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Young women carrying the "Huntington Park High School Band" banner in the Tournament of Roses Parade, Pasadena, 1931

Description:
Young women carrying the "Huntington Park High School Band" banner, followed by a drum majorette and the band. The Orth Storage building on the left was located at 238 West Colorado Blvd. (the block later became a freeway overpass). On the right, signs painted on the side of a commercial building read: "Chevrolet, Gwynn Johnson, 245," and "H. R. Slayden."
Date:
January 1, 1931
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Young women carrying the "Huntington Park High School Band" banner in the Tournament of Roses Parade, Pasadena, 1931

Wirewalker Hubert Castle prepares for his act at the Shrine Charity Circus, Los Angeles, June 1946

Description:
Hubert Castle (a.k.a. Hal Smith or Hal Silvers), wirewalker, prepares for his act at the Shrine Charity Circus. The circus is an annual 10-day event held at Shrine Auditorium, which features an indoor show by the Polack Bros. Circus. Orphaned and underprivileged children are allowed to visit the circus as their admission is paid by affluent members of the community. The circus also travels to the children's hospital to entertain the sick children who can't attend. Proceeds from the circus go to Shrine charitable activities.
Date:
between June 8 and June 18, 1946
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Wirewalker Hubert Castle prepares for his act at the Shrine Charity Circus, Los Angeles, June 1946

Wedding cake float in the Rose Parade, Pasadena, 1927

Description:
Three-layer wedding cake float on a gondola-like boat with boy gondolier and girl riding in the boat and topped with boy and girl, Harold Van Horn and Ardath Aline Elsasser, dressed as a bride and groom beneath an archway. Inscribed in flowers on the side of the boat: Davis.... The float was entered by the Davis Perfection Bakery.
Date:
January 1, 1927
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
Wedding cake float in the Rose Parade, Pasadena, 1927

Warner Bros. Studio during the Conference of Studio Unions strike, Los Angeles, 1945

Description:
The Conference of Studio Unions strike was against all Hollywood studios. The CSU strike began in March 1945 and was around the six month mark when it turned violent on October 5, 1945, known as Hollywood Black Friday. National exposure of this violence forced negotiations between studios and the CSU. Negotiation ended the strike about a month later, but CSU didn't last much longer and was eventually disbanded and absorbed by rival union IATSE.
Date:
October 1945
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Warner Bros. Studio during the Conference of Studio Unions strike, Los Angeles, 1945

Warner Bros. Studio during the Conference of Studio Unions strike, Los Angeles, 1945

Description:
The Conference of Studio Unions strike was against all Hollywood studios. The CSU strike began in March 1945 and was around the six month mark when it turned violent on October 5, 1945, known as Hollywood Black Friday. National exposure of this violence forced negotiations between studios and the CSU. Negotiation ended the strike about a month later, but CSU didn't last much longer and was eventually disbanded and absorbed by rival union IATSE.
Date:
October 1945
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Warner Bros. Studio during the Conference of Studio Unions strike, Los Angeles, 1945

Vittorio Mussolini arrives at Union Air Terminal from Rome and is greeted by his host, producer Hal Roach, and the press, Los Angeles, September 25, 1937

Description:
Vittorio Mussolini (at microphone right), Italian film critic, producer and son of dictator Benito Mussolini, is greeted by the press upon his arrival at Union Air Terminal. Mussolini is spending about two weeks in Los Angeles with his wife and daughter to study motion-picture manufacture in Culver City and visit friends in Hollywood and Beverly Hills. His host for the visit is film producer Hal Roach (at microphone left). Police expected a protest or demonstration from anti-Fascists at the arrival, but none occurred
Date:
September 25, 1937
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Vittorio Mussolini arrives at Union Air Terminal from Rome and is greeted by his host, producer Hal Roach, and the press, Los Angeles, September 25, 1937

Visalia Theatre, Visalia, photograph of rendering, waltercolor

Description:
Lee's rendering of this small-town theatre on a corner site in Visalia shows a simple Streamline Moderne two-story building with glass block, tile, curved glass windows and butt-jointed glass box office windows. The flat marquee shows recessed downlights, almost the only feature retained in the final design.
Date:
1946-49
Resource Type:
still image
Photographer:
Hoffman-Luckhaus
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, photograph of rendering, waltercolor

Visalia Theatre, Visalia, photograph of rendering, night

Description:
This night view is a simplified design for a one-story building, retaining the downlighting in the lobby area, but eliminating the curved Streamline effects of the daytime view. Here the sign at the corner becomes the principal element of the design. Lee uses a series of recessed frames highlighted by indirect lighting, around the entire entrance, the poster cases, the false windows on the façade, and above the box office as a unifying motif.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, photograph of rendering, night

