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"Rigoletto" cast members Charles Burton (possibly), Louis Statham and Laurin Malcolm, John Adams Auditorium, Santa Monica, 1951

Description:
Photograph of Santa Monica Civic Opera singers portraying Rigoletto, Sparafucile and Count Monterone from the opera, “Rigoletto.” The singer portraying Rigoletto (possibly Charles Burton) wears an embroidered velvet doublet with sunburst collar, padded to reveal the character’s hunched back. He holds a bauble (a mock scepter) in one hand. To his left, Louis Statham portrays the hired assassin Sparafucile, wearing a Romani (Gypsy) style outfit with a loose shirt and pants, vest and waist sash. The outfit is completed with a scarf tied around his head and an earring in one ear. Laurin Malcolm, in costume as Count Monterone, wears an embellished tunic with ruff collar and cuffs, belt and stockings. They are in front of a set background painted to look like ornate paneled walls from the Duke’s palace. Photo possibly taken at John Adams Auditorium, Santa Monica.
Date:
[circa September 22, 1951]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" cast members Charles Burton (possibly), Louis Statham and Laurin Malcolm, John Adams Auditorium, Santa Monica, 1951

“Rigoletto” production at John Adams Auditorium, Santa Monica, 1951

Description:
Santa Monica Civic Opera production of “Rigoletto.” The singers, portraying nobles and courtiers, wear costumes evoking 16th century attire - the female singers wear long gowns with full skirts and puffed sleeves. The men wear stockings, doublets with paneled sleeves, ruff collars, and baldrics (for holding a sword) across their chests. At left, performers portraying the Duke of Mantua and Rigoletto stand opposite two noblemen, possibly Count Monterone and Count Ceprano. The stage set represents a room in the Duke’s palace, replete with paneled walls set with Corinthian inspired columns and a frieze over a curtained passageway. Two family crests hang high above the painted scenery. At left sits a throne (an ornate wooden chair covered with a canopy and placed on an elevated platform); a chandelier hangs overhead at center. Musicians viewed from orchestra pit at foreground. Additionally, June Moss (second from right) performs as a noble in attendance.
Date:
c[irca September 22, 1951]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” production at John Adams Auditorium, Santa Monica, 1951

“Cavalleria Rusticana" production with Florence Timmerhoff and June Moss, Barnum Hall, Santa Monica, 1952

Description:
Santa Monica Civic Opera performance of in “Cavalleria Rusticana.” Cast members in Italian peasant costumes take up the stage. Several men (including a soldier) stand behind rows of kneeling women in prayer pose. Florence Timmerhoff, portraying Lola, stands at the fore and sings. The setting is a 19th century Sicilian village. Painted backdrops and sets depict stone and brick architecture surrounding a village square. At opposing ends of the stage are a cantina and a church. Beyond the stage, musicians are viewed in the orchestra pit at foreground. Cast members include June Moss, kneeling fourth from right. Opera performed at Barnum Hall, Santa Monica.
Date:
May 11, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Cavalleria Rusticana" production with Florence Timmerhoff and June Moss, Barnum Hall, Santa Monica, 1952

“Lucia di Lammermoor” scene with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

Description:
The excerpt from “Lucia di Lammermoor” was performed as part of Santa Monica Civic Opera's “One Night at the Opera,” an event showcasing scenes from the association’s most popular operas. The performance took place January 28, 1950 at Barnum Hall, Santa Monica.
Date:
January 28, 1950
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” scene with Natalie Garrotto performed during “One Night at the Opera,” Barnum Hall, Santa Monica, 1950

“Rigoletto” cast members Roger Hansen, Kay Marshall and 2 others, John Adams Auditorium, Santa Monica, 1951

Description:
Four cast members, two men and two women, with the Santa Monica Civic Opera production of "Rigoletto," in costume. The women wear long satin dresses with puffed sleeves. Kay Marshall (third from left) wears a two-toned, paneled jacquard-print dress with v-neckline. Roger Hansen (2nd from left) and the other male performer are dressed as noblemen are possibly portraying Count Monterone and Count Ceprano. They wear stockings, doublets with paneled sleeves, ruff collars, and baldrics (for holding a sword) across their chests. They are photographed in front of a set background painted to look like ornate paneled walls from the Duke’s palace. Photo possibly taken at John Adams Auditorium, Santa Monica.
Date:
circa September 22, 1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” cast members Roger Hansen, Kay Marshall and 2 others, John Adams Auditorium, Santa Monica, 1951

