Photograph, from left to right, of Zetta Witherby, Wes Witherby, Dode (Sarah Josephine) Witherby and Mertie West posing in the courtyard at El Paseo in Santa Barbara. The group stands in a row at center. Everyone faces slightly left, except Zetta Witherby, who faces forward. Both Wes Witherby and Dode Witherby look to the camera while Zetta Witherby and Mertie West look to the left. Behind them and to the right, a tiled fountain sits low to the ground. A woman sits near the fountain in the distance at right. Another woman walks through the grass behind the group at left. The courtyard stretches behind the group. Spanish Colonial styled buildings line the perimeter of the courtyard in the background.
Photograph, from left to right, of Zetta Witherby, Wes Witherby, Dode (Sarah Josephine) Witherby and Mertie West posing on the rim of Ubehebe Crater at Death Valley National Monument. A bare and flat hilltop stretches across the foreground. The Witherbys and Mertie West stand back on the elevation at center. All look to the camera. Zetta and Dode both try to keep their hats to their heads as the wind blows. Standing rightmost, Mertie leans against a post on the hillside. Beyond them, the Death Valley landscape stretches into the distance. Salt flats are visible at left and hills rise at right.
Photograph, from left to right, of: Zetta Witherby, Mertie West and Wes Witherby looking at the Lake Mead reservoir from behind a low wall made of rocks near the Boulder Dam (now Hoover Dam). At the center of the photograph, Wes Witherby stands with his hands in his pockets and his body facing the right to look at the river. Mertie stands behind him to the left and looks towards the camera. Zetta Witherby stands behind Mertie on the left and looks out at the landscape with her hand to her chest. A cloudy sky, canyons and the reservoir occupy the background.
An out-of-focus photograph, from left to right, of Zetta Witherby, Dode (Sarah Josephine) Witherby, Mertie West and Wes Witherby standing among the ruins of the Harmony Borax Works at Death Valley National Monument. The Witherbys and Mertie West stand in the near distance at center. All look to the camera. A stone-built structure stands in partial view along the right frame. Behind Mertie and Wes, a large furnace stands. Beyond the furnace, stone walls stretch out-of-frame at left.
Photograph, from left to right, of Zetta Witherby, Dode (Sarah Josephine) Witherby and Mertie West sitting on the veranda of the Furnace Creek Inn at Death Valley National Monument. The 3 women sit in chairs, left-of-center. Mertie West sits rightmost. She faces center, but gazes towards the left. Zetta Witherby sits leftmost and faces towards the left. Dode Witherby sits at center, behind and between Zetta and Mertie. She faces towards the left, but looks to the camera. They relax on an elevated veranda at the Furnace Creek Inn. The veranda passes through the foreground, arcing back towards the right. The trunk of a palm tree stands behind and to the right of the women. Further beyond them, the rooftops of the inn wind through the image at center and right. Salt flats stretch into the distance at left and mountains rise in the distance at right.
A distant view of the Jones' residence in Red Bluff. From left to right, Zella Jones, William H. Jones and Lavinia Jones stand behind the picket fence that encloses their property on the opposite side of the street. A dirt road runs horizontally across the image in the foreground. A sidewalk and the picket fence run behind and parallel to the dirt road. The Joneses stand behind the fence left-of-center. Trees stand in the yard behind them. Their homes stands at left behind some of the trees.
A distant view, from left to right, of Lavinia (Kellum) Jones, William H. Jones and Zella Jones on the front porch of their home in Red Bluff. The front of the house is viewed at an angle from the front lawn. Four square posts support the porch. Lavinia Jones stands between the two left posts and behind a hammock. She stands to the right of a window and to the left of the front door. William H. Jones sits in a rocking chair just up the front steps and in front of the front door. Zella Jones stands to the right of the steps and to the left of a post. A window and bicycle are behind her. A water spigot stands in the yard in front of the house. A hose connected to the spigot winds its way across the yard.
Photograph of the boat, "Yukon Bell" sitting in the Yukon River, moored to the bank. The rock- and log-strewn bank stretches through the foreground on an upward angle from the lower left corner to the right. The Yukon River extends from the left side of the bank and into the distance. Along the bank, left-of-center, the boat "Yukon Bell" floats in the water. A rope tethers it to the bank at right. The boat is viewed at a slightly elevated angle from the side. The front of the boat faces right. A horizontal bar with attached fish hooks stretches through the center line of the boat. "YUKON BELL," is printed along the starboard side of the boat. The Yukon River and surrounding landscape stretch into the background.
