDS.
Bettye K. Cree (Elizabeth Kirkpatrick Cree) was born March 24, 1879. She married Raymond Cree, a founder and developer of Palm Springs, but the marriage ended in divorce. Ms. Cree then maintained an art gallery in Palm Springs. She died in Pasadena on March 16, 1944.
Legible business signs include: Bay Lumber Co. Venice, Auto Park, Craig's Market Meat Fruit Vegetables, Virginia Apts, Lee H. Young Ocean Park Public Market, Drugs, Lee H. Young Cash and Carry Grocery, Hardware, Bargain Shop, Crescent Apts. Rooms by Day Week or Month, The Minnesota Apts Rooms 1 2 and 3 Rooms Furnished, Kolbs Grocery Delicatessen, New & Used Clothing Cleaning Pressing, U.S. Shoe Renewing Carlson & Sons
Text of press release: "Inscribed under the pictures: for Spring “80 Bonnie Cashin” signature poncho at its most luxurious, done in soft, supple “suede 21”. Deep roomy pockets accent silhouette dynamics that make Bennie’s poncho perfect to toss over all of her Cashin Country component sportswear pieces. Style 8150"
Text of press release:"EXCLUSIVE TO YOU IN YOUR CITYFor country, for sports, designer Bonnie Cashin’s buckles, a fly front, as Philip Sills E Company.or for that barging around town ... Award-winning finger-tip-length coat has “paper bag” pockets, is worn here with white leather breeches. FromThe coat, turf-colored leather banded with white has a tattersall lining. Available in other color combinations, of course. No. 3604 - Coat - $235.00No. 4493 - Pants - 100.00 AVAILABLE IN YOUR CITY"
Description: A brown haired woman wearing a pink floral dress is sitting in a barn holding a wooden pail next to a wooden wheel. She is looking left in this scene Above her is the title “Brown’s Iron Bitters. The Best Tonic” In the lower left hand corner is written information for the use of the this product. In the lower right hand corner there is the name “Mrs. Lanetry” followed by “The Jersey Lily”
Description: A blonde young girl is standing next to a wall, placing her right hand against her head, while placing her left arm in front of her. The title “Burdock Blood Bitters” appears over her. The girl is wearing a multicolored dress, striped stockings and black shoes.
Description: Two young boys sit in a wooden wagon while being pulled by a young girl. One boy with black curly hair is wearing a blue shirt and holding a closed red umbrella in his right hand. The other boy has blonde hair and wears a gray hat, while scratching his head with his right hand. The young girl has black hair and wears a red/yellow dress along with black shoes.
Description: A young child is standing with her feet apart, right hand on hip, and left hand on a wooden sword, attached to the belt the child wears. The child wears a gray jacket on a white shirt and a yellow short pants and white socks with blue dots until her knees. She also wears a pair of circular glasses and a burgundy cap.
Descrition: There is a large building with a statue-lined road in front of it. There is a carriage going down this road, along with a few people walking together, in addition to a few bystanders in front. There title “Burdock Blood Bitters” is printed above this scene.
Illustration depicts 9 people standing together, male and female, young and old. Text suggests that we shouldn't assume someone isn't infected just because they look healthy.
Description: A man wearing an overcoat is bending over, holding his back, while his little son below speaks to him. The quote “Oh! My poor back” appears above him. The little boy is pointing up at his grandfather telling him to try “Carter’s Backache Plasters.” The title “Carter’s Backache Plasters” is written below the scene.
Description: There is a scene of a house, lake and trees, with sixteen hidden animals disguised into the drawing. “Puzzle Card” is written below the scene, and lists all animals hidden within the drawing. In the upper left hand corner is an outlined box with the title “Carter’s Backache Plasters For Every Ache or Pain.”
Description: A man wearing an overcoat to his knee is bending over, holding his back, while his little grandson below speaks to him. The little boy is pointing up at his grandfather telling him to try “Carter’s Backache Plasters” however “plasters” is misspelled in the boy’s quote. The title “Carter’s Backache Plasters” is written below the scene.
Description: A young girl wearing a hat and dress is walking through a garden with bare feet while holding up some flowers with a piece of cloth. Above this scene is the title “Carter’s Backache Plasters” and “for every ache or pain” On the lower right hand corner are the instructions to turn the card over.
