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Taller de diálogo cultural, parte 2

Description:
SPANISH: Se aborda la comercialización de café en Oaxaca y otros proyectos de comercio. Se mencionan las pautas para la participación, los temas y objetivos del taller. En esta sesión, los participantes explican las razones por las que se interesaron en el taller y brindan algunos datos económicos y sociales de sus comunidades. Se presenta una representante de la Asociación Alemana para la Educación de los Adultos, que comenta la finalidad de dicha institución. Explica la diferencia entre actividades económicas, productivas, comerciales, de servicios y asalariados, que se dividen en básicas y complementarias, tradicionales y modernas, las que se conservan y las que se han perdido. Los participantes agrupan el tipo de actividad que se realiza en su localidad de acuerdo con la explicación,.<br>ENGLISH: The commercialization of coffee in Oaxaca and other trade projects are discussed. Guidelines for participation, themes and objectives of the workshop are mentioned. In this session, the participants explain the reasons for their interest in the workshop and provide some economic and social data about their communities. A representative of the German Adult Education Association is introduced and comments on the purpose of this institution. She explains the difference between economic, productive, commercial, service and salaried activities, which are divided into basic and complementary, traditional and modern, those that are preserved and those that have been lost. The participants group the type of activity carried out in their locality according to the explanation.
Date:
May 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de diálogo cultural, parte 2

Taller de diálogo cultural, parte 3

Description:
SPANISH: Se aborda la problemática de las actividades económicas productivas en las comunidades indígenas. Se analizan las razones de la falta de desarrollo económico en México. Se menciona la injusticia en los precios de venta de productos al extranjero, los tipos de cultivos de acuerdo con las regiones, la importancia de la producción artesanal, entre otros temas alusivos al desarrollo agrícola y económico. En el caso de Yalálag, se explica su actividad económica y la importancia de lograr la autosuficiencia de los pueblos. Se comenta la diferencia entre actividad comercial y la venta directa de los productos; comentan la desaparición del trueque, la introducción de personas comerciantes ajenas a la comunidad y la importancia de rescatar el comercio local.<br>ENGLISH: The issue of productive economic activities in indigenous communities is addressed. The reasons for the lack of economic development in Mexico are analyzed. Mention is made of the injustice in the prices of products sold abroad, the types of crops according to the regions, the importance of handicraft production, among other topics related to agricultural and economic development. In the case of Yalálag, its economic activity and the importance of achieving self-sufficiency in the towns are explained. The difference between commercial activity and the direct sale of products is discussed; they comment on the disappearance of barter, the introduction of traders from outside the community and the importance of rescuing local commerce.
Date:
May 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de diálogo cultural, parte 3

Taller de diálogo cultural, parte 4

Description:
SPANISH: Sobre la posibilidad de modernización, comercialización en las comunidades indígenas. Explica el origen de la denominación zapotecas, comentan sobre el comercio tradicional de los productos comunitarios, principalmente alimenticios. Opinan respecto al desprecio por la indumentaria y raíces indígenas, el consumismo de artículos importados y el tipo de productos que son comerciales. Analizan los tipos de actividades económicas que existen. Destacan las carencias en el ámbito de servicios de salud en las comunidades, explican el uso del ocote para uso medicinal, brindan una receta para sanar la diabetes. Comentan el uso del tequio y el trabajo de los funcionarios. Enfatizan en la calidad del trabajo en los servicios municipal, educativo y de salud; así como en los cargos de concejales y presidentes municipales.<br>ENGLISH: On the possibility of modernization and commercialization in indigenous communities. They explain the origin of the Zapotec denomination, comment on the traditional commerce of community products, mainly foodstuffs. They give their opinion about the disdain for the indigenous clothing and roots, the consumerism of imported articles and the type of products that are commercialized. They analyze the types of economic activities that exist. They highlight the lack of health services in the communities, explain the use of ocote for medicinal use, and offer a recipe to cure diabetes. They comment on the use of the tequio and the work of the officials. They emphasize the quality of work in the municipal, educational and health services, as well as in the positions of councilors and municipal presidents.
Date:
May 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de diálogo cultural, parte 4