“Rigoletto” production, John Adams Auditorium, Santa Monica, 1951

Description:
Santa Monica Civic Opera performance of “Rigoletto.” The singers, portraying nobles and courtiers, wear costumes evoking 16th century attire - the female singers wear long gowns with full skirts and puffed sleeves. The men wear stockings, doublets with paneled sleeves, ruff collars, and baldrics (for holding a sword) across their chests. The stage set represents a room in the Duke’s palace, replete with paneled walls set with Corinthian inspired columns and a frieze over a curtained passageway. A painting hangs on a wall behind a throne - here represented by an ornate wooden chair; a chandelier hangs overhead. Musicians viewed from orchestra pit at foreground. Additionally, June Moss (far left) performs as a noble in attendance.
Date:
circa September 22, 1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Rigoletto” production, John Adams Auditorium, Santa Monica, 1951

"Lucia di Lammermoor" production with Betty Herrick, John Adams Auditorium, Santa Monica, 1951

Description:
Opera singer Betty Herrick performing in “Lucia di Lammermoor.” Herrick as Lucia wears a gown emulating 17th century attire. It is comprised of a full skirt, lace overlay bodice with long sleeves, and a tie around the waist. An organza shawl and bejeweled necklace and earrings complete the ensemble. She stands in front of a background with a painted fountain and exterior architecture representing Lammermoor Castle. The dimly lit stage suggests nighttime. The conductor’s podium, musical scores and a musician can be seen from the orchestra pit at foreground. Likely performed at John Adams Junior High School, Santa Monica.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Lucia di Lammermoor" production with Betty Herrick, John Adams Auditorium, Santa Monica, 1951

“Lucia di Lammermoor” production, John Adams Auditorium, Santa Monica, 1951

Description:
Opera singers performing in “Lucia di Lammermoor.” The singers wear 17th century period costume. All except one wears satin breeches and doublet-inspired tunics, ruff collars, and baldrics worn diagonally across their chest (to hold their swords). The exception wears a more austere, dark costume with a wide flat collar and cuffs, and a cloak. They stand in front of a background with a painted fountain and exterior architecture representing Lammermoor Castle. The dimly lit stage suggests nighttime. Musicians in the orchestra pit are viewed in foreground. Likely performed at John Adams Junior High School, Santa Monica.
Date:
1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Lucia di Lammermoor” production, John Adams Auditorium, Santa Monica, 1951

"Rigoletto" production curtain call with Ray Gagan, Enrico Porta, Natalie Garrotto and others, John Adams Auditorium, Santa Monica, 1949

Description:
Five opera singers with the Santa Monica Civic Opera stand holding hands at curtain call. From left: a male and female in Romani (Gypsy) dress portray Sparafucile (a hired assassin) and his sister, Maddalena. To their left, Raymond Gagan as the Duke of Mantua and Enrico Porta as Rigoletto are dressed in more Renaissance style attire, wearing doublet-inspired tunics with belts at the waist, stockings, and short breeches (called slops); Natalie Garrotto (as Gilda) is dressed in the guise of a man and wears a belted tunic and boots. An interior backdrop is obscured by stage curtains. Musicians are viewed in the orchestra pit at foreground.
Date:
November 26, 1949-December 4, 1949
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Rigoletto" production curtain call with Ray Gagan, Enrico Porta, Natalie Garrotto and others, John Adams Auditorium, Santa Monica, 1949

"Hansel and Gretel" chorus members, Barnum Hall, Santa Monica, 1957-1959

Description:
Chorus members from a Santa Monica Civic Opera production of "Hansel and Gretel." Five young women face left and pose hand to arm. Four wear Grecian chorus robes. A fifth woman, wearing black pants and a turtleneck sweater, stands at center. Behind them, a small portion of a tile mosaic called, “The Vikings” can be seen. Photographed in the foyer of Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" chorus members, Barnum Hall, Santa Monica, 1957-1959

