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“Marriage of Figaro” production dancers, Barnum Hall, Santa Monica, 1958

Description:
Photograph of dancers from a Santa Monica Civic Opera production of “The Marriage of Figaro.” The performers (one male and one female) danced in a ballet sequence from Act 3. They are standing onstage in front of a background set. They wear costumes evoking 18th century Spanish attire. He wears a coat, cravat, breeches, stockings and shoes with large decorative buckles. She wears a blouse with a lace-up bodice, full skirt and ballet flats. Opera performed at Barnum Hall, Santa Monica.
Date:
March 8, 1958-March 9, 1958
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Marriage of Figaro” production dancers, Barnum Hall, Santa Monica, 1958

"Rigoletto" curtain call with Ray Gagan, Enrico Porta and Natalie Garrotto, John Adams Auditorium, Santa Monica, 1949

Description:
The Santa Monica Civic Opera performed “Rigoletto” at the John Adams Auditorium November 26-27, and December 3-4. This is either the November 26th or December 4th performance, with Natalie Garrotto in the role of Gilda. The role alternated between Natalie Garrotto, Kay Marshall and Diana Guadagno.
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" curtain call with Ray Gagan, Enrico Porta and Natalie Garrotto, John Adams Auditorium, Santa Monica, 1949

“Cavalleria Rusticana” production with Enrico Porta, Barnum Hall, Santa Monica, 1952

Description:
Santa Monica Civic Opera performance of “Cavalleria Rusticana.” Cast members wearing Italian peasant costumes are gathered center stage while Alfio (portrayed by Enrico Porta) stands to the fore of the group, holding a whip. The setting is a 19th century Sicilian village. Painted backdrops and sets depict stone and brick architecture surrounding a village square. At opposing ends of the stage are a cantina and a church. Beyond the stage, musicians can be seen in the orchestra pit, while audience members are viewed at foreground. Opera performed at Barnum Hall, Santa Monica.
Date:
May 11, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Cavalleria Rusticana” production with Enrico Porta, Barnum Hall, Santa Monica, 1952

“Cavalleria Rusticana” cast members Florence Timmerhoff, Enrico Porta and two others, Barnum Hall, Santa Monica, 1952

Description:
Four opera singers from a Santa Monica civic Opera production of “Cavalleria Rusticana,” in costume, posed in front of a stage set. Second from left: Florence Timmerhoff as Lola; far right, Enrico Porta as Alfio. Unidentified players portray Mamma Lucia and Turrido. Photographed at Barnum Hall, Santa Monica.
Date:
May 11, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Cavalleria Rusticana” cast members Florence Timmerhoff, Enrico Porta and two others, Barnum Hall, Santa Monica, 1952

“Pagliacci” production, Barnum Hall, Santa Monica, 1952

Description:
Opera singers performing in a Santa Monica Civic Opera production of “Pagliacci.” The stage is filled with cast members in peasant costumes, as performers portraying Canio/ Pagliacci (in clown costume) and Canio’s wife Nedda ride onstage on a horse drawn wagon. The setting is a 19th century Calabrian village. With rolling hills and trees painted on a backdrop. To the fore stands a secondary stage resembling a Greek temple. Drawn curtains shield the interior from view. A banner painted with “I Pagliacci” is attached to the pediment. Beyond the stage, musicians can be viewed in the orchestra pit at foreground. Opera performed at Barnum Hall, Santa Monica.
Date:
1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Pagliacci” production, Barnum Hall, Santa Monica, 1952

"Cavalleria Rusticana” production, Barnum Hall Theatre, Santa Monica, 1952

Description:
Santa Monica Civic Opera performance of “Cavalleria Rusticana.” The cast members, dressed as villagers, take up the entire stage. The setting is a 19th century Sicilian village. Painted backdrops and sets depict stone and brick architecture surrounding a village square. At opposing ends of the stage are a cantina and a church (where a priest stands at the doorway). Beyond the stage, musicians can be seen in the orchestra pit, while audience members are viewed at foreground. Opera performed at Barnum Hall, Santa Monica.
Date:
May 11, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Cavalleria Rusticana” production, Barnum Hall Theatre, Santa Monica, 1952