Taller de diálogo cultural, parte 5

Description:
SPANISH: Mencionan los servicios que brindan los habitantes de comunidades indígenas radicados en la ciudad. Comentan la falta de servicios de salud en Santa María Tavehua, Oaxaca; explican el proceso de la asignación de presupuesto municipal y al respecto mencionan el caso de la región chinanteca. Entre los servicios económicos en las comunidades se encuentra la telefonía rural, las bandas de música, los comités de festejos, la colecta barrial. Proponen diferenciar entre servicios públicos y municipales, remunerados y no remunerados. Exponen la función de los chimoles, describen la forma y función de la chirimía, el servicio de las personas como mayordomos. Continúa con la clasificación de actividades económicas asalariadas, como las de los funcionarios, los peones, etc.<br>ENGLISH: The services provided by the inhabitants of indigenous communities living in the city are mentioned. They comment on the lack of health services in Santa María Tavehua, Oaxaca; they explain the process of municipal budget allocation and mention the case of the Chinantec region. Among the economic services in the communities are rural telephony, music bands, celebration committees, and neighborhood collections. They propose to differentiate between public and municipal services, remunerated and non-remunerated. They explain the function of the chimoles, describe the form and function of the shawm, the service of people as mayordomos. It continues with the classification of salaried economic activities, such as those of civil servants, laborers, etc.
Date:
May 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de diálogo cultural, parte 5

Taller de diálogo cultural, parte 6

Description:
SPANISH: Continúa con la organización y caracterización de las actividades comunitarias de tipo asalariado. Mencionan el cultivo del maíz, la milpa y el café como actividad económica de las comunidades indígenas. Explican el concepto de milpa, clasifican los tipos de cultivos y hacen un ejercicio de clasificación de sus actividades económicas. Mencionan los artículos de artesanía que elaboran.<br>ENGLISH: The organization and characterization of salaried community activities is continued. They mention the cultivation of corn, cornfields and coffee as economic activities of indigenous communities. They explain the concept of milpa, classify the types of crops and make a classification exercise of their economic activities. They mention the handicraft items they make.
Date:
May 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de diálogo cultural, parte 6

Taller de Gráfica Popular

Description:
SPANISH: Entrevista con miembros del Taller de Gráfica Popular, en la que destacan la influencia de la obra gráfica de José Guadalupe Posada. Señalan que el taller surgió en 1937, tras la disolución de la Liga de Escritores y Artistas Revolucionarios, con el ánimo de solidarizarse con las causas de los trabajadores y con la lucha antifascista de gobierno mexicano en la década de 1930. Mencionan como fundadores del taller a destacados artistas como Ignacio Aguirre, Leopoldo Méndez, Alfredo Salce, Luis Arenal, entre otros, y apuntan las distintas sedes que ha tenido el taller desde su fundación. Se presenta la pieza Sensemayá.<br>ENGLISH: Interview with members of the Taller de Gráfica Popular (Popular Graphic Workshop), in which they highlight the influence of the graphic work of José Guadalupe Posada. They point out that the workshop emerged in 1937, after the dissolution of the Liga de Escritores y Artistas Revolucionarios (League of Revolutionary Writers and Artists), with the aim of showing solidarity with the workers' causes and with the anti-fascist struggle of the Mexican government in the 1930s. They mention as founders of the workshop outstanding artists such as Ignacio Aguirre, Leopoldo Méndez, Alfredo Salce, and Luis Arenal, among others, and point out the different venues the workshop has had since its foundation. The piece "Sensemayá" is presented.
Date:
Agosto 12, 1993
August 12, 1993
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller de Gráfica Popular

Taller de Tahitiano

Description:
SPANISH: Escrito en el reverso de la fotografía: "Taller de Tahitiano - Fin de Cursos - Casa de la Cultura. 1994".<br>ENGLISH: Translated from Spanish on the reverse of the photograph: "Tahitian Workshop - End of Courses - Casa de la Cultura. 1994."
Date:
1994
Resource Type:
still image
Collection:
Archivo Histórico de Tijuana
Taller de Tahitiano

