Nnamdi Azikiwe, (1904-1996) was the first president of independent Nigeria (1963–66). His personal papers include a draft of his memoirs, state papers from his presidency (1960-1966), and political material related to the Republic of Biafra. These collected papers are currently held in his family's home in Nsukka, Nigeria. This digital collection includes these materials as well as records from Azikiwe's two presidential campaigns in 1979 and 1983.
The Instituto de Lengua y Cultura Aymara’s archive on the Aymara language and culture from the mid twentieth century to the present was collected in Bolivia, Chile and Peru. Materials include early pamphlets and newspapers, fieldwork recordings including speech and songs, fieldwork notes and transcriptions, documentation on Aymara regional variants, and teaching materials, some concerning intercultural bilingual education in Bolivia and elsewhere.
This collection includes materials related to the critically endangered Vaihoho sung-stories of the Fataluku people of Timor-Leste. Vaihoho are considered the Fataluku’s most valued repertoire, as the major form of their continuing oral tradition. From 1999-2014, cultural leader Justino Valentim (deceased), recorded a significant amount of vaihoho material. Up until 2019 this handwritten collection was stored in exercise books at his family home. In danger of vanishing with the last of the knowledge-holders, the collection was digitally recorded and archived, to honour Justino Valentim’s intention to keep the oral tradition alive for future generations so they would know their own culture. The collection consists of 17 sung poems gathered from Fataluku communities across the Lautem region of Timor-Leste and 5 Fataluku language dictionaries. Digitized as part of the Modern Endangered Archives Program. Projetu ne'e apoia prezervasaun Kantigu vaihoho ema Fataluku iha Timor Leste neebe amiasadu atu sai lakon. Vaihoho hanesan patrimoniu ho neebe valor as liu husi ema Fataluku, nomos nu'udar forma boot ida husi sira-nia tradisaun orál ne'ebé la'o nafatin. Husi tinan 1999-2014, lider kulturál Justino Valentim (matebian) rejista materiál vaiho barak. To'o tinan 2019, koleksaun vaihoho neebe rekolla iha livru sira ne'e rai iha nia família nia uma. Tamba amiasadu atu lakon ho ema matenek-na'in sira-nia istória ikus, Dadus neebe rekolla no grava digitalmente hodi arkiva atu fó onra ba Justino Valentim nia intensaun atu mantein tradisaun orál ne'ebé moris ba jerasaun futuru atu nune'e sira bele hatene sira-nia kultura rasik. Keleksaun ne'e kompostu husi kantigu poema 17 rekolla husi komunidade Fataluku iha rejiaun Lautem no disionáriu lian Fataluku 5.
The Barbados Ephemera Collection includes over 1000 objects that cover the decades following the Independence of Barbados (1966) and the subsequent transition from colony to independent state. Items in this collection, now openly available for use by scholars, teachers, Barbadians and others around the world, reflect and document the lives of ordinary people beyond elite voices at a foundational period in the history of Barbados. While items in the collection are specific to Barbados, they address broader global movements of the 20th century, including civil rights struggles, women's rights, identity formation, and political realities. Digitized as part of the Modern Endangered Archives Program.
The Arab Image Foundation (AIF) has selected a collection for digitization that represents a large range of photography methods-- from commercial studio use by professionals to personal use (e.g. family shots) by non-professionals. The materials represent a visual and social history of Lebanon and the Middle East that showcases the diversity and complexity of cultural practices captured via photography. Through the AIF's digitized work, users can access not just the practice of photography in Lebanon, but also a wider range of concepts representations of self-image, intimacy, domesticity, and the development of modernity in Lebanon. This collection contextualizes these ideas through visualizations of tension between private and public space within and outside of Lebanon, including countries such as Syria, Egypt, Iran, and Iraq. Lebanon’s current socioeconomic crisis has caused a rift in social unrest and has put cultural heritage, such as this collection, at risk of damage or loss of access. The AIF’s work to preserve these photographic materials is absolutely essential and will allow users to explore spaces throughout Lebanon and in a variety of other countries.
Richard Josef Neutra (1892-1970) was born in Vienna. He was the city architect for Luckenwalde, then worked as a draftsman-collaborator with Erich Mendelsohn in Berlin before immigrating to the United States in 1923. He worked with Frank Lloyd Wright (1924) before settling in Los Angeles. His most productive years were during 1930s and 1940s. In the 1960s, Richard J Neutra worked in partnership with his son Dion. The collection consists of correspondence both personal and professional belonging to Richard J Neutra as well as his wife Dione Neutra, travel records and sketches, publications, drawings, blueprints, oversized rolled plans, audio recordings, and photographs.
