Photograph, from left to right, of Zetta Witherby, Wes Witherby, Dode (Sarah Josephine) Witherby and Mertie West posing in the courtyard at El Paseo in Santa Barbara. The group stands in a row at center. Everyone faces slightly left, except Zetta Witherby, who faces forward. Both Wes Witherby and Dode Witherby look to the camera while Zetta Witherby and Mertie West look to the left. Behind them and to the right, a tiled fountain sits low to the ground. A woman sits near the fountain in the distance at right. Another woman walks through the grass behind the group at left. The courtyard stretches behind the group. Spanish Colonial styled buildings line the perimeter of the courtyard in the background.
A worm's-eye view photograph, from left to right, of: Josie Shaw, Will Shaw, Abraham Whitaker, Mertie West, Everett Shaw, Wright Prickett, Jr. and Wes Witherby posing in the open window area of a porch for an informal group portrait at Bailey's cottage in Manhattan Beach. The shingle-style cottage is viewed from the ground and the camera looks up towards the group. They stand in a row to the right of column with "1008" on it. A portion of the roof is visible in the upper left corner and a shutter is visible at right.
From left to right, Women's Breakfast Club members Dorothy Paonessa, Jeannette Brix and Mrs. Herbert Vincent walk in a row towards the camera. All three women smile as they approach the camera. Dorothy Paonessa wears a ribbon on her chest which reads, "HOSTESS." Behind them, what is possibly the Women's Breakfast Club's clubhouse stands at right. It is partially obscured by vegetation.
This photograph appears with the article, “AIR CADETS GET CROWNS: Championships Announced Jimmie Allen Model Plane Contest Grand Prize Awards Made,” Los Angeles Times, 1 Aug. 1935: A3.
An informal group photograph, from left to right, of: Wilson West, Mertie West, Eleanor West, Richard West and H. H. West, Jr., all standing in a row and posing atop planks of wood. They stand on planks of wood and logs that extend horizontally beneath them. The planks appear to function as a bridge over a stream. Everyone except H. H. West, Jr. looks to camera. He stands slightly separated from everyone else at right and gazes off towards the left. Woods line the bank behind them.
An out-of-focus photograph, from left to right, of Will H. Shaw, H. H. West, Jr. and Wright Prickett, Jr. posing as they stand near a putting green during an outing to Sunset Canyon Country Club in Burbank. The group stands in the near distance at center. Will Shaw (left) and Wright Prickett, Jr. (right) both look to the camera. H. H. West, Jr. stands between them and gazes off towards the right. A putting green extends behind them. Behind and to the left of the group, a golfer walks across the green. Tree branches hang down above the trio and trees dot the golf course behind them. Beyond the course, a hillside rises in the distance at right.
An out-of-focus photograph, from left to right, of Will H. Shaw, H. H. West and Wright Prickett, Jr. standing on the golf course at Sunset Canyon Country Club in Burbank. Will Shaw stands leftmost. He both faces and looks towards the right. H. H. West stands at center and dons golf attire. He faces towards the camera and rests his hands to his hips as he gazes off towards the right. Wright Prickett, Jr. stands rightmost and faces towards the camera. He rests a hand in his pocket as he looks to the camera. Tree branches hang above the 3 men. Behind them, another golfer walks through the course and in the distance at right, a hillside stands.
The Whitaker family poses in front of H. H. West's house on Hobart Boulevard. There are bushes on either side of the front walk. The front windows and door of the house are visible behind the group.
The Whitaker family poses in front of H. H. West's house on Hobart Boulevard. There are bushes on either side of the front walk. The front windows and door of the house are visible behind the group.
A poorly lit group photograph, from left to right, of: Frances West, Mary A. West, Elizabeth West, Chester Schmitz, Irene Schmitz, A. B. Schmitz, and Kate Schmitz posing in front of a hut along the roadside near Warner Hot Spring. The group stands at center in the near distance and looks to camera. The Wests stand in a clump together at left. The Schmitz children stand together at center and A. B. and Kate Schmitz stand together at right. In the foreground, ground brush lines the road at left in front of the West women. A dirt road runs towards and along the right side of the image. A car is parked on the road behind and to the right of Kate Schmitz; it is viewed from behind. A small hut stands behind Mary West. Behind and above Elizabeth, a sign hangs from the hut; it reads, "THE SAN FRANC [...] FOR [...] HERE." Trees line the background and a mountain rises in the far distance at left.
Close-up photograph, from left to right, of Wayne West, Maud West and Mertie West posing while standing next to Wayne West's car, which is parked along North Ridgewood Place. The trio stands in a row at center. Wayne and Maud West look to the camera while Mertie West glances off towards the right. Wayne West's car is parked along the curb behind them. It is viewed at an angle from the side and faces right. It is parked along North Ridgewood Place, which extends on an upward angle through the image from left to right behind the group. Houses line the far side of the street in the distance.
Wayne West was H. H. West's brother. Lynn West was H. H. West's second cousin twice removed. H. H. West's great-grandfather, Hezekiah West, was Lynn West's third great-grandfather.