Taller Diálogo Cultural y Octava Feria del Nopal, parte 1

Description:
SPANISH: El Taller Diálogo Cultural del Centro de Producción Radiofónica Zapoteca tenía el objetivo de dignificar y defender la cultura indígena. El profesor Juan Antonio Rendon fue el encargado de dar el taller y explica la producción agrícola en las comunidades oaxaqueñas. Se narra los cambios culturales que han pasado en las comunidades indígenas y se reseñan los servicios de salud que se dan en esta zona. Se presentan los proyectos industriales que estaban destinados para el Ingenio Azucarero Emiliano Zapata. Contiene piezas musicales de bandas zapotecas de Zaachila, Oaxaca.<br>ENGLISH: The Cultural Dialogue Workshop of the Zapotec Radio Production Center had the objective of dignifying and defending indigenous culture. Professor Juan Antonio Rendon was in charge of giving the workshop and explains agricultural production in Oaxacan communities. He narrates the cultural changes that have taken place in the indigenous communities and reviews the health services provided in this area. The industrial projects that were destined for the Emiliano Zapata Sugar Mill are presented. It contains musical pieces by Zapotec bands from Zaachila, Oaxaca.
Date:
May 30, 1994
Mayo 30, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller Diálogo Cultural y Octava Feria del Nopal, parte 1

Taller Diálogo Cultural y Octava Feria del Nopal, parte 2

Description:
SPANISH: Se invita a la feria del nopal en Milpa Alta y se exponen los beneficios de esta planta, además de su rol en la historia de México. Se comenta sobre los acuerdos de paz en Chiapas, la quema de la invitación que hizo el Congresista Robert Torricelli al EZLN y la entrega de documentos pertenecientes al magnicida Mario Aburto Martínez. Se convoca a las conferencias sobre el orgullo mixe en la Universidad Salesiana. Contiene piezas musicales de bandas zapotecas de Zaachila, Oaxaca.<br>ENGLISH: An invitation to the Nopal Fair in Milpa Alta and the benefits of this plant are presented, as well as its role in the history of Mexico. We comment on the peace agreements in Chiapas, the burning of the invitation made by Congressman Robert Torricelli to the EZLN and the delivery of documents belonging to the assassin Mario Aburto Martinez. Conferences on Mixe pride are held at the Salesian University. Contains musical pieces by Zapotec bands from Zaachila, Oaxaca.
Date:
May 30, 1994
Mayo 30, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller Diálogo Cultural y Octava Feria del Nopal, parte 2

Taller infantil de danza contemporánea

Description:
SPANISH: Escrito en el reverso de la fotografía: "Casa de la Cultura / Taller Cultural / Taller infantil de danza contemporánea. 1994".<br>ENGLISH: Translated from Spanish on the reverse of the photograph: "Casa de la Cultura / Cultural Workshop / Children's contemporary dance workshop. 1994."
Date:
1994
Resource Type:
still image
Collection:
Archivo Histórico de Tijuana
Taller infantil de danza contemporánea

Taller mecánico industrial : Mónico Rodríguez. Sectas protestantes : Mónico Rodríguez

Description:
SPANISH: En la primera parte del soporte grabado el 25 de abril de 1991, Mónico Rodríguez comenta qué es un torno y dónde surgió, además, se mencionan sus características, cómo funciona y cómo fue su llegada a Inglaterra. Se enuncia qué realiza un mecánico aparatista tornero y las habilidades que debe tener. Se alude a cómo funciona el micrómetro y los buriles. Se refiere a cómo son tratados los metales para su fundición y su manejo. Se menciona qué se puede realizar en un taller mecánico industrial, se describen algunas máquinas que se utilizan y realizan en el taller como la sierra, los hornos para cal, los molinos para nixtamal, entre otras. La segunda parte grabada el 26 de abril de 1991 Mónico Rodríguez y Ricardo Montejano reflexionan sobre los conflictos generados a causa de las sectas protestantes creadas por los norteamericanos. Se describe cómo se reclutan personas para dichas sectas religiosas. Mónico Rodríguez comenta cómo funciona una secta religiosa en su comunidad, conocida como los Hijos de Jesús y los conflictos que él tuvo con dicha secta. Se alude al uso de la música que emplean las sectas religiosas para difundir sus creencias y ganar adeptos.<br>ENGLISH: In the first part of the recording carried out on April 25th, 1991, Mónico Rodríguez explains what is a lathe and where it was created, he mentions its characteristics, how it works, and how it arrived in England. He also describes what is done by a lathe worker appliance mechanic and the abilities he must have. He also describes how a micrometer and a burin work. How metals are treated for their melting and management. He then mentions what can be done in an industrial mechanic workshop, describes some of the machinery used, such as the saw, the lime kiln, and the nixtamal mills, among other. In the second part, recorded on April 26th 1991, Mónico Rodríguez and Ricardo Montejano discuss about the conflicts triggered by Protestant sects founded by Americans. They describe how people are recruited for these religious groups. Rodríguez explains how the Hijos de Jesús (Sons of Jesus) sect in his community works, and the problems he had with the group. They mention how these religious sects use music to spread their beliefs and gain supporters.
Date:
Abril 25, 1991/Abril 26, 1991
April 25, 1991/April 26, 1991
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller mecánico industrial : Mónico Rodríguez. Sectas protestantes : Mónico Rodríguez