“Traviata” cast members Enrico Porta, Marjorie Taylor and one other, Barnum Hall, Santa Monica, 1950

Description:
Photograph of Opera singer, Enrico Porta, flanked by Marjorie Taylor (R) and an unidentified female cast member, with the Santa Monica Civic Opera. All three performed in an excerpt of “La Traviata” (Act 2, Scene 2). Porta wears a three-piece suit, the ladies wear satin gowns. They stand on stage in front of a “La Traviata” stage set.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Traviata” cast members Enrico Porta, Marjorie Taylor and one other, Barnum Hall, Santa Monica, 1950

"Hansel and Gretel" cast members, Barnum Hall, Santa Monica, 1957-1959

Description:
Cast members from the Santa Monica Civic Opera production of Hansel and Gretel. Three female performers in German-style clothing. One dressed as Hansel (left) wears lederhosen and holds a broom. Another, depicting Gretel, wears a dirndl and poses with knitting needles and fabric. Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" cast members, Barnum Hall, Santa Monica, 1957-1959

"Bohème" production, Act 3, Barnum Hall, Santa Monica, 1955

Description:
Opera singers in a production of Giacomo Puccini’s, La Bohème. One male dressed as an officer stands at a gate while six women in peasant dress stand in line. The set is comprised of two building facades, a tree, park bench and gates leading into the city of Paris. Behind this, a painted backdrop depicts snow-covered trees. Piano player and three musicians viewed in the orchestra pit at foreground. Performed by the Santa Monica Civic Opera at Barnum Hall, Santa Monica.
Date:
June 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Bohème" production, Act 3, Barnum Hall, Santa Monica, 1955

“Marriage of Figaro” production with June Moss and Pryor Bowen, Barnum Hall, Santa Monica, 1958

Description:
Santa Monica Civic Opera performance of Act 3 of “The Marriage of Figaro.” The Count and Countess Almaviva (portrayed by Pryor Bowen and June Moss) sit upstage on two thrones set on a dais. They watch along with others as two peasant women sing at center. The aristocrats wear 18th century style attire – coats with deep cuffs, waistcoats (vests), breeches and stockings. The Count and Countess both wear wigs – she with a pompadour hairstyle, he in a powdered wig. The peasant women wear full skirts with overskirts tied at the waist, peasant blouses covered with lace-up bodices, and caps covering their hair. The men wear coats, breeches, stockings, and cravats. The setting is a hall in Count Almaviva’s palace. Musicians in the orchestra pit and several audience members can be viewed at foreground. Performed at Barnum Hall, Santa Monica.
Date:
March 8, 1958-March 9, 1958
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Marriage of Figaro” production with June Moss and Pryor Bowen, Barnum Hall, Santa Monica, 1958

“Rigoletto” production with Enrico Porta, John Adams Auditorium, Santa Monica, 1949

Description:
Opera singer Enrico Porta, in the role of Rigoletto, sings while a crowd of nobles and courtiers look on. The singers wear costumes evoking 16th century attire - the female singers wear long gowns with full skirts and puffed sleeves. The men wear stockings, doublet-inspired tunics, ruff collars, and baldrics (for holding a sword) around the waist. Rigoletto wears an embroidered cape and braided belt with tassels. The stage set represents a room in the Duke’s palace complete with a throne (an ornate wooden chair covered with a canopy, placed on an elevated platform). The walls are built with faux columns and crests mounted on them. Musicians can be seen from the orchestra pit at foreground. Additionally, Natalie Garrotto (second from left) performs as a noblewoman and Jean Kortlander is visible as well (3rd from R).
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” production with Enrico Porta, John Adams Auditorium, Santa Monica, 1949

“Rigoletto” production with Natalie Garrotto and Ray Gagan, John Adams Auditorium, Santa Monica, 1949

Description:
The Santa Monica Civic Opera performed “Rigoletto” at the John Adams Auditorium November 26-27, and December 3-4. This is either the November 26th or December 4th performance, with Natalie Garrotto in the role of Gilda. The role alternated between Natalie Garrotto, Kay Marshall and Diana Guadagno.
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” production with Natalie Garrotto and Ray Gagan, John Adams Auditorium, Santa Monica, 1949