Photograph of the Yreka jail viewed from across the street. A dirt street passes across the foreground on an upward angle from the lower right corner towards the left and out of frame. On the right, or far side of the road, the jail stands on the street corner. A stone wall encircles the building; a doorway is cut into the middle of the side of the wall that runs parallel to the street. Beyond the stone wall, the brick jail rises and peeks above the wall. It is viewed at an angle from the front and the side; it faces towards the street. A decorative chimney rises from each corner of the roof. The building sits on a street corner. Another street stretches behind the building and a house stands on the far side of the cross street, left-of-center.
Photograph of Yreka Bakery standing along the side of a dirt street passing through Yreka. A dirt street stretches through the image on an upward angle from the lower left corner and receding into the distance at right. The bakery lines the left side of the road. It is of lumber construction and is viewed at an angle. The short side is nearest to camera at left and the long side runs parallel to the road. A tall stovepipe extends from the center of the roof and out of frame. Signage atop the roof reads, "BAKERY AND CONFECTIONERY." Fencing extends from the long side of the building, towards the left and out-of-frame. Posters are affixed to the side of the fence; they read: [first sign unreadable], "MASTIFF PLUG CUT FOR THE HAIR [... ?] MASTIFF PLUG CUT [... ?]," and "[SMGEE?] PLUM LONG CUT." Beyond the far side of the bakery, a house lines the road. Trees and utility poles stand along the right side of the road as it stretches towards the horizon.
Yard with trees and water spigot on the West family's former property. There is a bucket next to the spigot. A fence surrounds the yard and there is another house at the right. At the left of the negative there is a black strip and the other side there is what appears to be the print of a different image, which includes trees.
Photograph of Wes Witherby standing beside the trunk of his car while stopping for lunch in Olancha (formerly Olanche). Wes Witherby stands, left-of-center, with his back to camera. To the right of him, his car is parked. It is viewed at an angle from the rear and the side; it faces back to the right. The trunk of the car stands open in front of Wes Witherby. It is packed with boxes. The rear passenger door is also open. A purse hangs from an interior door handle. In the background, buildings in partial view stand at far right and far left. Silhouetted mountains are visible in the far distance at left.
Photograph of Wes Witherby posing beside the trunk of his car while stopping along the grade going to Panamint Valley. Wes Witherby stands, left-of-center, with his hand to his hip. He props a foot up on the rear bumper as he looks to the camera. To the right of him, his car is parked along a dirt road. It is viewed at an angle from the rear and the side; it faces back to the right. The road stretches on an upward angle from the lower left corner and to the right. A desert landscape stretches into the distance behind Wes and the car.
Wright Prickett plays with Richard Shaw in Victory Park, in the Arroyo Seco area. Both of them are in motion and slightly blurred. Other people are visible at the left of the photograph. There are trees, cars, and picnic tables in the background.
An out-of-focus photograph of Wright Prickett, Jr. standing either on or in front of a practice putting green at the Sunset Canyon Country Club in Burbank. Wright Prickett, Jr. stands at center and looks to the camera as he rests a hand in his jacket pocket. A practice putting green stretches behind him and a golfer is barely visible putting behind and to the left of Wright. Trees dot the course at left and branches hang above Wright at right. A sand trap stands behind a small hill in the distance at right. A brush-covered hillside rises in the far distance and stretches across the background.
Photograph of a wrecked truck sitting on the side of the road, viewed by H. H. West on his return trip home from visiting Frank Lemberger in Oakland. The truck is viewed at an angle. The front end of the vehicle faces left and the side extends towards the right. Damage can be seen on the front end and cab. A man sits behind the front end of the car near a row of houses. A tire sits to the left of him. A dirt road extends from the left up to the right in the foreground. A house stands in the background on the right. Additional houses stand in a row as they recede back to the left from the house at right.
Photograph of a wrecked Southern Pacific Railroad engine car sitting on train tracks at River Station. The car sits on tracks, left-of-center, and is viewed from the rear. It is open and the boiler is visible inside the car. Damage appears along the right side of the car. The rear left tire sits lopsided on the tracks. Railroad tracks run parallel to the car to the left of it. In the distance at right, railroad engines sit in the round house.