This collection includes 895 editions of the Humun Bichig newspaper, the only newspaper still published in the traditional Mongolian script today. The collection covers the period 1992 - 2013, documenting the transition of the nation of Mongolia from socialist era to democracy and market economy. The collection also reflects the nationwide attempt to get rid off the Russian Cyrillic script and shift back to the traditional Mongolian writing system.
Dr. Louis and Nancy Dupree, husband and wife, spent over fifty years capturing photos of the evolution of physical structures and social life of Afghanistan, documenting the country’s transition from the pre-war era to post-conflict. The late Nancy Dupree gifted the ACKU with this collection of approximately five thousand photographic slides. The images document the nature, architecture, culture, and history of Afghanistan throughout the second half of the twentieth century-- a time when the country was a key location for the Soviet Union and the United States during the Cold War (1947-1991). The photo collection records the destruction and cultural consequences of the war through rare visual materials of Afghan cultural heritage, Kabul architecture, landscapes, archaeological materials, art, and even objects from the Kabul Museum.
From 1976 to 1983, military dictatorship in Argentina overran the population with politically-charged attacks and threats of imprisonment against citizens. In response to this regime, various human rights organizations (HROs) were created. Memoria Abierta is a collective alliance of nine of these HROs that aimed to denounce social injustice and support victims of repression. This online collection includes written works from these groups. The materials document and reflect (1) the history of the HROs and their members, (2) forms of organization and intervention, and (3) the roles that these groups played in a sociopolitical context. The publications include magazines, booklets, newsletters, and newspapers from the 1970’s to today. Publications in the collection include but are not limited to the Magazine of the Permanent Assembly for Human Rights (a newspaper covering politics, human rights, and justice advocacy), Bulletin of Relatives of the Disappeared and Detainees for Political Reasons (a periodic publication on missing persons, human rights violations, and HRO activities), and “Paz y Justicia” (a periodic bulletin on human rights in Argentina and Latin America). These publications allow users to explore the history of the human rights movement as well as the sociopolitical context of organizations and interventions within the movement. The materials contextualize the HRO’s within their foundation histories, the challenges that they faced, and the actions they carried out against injustice. For this collection, Memoria Abierta has selected materials that reflect Argentina’s dictatorial state and its consequences that led to organized resistance. The content is especially significant in light of modern-day right-wing governments regaining presence within and surrounding the country. This political climate has created some set-backs in making accessible Argentina’s grim, repressive history. However, this archive takes a huge step towards highlighting the voices of those that advocated for a more democratic and inclusive system-- an ideology that echoes into the present day. Digitized as part of the Modern Endangered Archives Program.
This digital collection focuses on four personal collections: Raúl Ampuero, Marcelo Croxatto, Sergio Insunza and Patricia Verdugo. These collections includes minutes of meetings, correspondence, brochures, legal documents, press, publications, flyers, posters and audiovisuals.
SOUL Publications was established in 1966 in Los Angeles by Regina and Ken Jones. The impetus for SOUL was the Watts Riots, which inspired local newsman Ken Jones to develop a vehicle for documenting and expressing the African American perspective in a self-representative way. Equipped with his vision and the industrious drive of his wife, Regina Jones, the company initially focused on providing promotion and recognition for Black musicians, who received scant publicity at that time. Its publications grew to include other aspects of Black cultural production, including film, television, literature, and the visual arts.
Collection consists of original photographs and negatives of various 19th and 20th century photographers covering a broad range of subjects and includes portraits, landscapes, panoramic views, cityscapes and buildings from various geographic locations and photographs from various historical periods. A few of these photographs have been digitized and are offered here.
The archive of the Confederación Campesina del Perú (CCP) includes flyers and posters that document the CCP's organization, its national congresses, efforts to incorporate women's groups, correspondence with foreign human rights organizations and political parties. The collection also includes a collection of denunciations by rural people and details from the organization’s support of indigenous communities' efforts to defend their land and autonomy. The archive provides insight into the history of Peru in the 20th Century, including the growth of the radical left, organization of major strikes, and the impact of Shining Path on peasant and indigenous peoples.
Copyright of portions of this collection has been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