"Hansel and Gretel" cast members, Barnum Hall, Santa Monica, 1957-1959

Description:
Cast members from the Santa Monica Civic Opera production of "Hansel and Gretel." Four female performers wear German-style clothing; two are dressed as males. Kneeling cast members play Hansel (in lederhosen) and Gretel (in a dirndl). Singers portraying Hansel and Gretel's mother and the Sandman stand behind them. Photographed backstage at Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" cast members, Barnum Hall, Santa Monica, 1957-1959

“Rigoletto” with Natalie Garrotto, John Adams Auditorium, Santa Monica, 1949

Description:
The Santa Monica Civic Opera performed “Rigoletto” at the John Adams Auditorium November 26-27, and December 3-4. This is either the November 26th or December 4th performance, with Natalie Garrotto in the role of Gilda. The role alternated between Natalie Garrotto, Kay Marshall and Diana Guadagno.
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” with Natalie Garrotto, John Adams Auditorium, Santa Monica, 1949

“Marriage of Figaro” production with June Moss, Caterina Micieli, Roderick Risto, and Pryor Bowen, Barnum Hall Theatre, Santa Monica, 1958

Description:
Ballet dancers and opera singers in a Santa Monica Civic Opera performance of Act 3 of “The Marriage of Figaro.” The Count and Countess Almaviva (portrayed by Pryor Bowen and June Moss) sit upstage on two thrones set on a dais. They watch along with Figaro and Susanna (Roderick Risto and Caterina Micieli), who stand at the Countess’ right side, and others as two peasants dance at center. The aristocrats wear 18th century style attire – coats with deep cuffs, waistcoats (vests), breeches and stockings. The Count and Countess both wear wigs – she with a pompadour hairstyle, he in a powdered wig. Figaro’s bride Susanna wears attire similar to the peasant women who wear full skirts with overskirts tied at the waist, peasant blouses covered with lace-up bodices, and caps covering their hair, but Susanna wears a veil. The peasant men wear coats, breeches, stockings, and cravats. The setting is a hall in Count Almaviva’s palace. Musicians can be viewed in the orchestra pit at foreground. Performed at Barnum Hall, Santa Monica.
Date:
March 8, 1958-March 9, 1958
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Marriage of Figaro” production with June Moss, Caterina Micieli, Roderick Risto, and Pryor Bowen, Barnum Hall Theatre, Santa Monica, 1958

“Marriage of Figaro” production with Lou Ann Wyckoff, Roderick Risto, Pryor Bowen, and Robert Mahoney, Barnum Hall, Santa Monica, 1958

Description:
Santa Monica Civic Opera performance of Act 1 of “The Marriage of Figaro.” Figaro (portrayed by Roderick Risto) stands center and sings while Count Almaviva (singer Pryor Bowen), his page Cherubino (played by female singer Lou Ann Wyckoff), Don Basilio (Robert Mahoney) and several cast members portraying peasants listen. The aristocrats wear 18th century style attire – coats with deep cuffs, waistcoats (vests), breeches and stockings. Figaro wears a shirt with lace collar and cuffs. The peasant women wear full skirts with overskirts tied at the waist, peasant blouses covered with lace-up bodices, and caps covering their hair. The men wear coats, breeches and cravats. The setting is a sparsely furnished room in Count Almaviva’s palace, with ornately painted walls, an end table, chair and footstool. Balcony shot allows for views of the entire stage, musicians in and outside of the orchestra pit, and numerous audience members. Performed at Barnum Hall, Santa Monica.
Date:
March 8, 1958-March 9,1958
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Marriage of Figaro” production with Lou Ann Wyckoff, Roderick Risto, Pryor Bowen, and Robert Mahoney, Barnum Hall, Santa Monica, 1958

"Rigoletto" performance attendees with Enrico Porta costumed as "Rigoletto," John Adams Auditorium, Santa Monica, 1949

Description:
Enrico Porta, in costume as the title character, “Rigoletto,” for a performance of the Santa Monica Civic Opera, photographed with three performance attendees. One wears a fur coat, the other two in contemporary overcoats. Porta wears a stripped doublet-inspired tunic, full, short breeches (called slops), stockings and a cape. The women are separated from Porta by a stone wall stage set covered with vines, and a garden bench.
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" performance attendees with Enrico Porta costumed as "Rigoletto," John Adams Auditorium, Santa Monica, 1949