Photograph of a wrecked Southern Pacific Railroad engine car viewed from the side while sitting on tracks at River Station. The damaged car sits in partial view along railroad tracks. It faces right and extends beyond the right edge of the image. The damaged part of the engine car is at center. The frame of the side window is broken and appears to be pushed slightly up and forward. The roof of the car slopes down and back. Beyond the train, tracks can be seen running behind it at left and low hills stand in the far distance.
A rock and log entryway to the Grand Canyon arches over a roadway. It is viewed off to the right side of the road that approaches the entrance. The road stretches upward from low left to the right. Two tall pillars made of stacked stones stand on either side of the road. They taper towards the top. Between the 2 pillars, a long, log beam stretches between them and a sign hangs down from the beam over the road. The sign reads, "-ENTERING- ·GRAND·CANYON·NATIONAL·PARK·." A sign posted on the ground in front of the nearest rock pillar reads, "ENTRANCE PERMIT CARS $1.00 TRAILERS $1.00 MOTORCYCLES $1.00." Trees stand in the distance on the opposite side of the road.
Photograph of Sheriff Eugene Biscailuz standing on a stage and speaking at the Southern Pacific Railroad employee picnic at Sycamore Grove Park. He is viewed from the side and with a worm's-eye perspective. The front of the stage is covered in patriotic decor and stretches across the bottom edge on an angle. Eugene Biscailuz stands at center near the front edge of the stage and faces towards the left. He stands at the microphone and looks down towards the camera. The rest of the stage stretches behind him to the right. Chairs and benches line the back of the stage. A few men sit on stage and look towards Sheriff Biscailuz. Above the stage, an awning extends over the front of the stage and a sign stretches above it. The sign reads, "SOUTHERN PAC[...]." Trees stand in the background at left.
A worm's-eye view of Register Rock in Massacre Rocks State Park in Idaho, taken from close-up. The rock sits on the Oregon Trail is signed by settlers. A face of the rock occupies most of the image. Wire fencing stretches across the lower third of the image in front of the rock. Carved high on the rock at center is, "A. B. ROBERTS 1853."
An out-of-focus photograph of Mertie West standing next to a tall box that H. H. West fixed up for Wes Witherby to put on Will Shaw's Christmas tree. A tall box decorated for Christmas stands at center, on a sidewalk. The bottom third of the box is decorated with a brick print and extends beyond the bottom edge of the image. Above the brick print, it reads, "It's Christmas ti[me]." Mertie West stands with the box, behind and to the left of it, and looks to the camera. She is viewed from a worm's-eye perspective. At right, a street is peeks from behind the box. Tall palm trees stand in the background.
Worm's-eye view of Louise Ambrose posing for a photograph while balancing atop the rail surrounding the front porch of her family's home on North Hellman Street (now Avenue 24). The side of the porch extends from the left and back towards the right. Louise Ambrose stands atop the rail at center. She looks down to the camera while she holds onto the decorative rail that hangs down from the eave. A chicken wire trellis extends to the right of Louise and the porch.
Worm's-eye view of Louise Ambrose posing for a photograph while balancing atop the rail surrounding the front porch of her family's home on North Hellman Street (now Avenue 24). The side of the house stands along the left edge of the image. The side of the porch extends from it and back towards the center. Louise Ambrose stands atop the rail at center. She looks down to the camera while she holds onto the decorative rail that hangs down from the eave. A chicken wire trellis extends to the right of Louise and the porch.
An out-of-focus photograph of Leo Carrillo standing on a stage and speaking at the Southern Pacific Railroad employee picnic at Sycamore Grove Park. He is viewed from the side and with a worm's-eye perspective. The front of the stage is covered in patriotic decor and stretches across the bottom edge on an angle. Leo Carrillo stands, right-of-center, near the front edge of the stage and faces towards the left. He is dressed in western attire while he stands at the microphone and speaks. A woman stands behind and to the right of him. She looks to the camera. The rest of the stage stretches behind Leo Carrillo to the right. Chairs and benches line the back of the stage. A man sits on stage and look towards Leo Carrillo. Above the stage, an awning extends over the front of the stage and a sign stretches above it. The sign reads, "SOUTHERN P[...]." Trees stand in the background at left.