"Hansel and Gretel" production, Barnum Hall, Santa Monica, 1957-1959

Description:
Santa Monica Civic Opera production of "Hansel and Gretel." Opera singers portraying Hansel (in mock-lederhosen) and Gretel (wearing a dirndl) are on their knees, Gretel with hands in prayer pose. A basket rests near her, while a cottage can be seen in the background behind Hansel. Performed at Barnum Hall, Santa Monica.
Date:
[between 1957-1959]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Hansel and Gretel" production, Barnum Hall, Santa Monica, 1957-1959

“Merry Widow” production with Natalie Garrotto, Barnum Hall, Santa Monica, possibly 1960

Description:
Santa Monica Civic Opera singers performing in “The Merry Widow,” Act 1. Natalie Garrotto, portraying Natalie (Valencienne) sings at center stage while fellow cast members (portraying party guests) look on. The scene is a ball being held at the fictional Marsovian (Pontevedrian) embassy in Paris. The women wear evening gowns; the men wear tuxedos and military dress uniforms. An additional cast member dressed as an attendant stands to the far right. He wears a powdered wig, full sleeve shirt, waistcoat, breaches and stockings. Decorative set pieces with intricate floral designs flank a faux marble staircase. Additional stage props include a table set with candelabra and flowers, chairs and a settee. Beyond the stage, musicians are viewed in silhouette in the orchestra pit at foreground. Performed at Barnum Hall, Santa Monica.
Date:
[possibly 1960]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Merry Widow” production with Natalie Garrotto, Barnum Hall, Santa Monica, possibly 1960

“Carmen” production, Barnum Hall, Santa Monica, 1956

Description:
Santa Monica Civic Opera singers performing in Act 4 of “Carmen.” Cast members wearing Andalusian attire – women wearing mantillas and holding hand fans; men wearing short jackets and wide brimmed hats – stand in the background as singers portraying the characters Carmen and Escamillo perform downstage center. Escamillo wears a matador’c costume. The setting is a bullring façade with authentic posters from bullfights at Plaza de Toros de Castellon, Plaza de Toros de Gijon, and Plaza de Toros de Granada. A 1951 date can be seen on two of the three posters. Photographed from the balcony, the conductor and musicians in the orchestra pit and audience members in view. Performed at Barnum Hall, Santa Monica.
Date:
October 13, 1956
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Carmen” production, Barnum Hall, Santa Monica, 1956

Cast members from a production of Robin Hood (?), probably Santa Monica, circa 1948

Description:
Cast members, probably from the Santa Monica Light Opera Company, from a staged production (possibly the comic opera "Robin Hood"). One figure stands at far left with a bow over one shoulder; he wears the hat and tunic typically attributed to Robin Hood. Similarly, two of the females wear "Maid Marion" style gowns with braided hairstyles. The singers are photographed on stage with props seen in the background.
Date:
[circa 1948]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
Cast members from a production of Robin Hood (?), probably Santa Monica, circa 1948

"Barber of Seville" production, John Adams Auditorium, Santa Monica, 1955

Description:
Santa Monica Civic Opera singer performing as Count Almaviva in "The Barber of Seville." The singer (and those playing musicians in the background) wears 18th century Spanish clothing. Painted backdrops and scenery recreate a public square outside of Bartolo’s home. Here, the Count stands below a balcony and serenades Rosina (not seen). A pianist is visible below in the orchestra pit. Performed at John Adams Junior High School, Santa Monica.
Date:
December 1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Barber of Seville" production, John Adams Auditorium, Santa Monica, 1955

"Bohème" production, Barnum Hall, Santa Monica, 1955

Description:
Singers in a Santa Monica Civic Opera production of Giacomo Puccini’s, La Bohème, perform in period costumes. Singers in the roles of Schaunard, Mimi and Rodolfo stand stage-left, while singers portraying Musetta and Marcello perform center stage. The painted backdrop and set props recreate an attic apartment in Paris, including a prominently displayed painting, a table and covered settee. Windows painted with snow-covered panes suggest the winter season outdoors. Musicians are visible in the orchestra pit at foreground. Performed at Barnum Hall, Santa Monica.
Date:
1955
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Bohème" production, Barnum Hall, Santa Monica, 1955