Text: Fireside Manners -- Clothes for fireside evenings -- their makeup is planned -- their object is flattery -- their effect is relaxing -- designed for those special hours at home, after sundown, when good living begins -- and a girl can be a heroine in her own home -- [signed]Bonnie Cashin
From sketch: “ Cashin-Carry, me don’t like “conspicuous consumption”, but we do believe in conspicuous accessories that are great investments like these tried & true travelers. Wear your spy glass case round body carry an oversize canvas junc-sac”. Carry travel bag with small handle, and over shoulder strap bag flap over with toggle.
Handwritten on drawing: #182 / lambswool / half funnel body A - 2" stripes / also do swatch (752 Lindsey Red, Black) / a Bonnie Cashin design / Nov. 11/74
Text from illustration: “ I feel very little meg in this gentle divinity flowered it balance my 9 to 5 day”. The sketch is a robe light pink and light green with long sleeve elastic the wrist . # 767
Handwritten on drawing: You should see the colors that cashmere comes in these days – Ballantyne – that is! a marvelous concoction of color in an intarsia – collector’s item
Handwritten on drawing: My very favorite shirt is cashmere hooded – I have it in 6 colors – and just may get more – the undercap keeps my hair contained
Handwritten on drawing: new generation cardigan – a nice wide neckline to accomedate[sic] scarves or jewelry or all those crushy necklines we girls like to wear – nice just left open – like this over another short sleeved pocketed sweater —
Handwritten on drawing: New Generation Cardigan / Wide open neck marvelously flattering wear it solo – or filled in with pearls or a Thai scarf – looks great over all those turtled – funneled -& scarved necklines--Necklines drawn on design include: Treharne: no. 4826; The Bruce: no. 4998 and Gateside: no. 4788.
Handwritten on drawing: a completely new cut for a beautifully simple cashmere sweater & skirt in off-beat 2 ply-mixes – wear it as a suit or add an undershirt – plain – dotted – or striped
Handwritten on drawing: I need a new heavy duty coat to keep in the hall closet - make it mid-length so I can wear it over any length - line it with bright wool + collar it with the best racoon --
Handwritten on drawing: lean pure coat over simple shell over jersey / [coat swatch notes:] new wine -- unlined, use reverse for bindings, 3419 (2031) / [dress swatch notes:] tokay, unlined / dress shevy jersey / Bonnie Cashin
Handwritten on drawing: I feel lika a nice big horsey check -- classic -- but a bit different -- / dog leach at neck / straps end in dog leash / Bonnie Cashin
Handwritten on drawing: I love dreaming the [?] in my coverall of soft suede with knited linen hood & sleeves --- wonder if I'll wear it for space travel too? / Bonnie Cashin / 1959
Handwritten on drawing: live in the country? driving in to an opening? black tie? Wear this –- an ankle length skirt on bogus fur –- a briefed jacket – a wide cinched waist –- band of black kid –- and a camisole of white kid
Drawing of woman in maternity clothes with handwritten essay titled : “Once a year collectionMaternity Clothes –Gay – fresh – sensible and fun –Timed for the lowest factory production period of the year –Name? –Waiting LineHeir ConditionersHeir Apparent”[signed] “Summer Somewhere by Bonnie Cashin”
“Suggest making 3 samples. 1 .As original size 2” inches side. 2. Thinner 1 ½ “inch. Side 3. Thinner yet 1” inch. Handle needs improvement D-rings , around handle . Maybe this sort of thing-more luggage-y. Not so long all unlined suede & leather.
![Brown's Iron Bitters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hcgf%2Fhp051t2v/full/!200,200/0/default.jpg)
![Burdock Blood Bitters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hddw%2Fqc03pj0z/full/!200,200/0/default.jpg)
![Burdock Blood Bitters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hcn1%2Fgx489h7g/full/!200,200/0/default.jpg)
![Burdock Blood Bitters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hccw%2F2v72c74t/full/!200,200/0/default.jpg)
![Burdock Blood Bitters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hjsh%2F3661pr60/full/!200,200/0/default.jpg)
![Carter's Backache Plasters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hj77%2Fc195hq88/full/!200,200/0/default.jpg)
![Carter's Backache Plasters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hp6n%2Fs188qj7w/full/!200,200/0/default.jpg)
![Carter's Backache Plasters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hdz5%2Fq5938p2c/full/!200,200/0/default.jpg)
![Carter's Backache Plasters [inscribed]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002hhnz%2Fsv63vd7k/full/!200,200/0/default.jpg)