Photograph of Leo Carrillo standing on a stage and speaking at the Southern Pacific Railroad employee picnic at Sycamore Grove Park. He is viewed from the side and with a worm's-eye perspective. The front of the stage is covered in patriotic decor and stretches across the bottom edge on an angle. Leo Carrillo stands at center near the front edge of the stage and faces towards the left. He is dressed in western attire. He stands at the microphone while resting an arm on a nearby stool. The rest of the stage stretches behind him to the right. Chairs and benches line the back of the stage. A few men sit on stage and look towards Leo Carrillo. Above the stage, an awning extends over the front of the stage and a sign stretches above it. The sign reads, "SOUTHERN PAC[...]." Trees stand in the background at left.
A worm's-eye view photograph, from left to right, of E. L. Swaine, Resident Engineer, and a Southern Pacific Railroad fireman standing atop a tender car and trying to fix the water tank valve. E. L. Swaine stands slightly behind the fireman and pulls on the rope for the valve. A couple chains securing the valve cross in front of the two men. The valve/pipe extends from the tender car, in front of where the two men stand, towards the water tank at left. Water sputters out of the valve where it joins the tank. The tender car extends along the lower edge of the image. A light sits atop it at right.
A worm's-eye view photograph of Dad Smith in partial profile standing on a train station platform and waiting for a train in Declez. He is turned slightly to the right and holds onto a gun by its barrel. He stands on a wooden platform that stretches beneath him along the bottom edge of the photograph.
Photograph looking up a snow-covered hill to where a hotel cabin stands somewhere on Mount Wilson. The cabin stands at center. It appears to be made of logs. Log posts support the roof, creating a veranda that runs around the perimeter of the building. A low, stone wall juts out from behind the cabin at left and a couple of trees stand next to the cabin at right.
Photograph of a cabin standing in the woods behind the hotel at Circle Hot Springs in Alaska. In the foreground, a log building stands in partial view in the lower left corner. A dirt road passes across the lower right corner. Up a small hill, a cabin stands in the distance at center. It is viewed from the front on a slight worm's-eye perspective. The cabin is surrounded and slightly hidden behind trees.
A worm's-eye view photograph, from left to right, of: Josie Shaw, Will Shaw, Abraham Whitaker, Mertie West, Everett Shaw, Wright Prickett, Jr. and Wes Witherby posing in the open window area of a porch for an informal group portrait at Bailey's cottage in Manhattan Beach. The shingle-style cottage is viewed from the ground and the camera looks up towards the group. They stand in a row to the right of column with "1008" on it. A portion of the roof is visible in the upper left corner and a shutter is visible at right.
Photograph of some wood plank streets intersecting in Metlakatla, Alaska. A wood plank walkway extends from the bottom edge, left-of-center, and into the distance, on an angle to the right. Another walkway running perpendicular to it, intersects it in the foreground at center. The horizontal walkway extends beyond the left and right frames. At the upper left intersection, a signboard and telephone pole stand. Trees, shrubbery and tall grasses line the walkways in the near distance. Further down, houses line the left side of the walkway as it stretches towards the horizon.
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground at center. It is viewed straight-on with its door open to the right. A few items sit on the middle shelf and "Woodlin" is written across the top shelf. Beneath the unit, the sidewalk stretches across the bottom third of the image. It stretches back on an upward angle from right to left. In the background, the facade of the H. H. West Company's office building stands across the image. A large window sits behind and to the right of the refrigerator. A portion of a sign sitting in the window reads, "[...] WEST C[...]." Doors to the building stand open behind and to the left of the refrigerator. The address number "316" is etched into the glass lintel above the door. Another window lines the left edge. Opaque, white patches occupy the lower left and lower right corners.
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground, off-center to the left. It is viewed at an angle from the front and faces slightly right. Its door stands open to the right; a few items sit on the middle shelf. Across the front of the top shelf, it reads, "Woodlin." Beneath the unit, the sidewalk stretches across the bottom edge. In the background, the facade of the H. H. West Company's office building stands across the image. A large window sits behind and to the right of the refrigerator. A portion of a sign that sits in the window reads, "[...] CO." An open doorway leading into the building stands along the left edge. Beyond the doorway, a staircase inside the building is barely visible in the shadows. An opaque patch of white occupies the lower right corner.