Taller para la elaboración de un mini herbario. Práctica de identificación de plantas medicinales, parte 1

Description:
SPANISH: Taller impartido por Abigail Aguilar en el que expone los pasos para elaborar un mini herbario. Se especifican los materiales y herramientas necesarios, los procesos de prensado, secado, pegado y cosido de las plantas, así como un registro detallado que incluya información sobre la especie, padecimientos para los que sirve, modos de preparación, localización geográfica, nombre del recolector, entre otros. Se explica que aquellas personas que experimentan con plantas deben tener avales de herbario, con el fin de asegurar que se esté trabajando con la especie indicada. En México, dichos avales serán emitidos por el Herbario Nacional y el Herbario Medicinal del IMSS. A continuación se escucha una conversación entre los participantes de las clases de herbolaria, en la cual se intenta identificar algunas plantas medicinales. Carlos Gómez y Abigail Aguilar explican la clasificación de plantas por características morfológicas y genéticas, así como los usos de algunas plantas identificadas.<br>ENGLISH: Workshop given by Abigail Aguilar in which she explains the steps to elaborate a mini herbarium. The materials and tools needed, the processes of pressing, drying, gluing and sewing the plants, as well as a detailed record that includes information on the species, ailments for which it is useful, ways of preparation, geographical location, name of the collector, among others, are specified. It is explained that those who experiment with plants must have herbarium certificates, in order to ensure that they are working with the indicated species. In Mexico, such certificates will be issued by the National Herbarium and IMSS' Medicinal Herbarium. Following that is a conversation between the participants of the herbal classes, in which they try to identify some medicinal plants. Carlos Gómez and Abigail Aguilar explain the classification of plants by morphological and genetic characteristics, as well as the uses of some of the plants identified.
Date:
March 28, 1994
Marzo 28, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Taller para la elaboración de un mini herbario. Práctica de identificación de plantas medicinales, parte 1

Tall gas tank sitting atop a dolly outside the H. H. West Company offices on Omar Avenue, Los Angeles, 1946

Description:
Photograph of a tall gas tank sitting on a flatbed dolly on the sidewalk outside the H. H. West Company's offices on Omar Avenue. The tank sits atop a dolly at center. The dolly and tank are on the sidewalk that passes across the foreground, in front of the building. Behind the tank, a set of doors stands wide open. A hallway in shadow extends behind the tank. To the left of the tank in the foreground, the large shop window of the office sits in partial view along the left edge.
Date:
June, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Tall gas tank sitting atop a dolly outside the H. H. West Company offices on Omar Avenue, Los Angeles, 1946

Taludo

Description:
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Resource Type:
text
Collection:
Modern Endangered Archives Program
Partituras de Frevo da Banda Capitão Zuzinha
Taludo

Talunbe

Description:
FRENCH: Cette chanson est chantée en duo alterné par deux femmes (Hatouma Diarra et Assan Marega), accompagnées au tambour (djembé), au tambour (dundun), à la cloche, au hochet et à la flûte traversière Abba Kanouté. Elle et enregistrée à Banaya en 2007.<br>ENGLISH: This song is performed as an alternating duet by two women (Hatouma Diarra and Assan Marega), accompanied accompanied by djembe drum, dundun drum, bell, rattle, and by the flute played by Abba Kanouté. It was recorded in Banaya in 2007.
Date:
2007
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Talunbe

Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963

Description:
Two images. Left: Ramchandra Babaji Salukhe playing shehnai, with a shruti musician. Right: D. M. Bhonsle playing a “cangara” (nagāṙā?). They are performing prior to a tamasha performance. The diary of Nazir Ali Jairazbhoy states “Recorded shehnai party. Not very good.”
Date:
December 16, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963

Tamborileros de Tapotzingo. Huelga en Lázaro Cárdenas

Description:
SPANISH: Presentación de la agrupación Tamborileros de Tapotzingo en el Museo Nacional de Culturas Populares, originaria del municipio de Nacajuca en Tabasco. Entrevista donde se relata la huelga que existe en Lázaro Cárdenas, Michoacán contra la empresa Grupo Industrial Nks S.A. de C.V.<br>ENGLISH: Presentation of the group Tamborileros de Tapotzingo at the National Museum of Popular Cultures, originally from the municipality of Nacajuca in Tabasco. Interview about the strike in Lázaro Cárdenas, Michoacán against the company Grupo Industrial Nks S.A.De C.V.
Date:
October 31, 1993
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Tamborileros de Tapotzingo. Huelga en Lázaro Cárdenas

Tambor tarahumara. Huelga de hambre

Description:
SPANISH: Sonidos de tambor tarahumara. Bernardo Medina da lectura a la carta de su compañero Eduardo Hernández Hernández, del Sindicato de Trabajadores de la Secretaría de Agricultura y Recursos Hidráulicos, quien sostiene una huelga de hambre por la reivindicación de los derechos de los trabajadores.<br>ENGLISH: Sounds of Tarahumara drums. Bernardo Medina reads a letter from his colleague Eduardo Hernández Hernández, from the Union of Workers of the Ministry of Agriculture and Hydraulic Resources, who is on hunger strike for the vindication of workers' rights.
Date:
August 26, 1993
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Tambor tarahumara. Huelga de hambre

Tana

Description:
Albanian: Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tana". Drama bardhë e zi e regjisorit Kristaq Dhamo, rrëfen historinë e një vajze të re punëtore në kooperativën e një fshati të përparuar, e gjendur mes dy burrave që konkurrojnë për dashurinë e saj. "Tana" është filmi i parë artistik me metrazh të gjatë në Shqipëri.<br>English: Original photo negative taken for the Albanian fiction feature film "Tana". Directed by filmmaker Kristaq Dhamo, this black and white drama tells the story of a bright and enthusiastic young collective farm worker caught between two men vying for her affections. "Tana" is Albania's first full-length fiction film release.
Date:
1958
Resource Type:
still image
Collection:
Albanian Photographic and Graphic Art Collection
Tana

Tana

Description:
Albanian: Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tana". Drama bardhë e zi e regjisorit Kristaq Dhamo, rrëfen historinë e një vajze të re punëtore në kooperativën e një fshati të përparuar, e gjendur mes dy burrave që konkurrojnë për dashurinë e saj. "Tana" është filmi i parë artistik me metrazh të gjatë në Shqipëri.6 negative frames. Scratches and big dots around the surface.<br>English: Original photo negative taken for the Albanian fiction feature film "Tana". Directed by filmmaker Kristaq Dhamo, this black and white drama tells the story of a bright and enthusiastic young collective farm worker caught between two men vying for her affections. "Tana" is Albania's first full-length fiction film release.
Date:
1958
Resource Type:
still image
Collection:
Albanian Photographic and Graphic Art Collection
Tana

Tana

Description:
Albanian: Foto negativ origjinal i krijuar për eventin e premierës së filmit artistik shqiptar "Tana" në Moskë.<br>English: Original photo negative taken for the premiere in Moscow of Albanian fiction feature film "Tana".
Date:
1958
Resource Type:
still image
Collection:
Albanian Photographic and Graphic Art Collection
Tana

Tana

Description:
Albanian: Foto negativ origjinal i krijuar për eventin e premierës së filmit artistik shqiptar "Tana" në Moskë.<br>English: Original photo negative taken for the premiere in Moscow of Albanian fiction feature film "Tana".
Date:
1958
Resource Type:
still image
Collection:
Albanian Photographic and Graphic Art Collection
Tana