“Cavalleria Rusticana” production, Barnum Hall, Santa Monica, 1952

Description:
Santa Monica Civic Opera performance of “Cavalleria Rusticana.” A singer portraying Turridu stands downstage and sings as cast members dressed as 19th century peasants and soldiers mill about the stage. The setting is a Sicilian village. Painted backdrops and sets depict stone and brick architecture surrounding a village square. At opposing ends of the stage are a cantina and a church. Beyond the stage, musicians can be seen at foreground in the orchestra pit. Opera performed at Barnum Hall, Santa Monica.
Date:
May 11, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Cavalleria Rusticana” production, Barnum Hall, Santa Monica, 1952

"Pagliacci" production, Barnum Hall, Santa Monica, 1955

Description:
Opera singers portraying Nedda and Silvio, in Ruggero Leoncavallo’s Pagliacci. The singers, dressed as Italian villagers, sit and embrace as they perform. The painted backdrop and scenery depict a country village complete with rolling hills and trees, as well as a brick tavern. The set is completed by a secondary stage set up for Pagliaccio’s troupe. This secondary stage resembles a Greek temple and is positioned downstage left, its interior covered by drapery. A drum rests next to the stage. Musicians are viewed in the orchestra pit at foreground.
Date:
August 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Pagliacci" production, Barnum Hall, Santa Monica, 1955

"Barber of Seville" production, John Adams Auditorium, Santa Monica, 1955

Description:
Santa Monica Civic Opera singers portraying Basilio (standing) and Bartolo (seated) in, "The Barber of Seville." The singers wear 18th century Spanish clothing and are surrounded by a stage set recreating a room in an affluent home. The set, painted with decorative paneled walls and a faux fireplace, is also decorated with end tables, chairs, and candelabras. The conductor and pianist are visible from the orchestra pit. Performed at John Adams Junior High School, Santa Monica.
Date:
December 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Barber of Seville" production, John Adams Auditorium, Santa Monica, 1955

"Bohème" production, Act 3, Barnum Hall, Santa Monica, 1955

Description:
Two opera singers in a production of Giacomo Puccini’s, La Bohème. Mimi (portrayed by June Moss) and a singer portraying Marcello wear period costumes and stand downstage under a spotlight. The set is comprised of two building facades, a tree, park bench and gates leading into the city of Paris. Behind this, a painted backdrop depicts snow-covered trees. View of the stage and orchestra pit from balcony. Performed by the Santa Monica Civic Opera at Barnum Hall, Santa Monica.
Date:
June 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Bohème" production, Act 3, Barnum Hall, Santa Monica, 1955

"Hansel and Gretel" cast member Barbara Ludwig and fellow performer signing autographs, Santa Monica, 1959

Description:
Cast members from the Santa Monica Civic Opera production of "Hansel and Gretel" greet their audience. Two performers, male and female, wearing German-style clothing greet children in front of a production poster. The male, who portrayed Hansel and Gretel's father, is autographing playbills. Barbara Ludwig, as Gretel, stands to his right. She wears a dirndl, her hair styled in pigtails. A production poster is propped behind them. it reads, in part: "Hansel and Gretel. Irving Beckman conducting. Fri. Ja[nuary...], Sat. [January...]." Barnum Hall, Santa Monica.
Date:
[circa January 23, 1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" cast member Barbara Ludwig and fellow performer signing autographs, Santa Monica, 1959

"Hansel and Gretel" production with June Moss and one other performer, Barnum Hall, Santa Monica, 1957-1959

Description:
Santa Monica Civic Opera production of "Hansel and Gretel." June Moss (as Hansel and Gretel's mother), and an unidentified singer as their father, perform at stage left. They are dressed as German peasants and stand within a cottage interior set. Two and three-dimensional trees depict a woodland exterior. View of stage and orchestra pit from balcony. Performed at Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" production with June Moss and one other performer, Barnum Hall, Santa Monica, 1957-1959

"Martha" production, spinning wheel scene, John Adams Auditorium, Santa Monica, 1951