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground at center. It is viewed straight-on from the front. Beneath it, the sidewalk stretches across the bottom quarter of the image. It stretches back on an upward angle from right to left. In the background, the facade of the H. H. West Company's office building stands across the image. A large window sits behind and to the right of the refrigerator. A sign sitting in the window reads, "H.H. WEST." Doors to the building stand open behind and to the left of the refrigerator. An opaque patch of white occupies the lower right corner.
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground at center. It is viewed straight-on from the front. Beneath it, the sidewalk stretches across the bottom third of the image. It stretches back on an upward angle from right to left. In the background, the facade of the H. H. West Company's office building stands across the image. A large window sits behind and to the right of the refrigerator. A portion of a sign sitting in the window reads, "H.H. WEST C[…]." Doors to the building stand open behind and to the left of the refrigerator. The address number "316" is etched into the glass lintel above the door. A sign sits above that and reads, "GUILD [...]."
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground at center. It is viewed at an angle and is covered in paper packaging. Beneath it, the sidewalk stretches across the bottom third of the image. It stretches back on an upward angle from right to left. In the background, the facade of the H. H. West Company's office building stands across the image. A large window sits behind and to the right of the refrigerator. Signs sitting in the window read, "[...] WEST CO.," and "TRAIL[...] OP [...]." Doors to the building stand open behind and to the left of the refrigerator. The address number "316" is etched into the glass lintel above the door. A sign sits above that and reads, "GUILD [...]." An opaque patch of white occupies the lower right corner.
Photograph of a Woodlin electric refrigerator standing on the sidewalk in front of the H. H. West Company offices on Omar Avenue. The refrigerator stands on a sidewalk in the foreground at center. It is viewed at an angle from the front and the right side. Paper packaging lines the right side of the unit. Beneath it, the sidewalk stretches across the bottom edge and straight back towards the left. At right, the facade of the H. H. West Company's office building enters frame and stretches behind the refrigerator. A large window sits along right edge. A portion of a sign sitting in the window reads, "H.H. WEST […]." A open doorway to the building stands behind the refrigerator. A sign sitting above the doorway's lintel reads, "GUILD S[...]." Further along down the sidewalk, a neighboring building stands in partial view to the left of the refrigerator. Signage painted on the side of the building reads, "U.S[...] ME[...] TU[...]," and "HER[...]." At far left, cars park bumper-to-bumper along Omar Avenue's curb. At the end of Omar Avenue, a building enters frame from the left and extends towards center. It faces towards the camera. Beyond it, a water tower, left-of-center, rises from atop a building. An opaque, white patch occupies the lower right corner.
Photograph of a wood-burning locomotive sitting on railroad tracks near Shasta Retreat. Train tracks run across the foreground at an angle. A wood-burning locomotive sits beyond the tracks at center. It is viewed from the front and the side; it faces towards the right. A train car sits on the same set of tracks in front of it and to the right. On the side of the train car, it reads, "2293." A man stands at left on the tracks next to the locomotive. Trees stand in the distance.
Photograph looking east along the south wall of San Gabriel Mission where 3 women approach the set of old stairs. A dirt driveway passes across the foreground on an upward angle from left to right. In the near distance, a sidewalk stretches between the driveway and San Gabriel Mission. Three women stand at left along the sidewalk and walk towards the left, facing camera. To the left of them, the old staircase rises against the side of the mission. It extends up and to the right behind the women. The mission spans from center and out-of-frame at left behind them. Down the sidewalk at right, a large tree stands at the corner of the building.
Photograph of a couple of women standing near the soldier guarding the Tomb of the Unknown Soldier in Arlington National Cemetery. Wide steps stretch across the foreground and ascend as they approach the mid-ground. They are viewed at an angle, with the steps rising towards the right. At left, a newel stands beside the top of the steps. Just to the right of the newel, 2 women stand near the top of the steps. The woman nearest to camera has her back turned to the camera. The other woman (maybe Mertie West?) stands a step higher and faces left. Behind and to the right of the 2 women, a soldier guarding the Tomb of the Unknown Soldier stands at attention. He faces towards the left and rests a rifle to his shoulder. To the left, the guard's canvas hut stands. The Arlington Memorial Amphitheater is visible entering frame in the background at right. A colonnaded arm of the building stretches towards center as it arcs behind the building's facade. Trees rise in the background at left and center.
Photograph of two women wearing cloche hats, in the West and/or Schmitz family, washing dishes on a picnic table during a vacation at Lake Arrowhead. One woman has her hands in a bowl and the other holds a cup above a bowl and a dish towel. Behind them, a man is seated in a tent.