Visalia Theatre, Visalia, exterior

Description:
The finished theatre conforms closely to the design of the night-time rendering. The box office and sign focus attention on the corner. The use of artificial brick cladding was fashionable for both commercial and residential building of the period. (See also the Garmar Theatre in Montebello 30301-30305 for similar treatment of the exterior.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, exterior

Visalia Theatre, Visalia, auditorium

Description:
The auditorium interior reveals Lee's use of the inexpensive Quonset hut truss system, also used in the Puente Theatre (51101-51110) and the Garmar Theatre ((30301-30305) from the same period. In the immediate post-war period the system was used to build housing, commercial and factory buildings to satisfy the pent-up demand for new construction.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, auditorium

Villa de Leon (Leon Kauffmann residence), terrace and coast view, Pacific Palisades, 1929

Description:
Exterior view of the ocean front terrace and terrace facade of the Villa de Leon, and the stairs leading from the paved terrace to the garden terrace below. The terrace is paced in a checkerboard pattern of dark and light stone. There is a nude statue on a pedestal and the coast is visible beyond the terrace.
Date:
August 8, 1929
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
Villa de Leon (Leon Kauffmann residence), terrace and coast view, Pacific Palisades, 1929

Vern Theatre, Los Angeles, street elevation

Description:
Lee developed a simplified design which relied on the porthole motif to evoke the streamlined character of the great ocean liners of the era. Note on reverse: "Exterior, surfaced form concrete. Modern in appearance, it is three tones in color. The ribbed portion was created by casting concrete against corrugated forms."
Date:
1939-41
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Vern Theatre, Los Angeles, street elevation

Vern Theatre, Los Angeles, auditorium

Description:
Two strips of neon, one blue and one white, in the ceiling cove, illuminate the auditorium. Neon is on a dimmer, which creates a theatrical atmosphere as well as controlling the light during picture operation. Pairs of buxom nudes painted in shiny metallic paint fly along the wall toward the screen.
Date:
1939-41
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Vern Theatre, Los Angeles, auditorium

"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

Description:
The Long Beach float with Venus, Virginia Johnson, in a sunburst throne with her attendants, Joan Slaughter, Margaret Burley, Mary Lou Turner and Gladys McCleary, dressed in Grecian robes in pastel shades. A huge peacock heads the float, with a fountain in the center supporting 2 green cockatoos with orchid tails. The float was photographerd at the intersection of Orange Grove. Blvd. and Colorado Blvd.
Date:
January 1, 1935
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

Description:
The Long Beach float with Venus, Virginia Johnson, in a sunburst throne with her attendants, Joan Slaughter, Margaret Burley, Mary Lou Turner and Gladys McCleary, dressed in Grecian robes in pastel shades. A huge peacock heads the float, with a fountain in the center supporting 2 green cockatoos with orchid tails. The float is seen passing the Goodhue Flagpole at the intersection of Orange Grove. Blvd. and Colorado Blvd.
Date:
January 1, 1935
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

Description:
Birdeseye view of the Long Beach float with Venus, Virginia Johnson, in a sunburst throne with her attendants, Joan Slaughter, Margaret Burley, Mary Lou Turner and Gladys McCleary, dressed in Grecian robes in pastel shades. A huge peacock heads the float, with a fountain in the center supporting 2 green cockatoos with orchid tails.
Date:
January 1, 1935
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
"Venus" float in the Tournament of Roses Parade, Pasadena, 1935

Unknown man applying false eyelashes to Elsie the Borden Cow, star of the 1940 film "Little Men," Los Angeles, 1940

Description:
An unknown man holds false eyelashes by the eye of Elsie the Borden Cow, the unofficial mascott for Borden dairy products. After appearing at the New York World's Fair, Elsie was chosen by R.K.O. producer Gene Towne to star in the 1940 film "Little Men," based on the novel by Louisa May Alcott. Elsie arrived in Los Angeles on July 12, 1940
Date:
1940
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Unknown man applying false eyelashes to Elsie the Borden Cow, star of the 1940 film "Little Men," Los Angeles, 1940

Unknown man applies false eyelashes to Elsie the Borden Cow, star of the 1940 film "Little Men," Los Angeles, 1940

Description:
An unknown man applying false eyelashes to Elsie the Borden Cow, the unofficial mascott for Borden dairy products. After appearing at the New York World's Fair, Elsie was chosen by R.K.O. producer Gene Towne to star in the 1940 film "Little Men," based on the novel by Louisa May Alcott. Elsie arrived in Los Angeles on July 12, 1940
Date:
1940
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Unknown man applies false eyelashes to Elsie the Borden Cow, star of the 1940 film "Little Men," Los Angeles, 1940