Photograph, from left to right, of Wayne West and Maud West posing with their luggage while standing on the walkway in front of H. H. West's residence on North Ridgewood Place. Wayne West and Maud West stand side-by-side at center on a walkway that extends horizontally through the image. Both look to the camera. Wayne holds luggage in both hands while Maud holds her purse and a bag sits on the walkway at her side. Neighboring houses at right line North Ridgewood Place and recede back into the distance. North Ridgewood Place stretches into the distance at left.
In the background there are two signs that say in English “The Los Angeles Times: Co-Operating with K.H.J. in Broadcast of World Wide News and The Times Forum-”.
Related to the article, "Domestic Chores Replaced by Sports: HOUSEWIVES HAVE FROLIC Thousand Shun Their Home Tasks for Play Day at Griffith Playground," Los Angeles Times, 12 Mar. 1936: A1
This photograph may be associated with the article, “Guarded From Kidnap Threat: BRUCE HOME UNDER GUARD Film Writer Tells How She Received Warning on Kidnaping Plot,” Los Angeles Times, 26 Feb. 1936: A3.
A similar photograph and 2 others appear together in a small photo spread that accompanies the article, "Plane Designer With Earliest and Latest Models: FOKKER URGES AIR SAFETY Inventor Says Passengers Will Fly When Planes Are More Stable and Comfortable," Los Angeles Times, 02 Nov. 1927: A5
Group portrait of two of the Vilayat Hussain Brothers with completed taṃbūrās, seated with family members. The location is the shop of Abdul Karim Ismail Saheb.
Photograph, from left to right, of Vic Beal and Marion Whitaker posing on the Manhattan Beach Pier. Both looks to camera and lean back against the hand rail of the pier. Vic Beal stands leftmost and clasps his hands together. Marion Whitaker stands to the right of him and rests her elbows to the rail behind her. The shoreline on the south side of the pier stretches below and behind them in the background.
A group portrait of the students lined up in two rows, all of them wearing dark smocks and white pants or skirts. The students are: Donald Wood, Lloyd Dixon, Barbara Barton, Ruth Borchardt, Carolyn Aberle, Martha Stratton, Judy Dudley, Anne McPhee, Elinor Tresselt, Beverly Griffiths, Marie Whisand, Barbara Ryan, Evelyn Whitman, Marite Delaney, Dick Rice, Patsy Pursell, Charles Ferris, Conchita Bowman, Jimmy Reeves, Betty Hutton and Jack Van Gorder.
This photograph appears with the article, “Thanks giving Day Brings Hippiness[sic] and Turkey to Thousands in Southland,” Los Angeles Times, 29 Nov. 1935: 18.
Photograph of 2 uniformed servicemen standing in front of their quarters while stationed at Dutch Harbor during World War II. A walkway of wooden slats enters frame from the lower left corner and stretches through the image on an upward angle towards the right. It then extends back to the left towards the front door of the Quonset hut-style barracks. Two servicemen stand on the walkway in front of and running parallel to the barracks. They stand side-by-side at center and look to the camera while dressed in uniform. The front of the barracks stands behind and to the left of them. It is viewed at an angle from the front and faces right. Snow-covered mountains rise in the distance at right.
Photograph of 2 fellow servicemen of H. H. West, Jr.'s posing outside of their quarters while stationed at Fort Mears in Dutch Harbor. The duo poses at center standing on a wood plank that passes in front of the barracks. To the right of the men, another planked walkway extends perpendicularly from it and stretches back towards the barracks. The Quonset hut-style barracks stands off-center to the right, extending out-of-frame. A Dutch door in the center of the building is open at top. Three more servicemen stand behind it and look to the camera. A window sits to the right of the door. On the window's frame, a number plate reads, "24." To the left of the building, a blanket lies atop shrubbery and in the distance, a hillside rises.
Possibly related to the articles, "THORNHILL DRIVES STANFORD GRIDDERS: PLAYERS IN FINE SHAPE Cripples Ready for 'Bama Everybody but Callaway Takes Part in Drill at Brookside Park," Los Angeles Times, 28 Dec. 1934: 5, or "It's All Work and No Play Twice a Day for Stanford's Footballers: TWO DRILLS BY INDIANS Passes Feature Workouts of Stanford, Alabama for Bowl Battle," Los Angeles Times, 29 Dec. 1934: 8
Photograph of 3 fellow servicemen of H. H. West, Jr.'s posing on the walkway in front of their quarters while stationed at Dutch Harbor during World War II. A walkway of wooden slats enters frame from the lower left corner and stretches through the image on a slight upward angle towards center. It then extends back to the left towards the front door of the Quonset hut-style barracks. Three servicemen stand on the corner of the walkway leading up to barrack's door. A man in uniform stands on the walkway at center and wraps an arm over the shoulder of the man standing at left. Another man stands to the right of the man at center and places his hand in his pocket. All look to the camera. The front of the barracks (partial view) stands behind and to the left of the group. It is viewed at an angle from the front; it faces right. Snow-covered mountains rise in the distance at center and right.