An out-of-focus photograph of 2 women browsing the goods being sold by a Native American woman on a dock at Chatham near Sitka, Alaska. The dock extends from the foreground and back into the distance on an angle from right to left. A building stands along the right side of the dock and stretches into the distance at center. In front of the building, a Native American woman stands in the near distance, right-of-center. She faces to the left. In front of her, items she has for sale lie on the ground. Two women in long coats stand at center with their backs to the camera and look at the items for sale. Behind the trio, an awning stretches over a portion of the dock and across the image from right to left. Mountains are visible beyond the far end of the dock at left.
This image appears to have been taken on the same occasion as other images (ark no. 21198/zz002hq2kg and ark no. 21198/zz002hq2p1), which, on verso, have the date 1903. Also, according to the verso, the woman may be named either Evelyn or Nan.
Woman walks up to the Wee Kirk o' the Heather for the Wedding of Sam Longstreet and Cosette Pohle. She wears a black coat and carries papers. There is a sign behind her. Ivy grows on the church and there are trees next to it and in front of it. There is a tower with a cross on top in the background.
Woman walks down Fifth Avenue. She wears a hat and what may be a fur coat. Across the street, there are cars, buildings, and streetlamps, as well as other pedestrians. The shadows of two other people are visible at the bottom right of the photograph. A billboard at the left reads, "C. T. Silver Overland Willys Knight Peerless automobiles Broadway at 57 St." There is another billboard for C. T. Silver below that.
This image appears to have been taken on the same occasion as other images (ark no. 21198/zz002hq2kg and ark no. 21198/zz002hq2p1), which, on verso, have the date 1903. Also, according to the verso, the woman may be named either Evelyn or Nan.
Woman stands on the beach with the pier in the background. She bends over and appears to be pulling off her stockings. People play in the surf behind her.
Woman stands in front of a house. She holds her hands behind her back. She wears a white blouse and dark skirt, as well as a necklace. The house has shutters and a chimney at the right. There is a tree at the right of the photograph.
Woman stands by a tree at the Iowa Picnic in Lincoln Park. She holds her hand up to a sign or piece of paper attached to the tree. Under her other arm, she holds her purse. There are other people and trees in the background.
This image appears to have been taken on the same occasion as other images (ark no. 21198/zz002hq2kg and ark no. 21198/zz002hq2p1), which, on verso, have the date 1903. Also, according to the verso, the woman may be named either Evelyn or Nan.
Woman sits on the rocks. Another woman's arm and leg are visible at the left. The woman who is fully visible wears a flat hat and a tie folded at her neck. There is a hill behind her with brush on it.
This image appears to have been taken on the same occasion as other images (ark no. 21198/zz002hq2kg and ark no. 21198/zz002hq2p1), which, on verso, have the date 1903. Also on verso, the women are identified as Evelyn and Nan.
Woman sits in a meadow in Golden Gate Park. The woman wears a flat hat and a white blouse. There are two other people in the distance, as well as what may be a horse. There are trees throughout.
Woman rides a bicycle as men cross the street in front of her. Buildings line the street. There are bicycles parked at the curb, as well as a horse-drawn carriage.
Woman looks at a register at the Iowa Picnic in Lincoln Park. She wears a hat and holds a purse under her arm. The register is place on a wooden board. There are other piles of papers in the foreground and other people, as well as trees, in the background.
Woman looks at a register at the Iowa Picnic in Lincoln Park. The register is placed on a wooden board that is balanced on the back of a bench. Women sit on the bench. The woman wears a hat and coat. There are other people in the background, as well as trees.
Woman looks at a register at the Iowa Picnic in Bixby Park. The register is hanging on a tree. The woman has a coat over her arm. There are other people and trees in the background. The image is blurry.
Woman looks at a register at the Iowa Picnic in Bixby Park. The register is hanging on a tree. The woman wears a hat and has what may be a cast on her arm. There are other people and trees in the background.
Woman ice skates on a frozen pond in the Public Garden. She wears a coat and hat and a fur muff hangs from her arm. There is a bridge behind her with people standing on it. There are trees in the background and snow on the ground.
Woman skates on a frozen pond. It is either the Frog Pond in Boston Common or the pond in the Public Garden. The woman wears a long coat and a hat. There is another woman behind her. There is snow on the ground and trees surround the pond. Buildings are visible in the distance. There are benches and streetlights next to the pond. There are light streaks at the bottom of the negative.