Description:
Photograph of the spinning wheel scene in a production of the opera "Martha." June Moss (center, as Lady Harriet Durham) her confidante Nancy, and Roger Hansen (2nd from right, as one of the young farmers, Lyonel or Plunkett) are in a farmhouse room with 2 spinning wheels.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Martha" production, spinning wheel scene, John Adams Auditorium, Santa Monica, 1951

"Bohème" production, Act 1, Barnum Hall, Santa Monica, 1955

Description:
Two singers performing in a production of Giacomo Puccini’s opera, La Bohème. The singers, in period costume, portray Rodolfo and Mimi. The painted backdrop and set props recreate an attic apartment in Paris, while windows painted with snow-covered panes suggest the winter season outdoors. Props include a table set with bottles, glasses, a quill pen and ink. Chairs, a market basket, wall painting and easel complete the set. Microphones and an amplifier can be viewed at the stage’s edge, while a piano player and violinists are visible in the orchestra pit at foreground. Performed at Barnum Hall, Santa Monica.
Date:
June 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Bohème" production, Act 1, Barnum Hall, Santa Monica, 1955

"Hansel and Gretel" production, Barnum Hall, Santa Monica, 1957-1959

Description:
Santa Monica Civic Opera production of "Hansel and Gretel." A chorus dressed in Grecian robes performs across a backlit stage. The chorus is split into two groups, most of the players sitting or kneeling on the floor while one stands. Performed at Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" production, Barnum Hall, Santa Monica, 1957-1959

"Martha" production, spinning wheel scene with Natalie Garrotto, Roger Hansen and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

Description:
Photograph of the spinning wheel scene in a production of the opera "Martha" with Natalie Garrotto (left, Lady Harriet Durham), her confidante Nancy, and Roger Hansen and Giovanni Zavatti as the young farmers, Lyonel and Plunkett in a farmhouse room with 2 spinning wheels.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Martha" production, spinning wheel scene with Natalie Garrotto, Roger Hansen and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

“Elisir d’amore” production with Roger Hansen as Dr. Dulcamara, John Adams Auditorium, Santa Monica, 1951

Description:
Opera singers performing in “L’Elisir d’amore.” Roger Hansen Dr. Dulcamara stands at center wearing a top hat with peacock feather, cape and coat, waist coat (vest), striped cravat and sash, trousers and boots. He also holds a walking stick. He is surrounded by a crowd of soldiers and villagers, including Adina, portrayed by June Moss singing at right (in front of a group of women). The setting is a village square in Basque country, late 18th century. Scenery includes a painted backdrop with rolling hills and trees, and set pieces painted to look like stone structures. Opera performed at John Adams Auditorium.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Elisir d’amore” production with Roger Hansen as Dr. Dulcamara, John Adams Auditorium, Santa Monica, 1951

"Hansel and Gretel" cast member Barbara Ludwig with gingerbread children, Barnum Hall, Santa Monica, 1957

Description:
The gingerbread children were portrayed by members of University High School’s a capella choir, as noted in a newspaper write-up with title, “To Sing in Light Opera”. Article is one of several assembled by Adelbert Bartlett (see "Relation" note).
Date:
1957
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" cast member Barbara Ludwig with gingerbread children, Barnum Hall, Santa Monica, 1957

"Hansel and Gretel" cast member Teresa Kirbe and fellow performer, Barnum Hall, Santa Monica, 1957-1959

Description:
Cast members from a Santa Monica Civic Opera production of "Hansel and Gretel." One performer, portraying Hansel and Gretel’s father, wears German peasant attire. Another performer wears a witch’s hat and an overcoat. The location is most likely backstage at Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" cast member Teresa Kirbe and fellow performer, Barnum Hall, Santa Monica, 1957-1959

“Carmen” production, Santa Monica

Description:
Opera singers performing in Act 1 of “Carmen.” Female cast members portraying tobacco factory workers populate the stage. They wear Spanish-inspired attire (peasant blouses and full skirts), hold cigarettes and sing while male cast members dressed as soldiers stand to the left and watch. The soldiers stand next to a scenery flat representing a guard house. Across the stage, a second flat represents the tobacco factory. A sign reading “Fabrica de Tobaco” hangs overhead. Photographed from the audience with view of the conductor and musicians in the orchestra pit, as well as audience members in the first few rows. This may possibly be a Santa Monica Civic Opera production. Stage is likely at a Santa Monica school auditorium. Date of production unknown.
Date:
[between 1949-1965]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Carmen” production, Santa Monica