"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

Description:
Opera singers performing in Act 2 of Die Fledermaus. Singers wearing late-19th century ball gowns and tuxedos interact while a male raises a champagne glass and sings to a female near center stage. The performers are probably portraying Alfred and Adele in the guise of Olga. The setting is a ball at a Viennese villa. Set props include garden tables, benches, and banquettes, and one visible lantern placed next to a set of steps in the background. Potted plants create a backdrop for the open-air stage, and separate the set from the boys’ gym building seen in the background. Beyond the stage, two accompanying pianists can be viewed situated on a walkway separating the stage from a small reflecting pool seen at bottom right. Performed August 27, 1965, during the 28th annual “Symphonies by the Sea” event, Open-Air Memorial Theater, Santa Monica High School Campus.
Date:
August 27, 1965
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

Description:
Opera singers performing in Act 1 of Die Fledermaus. A male singer, wearing a dark-trimmed suit and cravat, faces away from a female singer in the role of Rosalind, pictured moving towards him. He is likely portraying Alfred, Rosalind’s former beau. The setting is of a home interior with tables, chairs, a settee and an ornate privacy partition. Potted plants create a backdrop for the open-air stage, and separate the set from the girls’ gym building seen in the background. Beyond the stage, two accompanying pianists can be viewed situated on a walkway separating the stage from a small reflecting pool (just seen at bottom right). Performed August 27, 1965, during the 28th annual “Symphonies by the Sea” event, Open-Air Memorial Theater, Santa Monica High School Campus.
Date:
August 27, 1965
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Die Fledermaus" production, Symphonies by the Sea, Santa Monica, 1965

"Student Prince" cast members in costume on stage, Barnum Hall, Santa Monica, 1952

Description:
Group portrait of the cast of "The Student Prince" in costume on stage at Barnum Hall with the orchestra pit in the foreground. Among the case are, in the front row: Donna Phillips (Princess Margaret, 5th from left), George Tule (Prince Karl Franz, 7th from left), Shirley O. Mills (Kathy, 8th from left), Irma Caron (Grand Duchess Anastasia, 10th from left), Bobbie King (Countess Leyden, 11th from left), Paul Keast (Dr. Engel, 12 from left) and Thomas Glynn (Herr Ruder, 3rd from right).
Date:
January 18, 1952 or January 19, 1952
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Student Prince" cast members in costume on stage, Barnum Hall, Santa Monica, 1952

"Elisir d’amore” production with Roger Hansen, John Adams Auditorium, Santa Monica, 1951

Description:
Opera singers performing in “L’Elisir d’amore.” The stage is filled with cast members dressed as soldiers and Basque villagers. At center, Roger Hansen portraying Dr. Dulcamara stands on a mock-stone platform. He is in stark contrast to the villagers, wearing a top hat with peacock feather, cape and coat, waist coat (vest), striped cravat and sash, trousers and boots. He also holds a walking stick. The setting is a village square in Basque country, late 18th century, reflected in the painted backdrop depicting rolling hills and trees, and additional set pieces painted to mimic stone architecture. Tables, chairs and a bench seat complete the stage set. Opera performed at John Adams Auditorium.
Date:
October 13, 1951- November 3, 1951
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
"Elisir d’amore” production with Roger Hansen, John Adams Auditorium, Santa Monica, 1951

“Elisir d’amore” production, Memorial Greek Amphitheatre, 1949-1958

Description:
Opera singers performing in a production of “L’Elisir d’amore.” At center, a singer portraying Dr. Dulcamara stands on an elaborately decorated wagon, while is assistant, wearing a pith helmet and military style jacket, stands near him at ground level. He is surrounded by peasant women and men in uniform. The setting is a village square in Basque country, late 18th century. Scenery includes a painted backdrop with rolling hills and trees, and set pieces painted to look like stone architecture. Beyond the stage, the conductor and musicians can be viewed at ground level, while audience members are observed in the stands at foreground. Opera performed at Santa Monica High School Amphitheatre.
Date:
[between 1949-1958]
Resource Type:
still image
Photographer:
Bartlett, Adelbert, 1887-1966
Collection:
Adelbert Bartlett Papers, 1922-1950
“Elisir d’amore” production, Memorial Greek Amphitheatre, 1949-1958