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Daniel in the lion's den, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is Matthys Pool, a Dutch draftsman and printmaker, a Dutch printmaker. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Daniel VI:17.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Daniel in the lion's den, 17th century engraving (photographed between 1920-1939)

Elijah fed by Ravens, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is identified as "Broen." The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin, French and Dutch. The biblical verse is identified on the print as I Kings XVII: 6.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Elijah fed by Ravens, 17th century engraving (photographed between 1920-1939)

God called unto Adam & said: where are thou, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Jan van Vianen, a Dutch draftsman and copper engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis III: 9.
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
God called unto Adam & said: where are thou, 17th century engraving (photographed between 1920-1939)

Good Samaritan, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is identified as "Broen." The print contains titles of the subject in 3 languages: Greek, English, and German. The biblical verse is identified on the print as Luke X: 30.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Good Samaritan, 17th century engraving (photographed between 1920-1939)

Hathaway 1

Description:
Used for binding; folio 1 used as a pastedown: the verso is stained and rubbed.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 1

Hathaway 5

Description:
Parchment, 1 leaf, slightly cropped at the inner margin. 24 long lines (text or music); ruled in ink. Heavy German gothic bookhand in liturgical style; brown ink. 2-line inititals in red on faded green flourishes; initials in the text in red; rubric in red miniscule; the first two lines of text of each hymn have German gothic notes on staves of 4 lines, 3 in red and 1 brown (the line of F, which is marked; C also is marked); on the other lines of text notes without staves.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 5

Hathaway 6

Description:
Parchment, 1 leaf. 30 long lines; single bounding lines; hard point ruling. Ordinary minuscule of liturgical style, showing minims often ending in a serif; brown ink. 1 and 2-line plain capital initials in red; initials in the text red or slashed with red; rubrics in mixed majuscule in red; neumes of St. Gall type.
Date:
12th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 6

Hathaway 8

Description:
Used as a pastedown in binding; the recto was pasted. While the leaf was a pastedown, a gothic cursive hand, using grayish ink, entered a text in German between the lines, on the verso, 15th century.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 8

Hathaway 9

Description:
Parchment, lower half of 1 leaf. 9 long lines survive; drypoint ruling barely discernible. Late Caroline minuscule script: "d" appears in two forms; both ampersand and the tironian note 7 for "et" are found; ascenders and descenders often end in a serif; brown ink. 8-line initial in red pen-and-ink vine stem pattern; rubric in red minuscule; neumes of St. Gall type.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 9

Hathaway 12

Description:
Parchment, 1 leaf. 2 columns of 32 lines; ruled in ink. Calligraphic gothic bookhand in liturgical style (littera textualis formata); dark brown ink. 2-line initials alternately red and blue on penwork of the opposite color; initials in the text slashed with red; initials in the lines of text with music at times with elaborate flourishes in brown; on the outer margin of the verso "LVII" in red belongs to a contemporary foliation; music on staves of 4 brown lines; F and C are marked; German gothic notes. A contemporary correction of the text by a different hand in lighter ink on the lower margin of the recto.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 12

Hathaway 18

Description:
Parchment, upper portion of 1 leaf. 4 lines of text and 4 1/2 staves survive; text not ruled. Gothic bookhand in liturgical style (littera textualis formata); blackish ink. Initials plain red or touched with red; German gothic notation on staves of 4 lines, the line of F in red, that of C in green.
Date:
14th-15th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 18

Hathaway 21

Description:
Antiphonal. Parchment, 1 leaf cropped at margins. 12 lines of text with music; ruling not discernible. Liturgical gothic bookhand (littera textualis formata); dark brown ink. Primary initials alternately red and blue; initials in the text are elaborate brown majuscule slashed with red; music in square notation on staves of 4 red lines. A gothic cursive hand (s. XV) entered several notes on the recto, upside down, when leaf was a pastedown, including "Averrois commentator cum titulos fidei voluit probare rationibus nec potuit quare apostata in fede factus est"; "Sanctus Vincentius ordinis predicatorum habuit illum donum gratie, quod loquebatur suo sermone intelligibatur ab omnibus hominibus diversarum nationum." Used as a pastedown in binding: the verso is badly rubbed.
Date:
15th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 21

Hathaway 22

Description:
Parchment, 1 leaf. 21 long lines; ruled in lead. German gothic bookhand in liturgical style (littera textualis formata); brown ink. 2-line initials and initials in the text in red; rubrics in red minuscule; German gothic notation on staves of 4 lines, the line of F red and that of C pale green.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 22

Hathaway 23

Description:
Used for binding, rubbed in the middle portion. Title on the verso (s. XVII), on what was the spine of the book bound with this leaf: De iure emphiteutico Tractatus Aurilii Corbuli (i.e., Aurelio Corboli, De iure emphyteutico tractus novus et utilissimus, of which the second and most widespread edition was printed in Colgne, 1589).
Date:
13th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 23

Hathaway 24

Description:
Antiphonal. Parchment, 1 leaf cropped at the inner margin. 14 lines of text with music; text unruled. Spikey German gothic bookhand in liturgical style (littera textualis formata); black ink. Initials of verse alternately plain red, and blue with red flourishes; initials in the text are elaborated brown majuscule touched with red; rubrics in red minuscule; German gothic neumes on staves of 4 red lines, F and C are marked. Used as a pastedown in binding: the verso is almost completely rubbed.
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 24