Woman ice skates on a frozen pond. It is either the Frog Pond in Boston Common or the pond in the Public Garden. The woman appears to be off balance. Her mouth is open. She wears a coat, hat, and gloves. There is another person skating behind her. There are trees, benches, buildings, and lampposts in the background.
This image appears to have been taken on the same occasion as other images (ark no. 21198/zz002hq2kg and ark no. 21198/zz002hq2p1), which, on verso, have the date 1903. Also, according to the verso, the woman may be named either Evelyn or Nan.
Woman at the Iowa Picnic in Lincoln Park. She faces the left. Her hand is up to her chest and she holds on to her purse and what may be gloves. She wears a hat and glasses. There is a man with his back to the camera at the left. There are other people in the background, as well as trees. H. H. West's shadow is visible in the foreground.
Woman and child wearing bonnets and riding in in a horse-drawn wagon shaded by a large umbrella on a dirt road near Las Vegas with mountains in the background. .
Woman and a child stand in the surf. She holds her dress at her knees and wears a hat. There is a pier at the right with people standing on it. The beach is in the foreground.
Photograph of the new Wolfe & Sons furniture store on the site of the old La Crescenta building along North Broadway (formerly Downey Avenue). North Broadway spans the foreground on an upward angle from right to left. The new Wolfe building sits along the right side of the street, facing slightly left. A car is parked in front of the building, right-of-center. The art deco-styled building is partitioned into thirds. Each is lined with windows along the first floor. Shorter windows span the second floor. "WESTERN AUTO SUPPLY CO." occupies the rightmost segment of the building. A sign hangs in the upper window and reads, "[...] TIRE SALE [...]!" Wolfe & Sons furniture occupies the center and left segments of the building. An awning hangs over the sidewalk in the center of the business and a large vertical sign rises from it. The sign reads, "WOLFE & SONS." Sitting atop this sign is a horizontally oriented sign which reads, "FURNITURE AND APPLIANCES." Signs hang in the windows across the first floor. At far left, a vertical sign hangs from the corner of the building, it reads, "FURNITURE."
Photograph, from left to right, of William L. Kinsell, Mertie West, Anna West and H. H. West, Jr. posing on the front lawn of H. H. West's residence on North Ridgewood Place. The group stands in a row in the near distance at center. All look to the camera. They stand on the lawn, just behind the front walkway. The walkway stretches across the image in front of them. It widens as it approaches the right. Behind them and to the left, North Ridgewood Place enters frame at left and stretches back towards center. Houses line both sides of the street as it approaches the distance.
Photograph, from left to right, of W. L. Kinsell, Mertie West and Frances Wells visiting the Native American spirit houses at Eklutna Historical Park. They are viewed from among the spirit houses. Branches line the left edge of the image in the foreground. Spirit houses sit clustered together near the lower right corner and face towards the back of the image. Beyond the spirit houses, W. L. Kinsell, Mertie West and Frances Wells stand in the near distance at center. W. L. Kinsell faces forward and points towards the left. Mertie also faces forward and looks to the left. Frances faces towards the left. Overgrown grasses stretch behind them towards the Old St. Nicholas Russian Orthodox Church, which stands in the distance at center. Silhouetted mountains rise across the background.
Photograph, from left to right, of W. L. Kinsell, Frances Wells and Mertie West standing in front of the Old St. Nicholas Russian Orthodox Church in Eklutna Historical Park. Overgrown grasses grow across the foreground. Mertie West stands in the near distance, right-of-center, among the grasses and smiles to the camera. Behind and to the left of her stand W. L. Kinsell and Frances Wells. Frances faces slightly left and looks downward. W. L. Kinsell faces slightly right. The church stands, left-of-center, behind the group. It is viewed at an angle from the front and the side. It is of log construction. A small bell tower sits atop the front entrance to the church. Silhouetted mountains are visible in the background.
Photograph of Winnie Scott standing on the bank of Piru Creek and holding up a string of fish. Winnie Scott stands at right on the rocky bank of the creek. He faces towards the camera while holding a string of fish at left and a fishing rod at right, which angles across his body. A couple dozen fish hang from the string that Winnie holds. The string extends to the left towards a large twisting tree branch at left. The branch extends from the left and out over Winnies's head. The creek flows behind him. A cliffside rises from the opposite bank in the background.