“Lucia di Lammermoor” performance with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

Description:
Photograph of a Santa Monica Civic Opera performance of “Lucia di Lammermoor” with Betty Herrick as Lucia in a bridal gown (L), Giovanni Zavatti as Edgardo (center)and others. The singers wear 17th century period costume, the women in gowns, the men (with the exception of two) in satin breeches and doublet-inspired tunics, ruff collars, and baldricks worn diagonally across their chest (to hold their swords). The man standing closest to Lucia wears a more austere, dark costume with a wide flat collar and cuffs; the singer to his right wears a jerkin, short breeches, cavalier boots and a baldric. The set represents a hall in Lammermoor Castle with walls, stairs and a doorway. Props include a table and chair. Musicians in the orchestra pit are viewed in foreground. Likely performed at John Adams Junior High School, Santa Monica.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” performance with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

“Lucia di Lammermoor” production with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

Description:
Betty Herrick as Lucia and Giovanni Zavatti as Edgardo in “Lucia di Lammermoor.” Herrick wears a gown emulating 17th century attire. It is comprised of a full skirt, lace overlay bodice with long sleeves, and a tie around the waist. An organza shawl and bejeweled necklace and earrings complete the ensemble. Zavatti wears a jerkin, short full breeches, cavalier boots and a baldric with sword. They stand in front of a flat background with a painted fountain and exterior architecture representing Lammermoor Castle. The dimly lit stage suggests nighttime. The conductor’s podium, musical scores, and a musician can be seen from the orchestra pit at foreground. Likely performed at John Adams Junior High School, Santa Monica.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” production with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

“Lucia di Lammermoor” production with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

Description:
Betty Herrick as Lucia and Giovanni Zavatti as Edgardo in “Lucia di Lammermoor.” Herrick wears a gown emulating 17th century attire. It is comprised of a full skirt, lace overlay bodice with long sleeves, and a tie around the waist. An organza shawl and bejeweled necklace and earrings complete the ensemble. Zavatti wears a jerkin, short full breeches, cavalier boots and a baldric with sword. They stand in front of a flat background with a painted fountain and exterior architecture representing Lammermoor Castle. The dimly lit stage suggests nighttime. The conductor’s podium and musical scores can be seen from the orchestra pit at foreground. Likely performed at John Adams Junior High School, Santa Monica.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” production with Betty Herrick and Giovanni Zavatti, John Adams Auditorium, Santa Monica, 1951

“Lucia di Lammermoor” scene performed during "One Night at the Opera," Barnum Hall, Santa Monica, 1950

Description:
The ecerpt from “Lucia di Lammermoor” was performed as part of “One Night at the Opera,” an event showcasing scenes from the association’s most popular operas. The performance took place January 28, 1950 at Barnum Hall, Santa Monica.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” scene performed during "One Night at the Opera," Barnum Hall, Santa Monica, 1950

“Lucia di Lammermoor” scene with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

Description:
Opera singers performing Act 2, Scene 2 from “Lucia di Lammermoor.” Lucia (Natalie Garrotto) wears a wedding gown and veil and is being comforted by her handmaid, Alisa (Catherine Mazet). Lucia turns away from Edgardo, laird of Ravenswood (portrayed by Ray Gagan) as he sings. He wears a button-down shirt, fitted breeches and tall boots. He also carries a sword at his side. Not far from him stands Enrico, laird of Lammermoor (Enrico Porta), who wears a satin doublet with lace-trimmed collar, breeches and stockings. Additionally, cast members in the role of nobles and courtiers watch as events transpire. June Moss (second from left) performs as one of these nobles. A fabric covered table topped with a quill pen and ink set are the only visible stage props.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” scene with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

"Lucia di Lammermoor" "mad scene" with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