Photograph of 3 fellow servicemen of H. H. West, Jr.'s posing on the walkway in front of their quarters while stationed at Dutch Harbor during World War II. A walkway of wooden slats enters frame from the lower left corner and stretches through the image on a slight upward angle towards center. It then extends back to the left towards the front door of the Quonset hut-style barracks. Three servicemen stand on the corner of the walkway leading up to barrack's door in the near distance at center. A man in uniform stands leftmost and links arms with the man standing at center, who wears a heavy coat. Another man stands to the right of the man at center. He faces left and holds the the hand of the man at center. All look to the camera. The front of the barracks stands behind and to the left of the group. It is viewed at an angle from the front and the side; it faces right. Corrugated sheet metal covers the side and the roof of the structure. Snow-covered mountains rise in the distance at center and right.
Photograph, from left to right, of: Ella Salbach, Elizabeth West, the daughter of Guy Mansberger, F. O. Nelson, Carl Salbach, Hilma M. Nelson, Frances West, Mary A. West and (Carl) Edward Salbach, all sitting in front of the front porch of a dwelling on Thanksgiving Day 1912. Ella Salbach sits leftmost in a chair and looks down towards her lap. A child, the daughter of Guy Mansberger, stands in front of her to the right. Behind them, Elizabeth West sits on the lap of F. O. Nelson, who sits on a step on the front porch of a dwelling. Right of him, Carl Salbach sits in front of one of the decorative posts on the porch. In front of and to the right of Carl, Hilma Nelson sits in a rocking chair, facing left but looking to the camera. Frances West stands to the right of her and leans her back into her mother. Mary A. West also sits in a rocking chair and to her left, Frances leans into her while resting her hand on Mary's knee. Mary faces towards the left. Behind Mary on the right, (Carl) Edward Salbach sits on a wagon and looks to the camera. The group poses in front the front porch of a ranch-style dwelling. The house extends across the entirety of the photograph. The porch has three decorative posts and flowers in planter boxes between the posts. Also visible on the dwelling are three windows and a door.
The Symphonic Band of the Royal Belgian Guards (now known as the Royal Symphonic Band of the Belgian Guides) on the steps of the City Hall on the day that they arrived in Los Angeles for a tour of Southern California. The group includes the band leader, Arthur Prévost (front row, 2nd from right); Andre Rouseyrol, a tenor from Belgium who resided in Los Angeles (2nd row, left); behind Rouseyrol, L. E. Behymer, who managed the band during their tour (on the 3rd step up, on the left, in a white dress shirt and tie), and Geroge D. Lyon, American Legion member (on the 3rd step 2nd from left, in a cap and white cress shirt and tie). Their arrival is reported in "WAR'S DEAD GET TRIBUTE OF BELGIANS: Leader of Royal Guards Band Places Wreath at Base of Monument," Los Angeles Times, 27 Apr. 1929: A2.
This photograph may be associated with the article, “Two Bank Bandits Shot to Death in El Monte Battle: Third Seized as Officers’ Pistol Team Rushes to Scene After Alarm; Two Law Enforcers Wounded,” Los Angeles Times, 1 Feb. 1936: 1.
Photographs of the same event appear with the article, "CELEBRATION AT MISSION: San Fernando Scene of Gala Fourth; Old Fountain Dedicated; Barbecue Enjoyed At Dedication of Old Fountain and Sacred Garden," Los Angeles Times, 05 Jul. 1922: II6
An informal group photograph, from left to right, of: Patrick Sheedy (partial view), Frank E. Prior, Charles Donnatin, Henry Kearney, John A. Muir, E. J. Mulvihill and E. L. Swaine, all Southern Pacific Railroad employees, standing and posing in front of a train car in Durmid while on an inspection trip. The men stand in a row on train tracks. At far left, Patrick Sheedy is partially out-of-frame. E. L. Swaine (far right) is the only one not looking to camera. He turns and looks at the train car behind him. The train car is viewed at an angle with a short end at center and the long side stretching into the distance at left. Dark streaks cut through the upper portion of the image.
Group of musicians posed for a publicity photograph. There are two violinists, a banjo player, a bass player, and two guitarists. They wear cowboy hats and vests.
To honor George Washington public buildings and businesses will be closed. The climax will take form in a mass observance at the Trinity Auditorium at 8:30 p.m. presenting entertainment by a symphony orchestra, mixed-voice choirs, and others. Buron Dahl along with Helene Mae Cantor will be performing songs especially.
This photograph may be associated with the article, “JAPAN HUMORIST ASSERTS GOOD LAUGH AID TO PEACE: JAPAN FUNSTER VISITOR HERE,” Los Angeles Times, 27 June 1935: A1.
This photograph may be associated with the article, “POLICE FEAR OUT BREAK: W.P.A. Projects Guarded Precautions Also Taken for Today’s Inquest Into Slaying of Six,” Los Angeles Times, 19 Dec. 1935: A2.