Photograph of Winnie Scott standing on the bank of Piru Creek and holding up a string of fish. Winnie Scott stands at right on the rocky bank of the creek. He faces towards the camera while holding a string of fish at left and a fishing rod at right, which angles across his body. A couple dozen fish hang from the string that he holds. The string extends to the left towards a large twisting tree branch at left. The branch extends from the left and out over Winnies's head. The creek flows behind him. A cliffside rises from the opposite bank in the background.
Photograph, from left to right, of Winnie Scott, Cleo Swain and Mills Helen eating lunch by an outcrop of rocks near Piru Creek. Mills Helen sits nearest to camera at right. He sits on the ground, facing left, while scooping food from his plate. A pile of crumpled newspapers sits on the ground between him and the camera. Winnie Scott sits on the ground at left and is turned towards the right. He cuts up food on the plate in front of him. Behind Winnie and Mills, Cleo Swain stands facing towards the left. He holds up a bowl and cleans it. Their food supplies sit on the ground between Winnie and Cleo. Rocks stand in a pile behind Cleo. A bag hangs from a tree limb in the right corner. Hills rise in the distance.
Photograph of the windmill at Nichols Ranch as viewed from the ranch grounds. In the foreground, tall grasses rise and stretch across the image. Beyond that, large shrubbery stands on dirt ground. The windmill stands, right-of-center, beyond that. Its turbine faces slightly left. A structure stands adjacent to the left of the windmill. Trees stand in the distance.
H. H. West's brother, Wilson, stands on the sidewalk in front of 1919 North Hancock Street. He wears a hat and tie. There are large bushes in front of the house and other houses visible at the left and right.
Wilson West stands in front of Wayne West's home. He wears a suit and tie. The porch of the Craftsman-style house is visible behind him. The negative is torn at the bottom.
Photograph of Wilson West standing in front of a house on Daly Street (formerly 518 Lyell Street). Daly Street stretches across the foreground on an upward angle from left to right. On the far side of the street, Wilson West stands, left-of-center, on the sidewalk. Behind him, a house stands, right-of-center. It is viewed at an angle from the front. A low block wall lines the front edge of the property. Above the wall, a fence encloses the property. A porch sits on the left side of the front of the house and a bay window sits on the right side of the front of the house.
Wilson West sits on the West's front lawn with the neighbor's dog, while Wayne West stands by. Wilson wears a hat. Wayne has a button on his lapel. There are houses, trees, and utility poles in the background.
H. H. West's brother, Wilson, sits on the front steps of the West's former home. He wears a hat and glasses and holds his hands together in front him. There are plants on either side of the stairs and there is an object which may be a mailbox at Wilson's right. The frame of what may be a porch swing is visible above the porch railing.
H. H. West's brother, Wilson, sits on a curb with a dog. He wears a hat and suit. He has his hand on the dog's back. There are trees behind him, and across the street there are fences and houses. H. H. West's shadow is visible in the foreground.
Wilson West shaves John Herwick while Wayne West looks on. John sits on a stool and has a towel around his neck. Wilson has the razor to his face. Both Wilson and Wayne wear hats. The back porch of the West's house is visible at the left, with a blanket or rug draped over the railing. Another house is in the background with a fence in front of it.
H. H. West's brother, Wilson, reads a book in the library of the West's house. He leans his elbow on a table which is covered with papers and books. There is a sofa at the left with pillows on it, and a guitar leans on the sofa. Pictures hang on the walls. There is an open door next to the sofa.
An informal group photograph, from left to right, of: Wilson West, Mertie West, Eleanor West, Richard West and H. H. West, Jr., all standing in a row and posing atop planks of wood. They stand on planks of wood and logs that extend horizontally beneath them. The planks appear to function as a bridge over a stream. Everyone except H. H. West, Jr. looks to camera. He stands slightly separated from everyone else at right and gazes off towards the left. Woods line the bank behind them.
H. H. West's brothers, Wayne and Wilson, stand in the West's front yard. Both wear suits and hats. Wilson has a button on his lapel. The house is visible behind them. There are bushes and plants in front of the house.
Wilson West and Wayne West pose in their Boys' Brigade uniforms. The uniform consists of a coat lined with buttons and a hat with a shallow brim and emblem on the front. There are plant, trees, and a fence in the background.