Description:
Opera singer Natalie Garrotto in the title role, performing the “Mad Scene” from “Lucia di Lammermoor.” Garrotto stands center stage while cast members, dressed as 17th century nobles, watch events unfold. The setting is a hall in Lammermoor Castle. Upstage, a stair case and narrow wall panels suggest a grand room. Downstage, two chairs and a table topped with quill pen and ink are the only props visible. Musicians are viewed in the orchestra pit at foreground. Additionally, June Moss (standing left of the staircase) performs as a noble in attendance.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Lucia di Lammermoor" "mad scene" with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

"Traviata" scene during performance of "One Night at the Opera," Barnum Hall, Santa Monica, 1950

Description:
Dancers perform “the gypsy dance,” in "La Traviata," Act 2, Scene 2. The dancers take center stage in Romani (Gypsy) attire. Female cast members portraying party attendees are dressed in gowns, the men in dress suits and cravats. They stand on the sidelines watching the dance. The stage set is comprised of gated stone walls surrounded by trees, replicating the courtyard of a country home outside of Paris. Musicians are viewed in the orchestra pit at foreground.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Traviata" scene during performance of "One Night at the Opera," Barnum Hall, Santa Monica, 1950

“Elisir d’amore” production with Natalie Garrotto, Memorial Greek Amphitheatre, 1949-1958

Description:
Opera singers performing in “L’Elisir d’amore.” The stage is filled with cast members dressed as Basque villagers. At center, a singer portraying Dr. Dulcamara stands on an elaborately decorated wagon, holding a bottle of elixir. His assistant, wearing a pith helmet and holding a crop, stands next to the wagon. Portions of background sets in the forms of houses and trees can be seen behind the players. Among the performers is Natalie Garrotto, likely playing the role of Giannetta (peasant girl). She wears ballet flats, full skirt with floral embellishments, and a white shawl. Photographed at Santa Monica High School Amphitheatre.
Date:
[between 1949-1958]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Elisir d’amore” production with Natalie Garrotto, Memorial Greek Amphitheatre, 1949-1958

“Elisir d’amore” production with June Moss, Memorial Greek Amphitheatre, 1949-1958

Description:
Opera singers performing in a production of “L’Elisir d’amore.” June Moss, in the role of Adina, sings with a male performer portraying Dr. Dulcamara (wearing a top hat, waist coat, tailcoat, breeches and boots). A soldier is seated at a table behind them while cast members dressed as soldiers, peasants and villagers mill about. The setting is a village square in Basque country, late 18th century. Scenery includes a painted backdrop with rolling hills and trees, and set pieces painted to look like stone architecture. Santa Monica High School Amphitheatre.
Date:
[between 1949-1958]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Elisir d’amore” production with June Moss, Memorial Greek Amphitheatre, 1949-1958

"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

Description:
Opera singers performing in Act 1 of Die Fledermaus. One male, wearing a tailcoat and tuxedo pants, portrays Gabriel von Einstein. He sings at center and is flanked two women - at right, a singer in the role of his wife, Rosalind; at left, her chambermaid, Adele. The setting is of a home interior with tables, chairs, a settee and an ornate privacy partition. Potted plants create a backdrop for the open-air stage. Beyond the stage, two accompanying pianists can be viewed situated on a walkway separating the stage from a small reflecting pool pictured at middle ground, with audience members seen at foreground. Performed August 27, 1965, during the 28th annual “Symphonies by the Sea” event, Open-Air Memorial Theater, Santa Monica High School Campus.
Date:
August 27, 1965
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

"Rigoletto" production, Barnum Hall (probably), Santa Monica, 1956

Description:
Two opera singers, a man and woman, can be seen on stage in Renaissance style costumes. The man sits to the left and the woman stands to the right. Behind them a stage set depicting the dark interior of a room with a lit, suspended chandelier is faintly seen. The location may be Barnum Hall.
Date:
1956
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" production, Barnum Hall (probably), Santa Monica, 1956

"Rigoletto" cast members Enrico Porta with 4 others, Santa Monica, 1956

Description:
Enrico Porta (center) with 4 other opera singers, in costume, posing for a picture. The two on the left are dressed as Romanis (Gypsies), the two on the right appear to be dressed as pirates and the actor in the middle is in Renaissance style costume. The female actress dressed as a pirate is holding a large bouquet of roses.
Date:
1956
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" cast members Enrico Porta with 4 others, Santa Monica, 1956