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Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

Description:
Musician and teacher Babu Sherbande plays manjira (small bronze finger cymbals) for a song sung by his student, Nila Sewlinga Vaghmare. She plays a cawandga, a variable tension monochord whose string is attached to a wooden handle, and stretched and loosened by the left hand, while being plucked with the right-hand fingers. Bronze bells (ghanti) are attached to the bronze holder for the strap that is attached to the wooden cylindrical body, whose upper edge is rimmed in bronze, and whose bottom is covered by a thin leather membrane, through which the end of the string passes and is tied. Bronze jingles are attached to the wooden handle. Nila Vaghmare’s daughter, Ratna Shankar Vaghmare, sings along and plays a tuṇtuṇe, a plucked monochord with a horsehead peg and a wooden cylindrical resonator. The cawandga and tuṇtuṇe were made in the shop of Abdul Karim Ismail Saheb, sitar makers of Miraj.
Date:
December 19, 1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

S. B. Jadav, B. R. Jadav, D. G. Kadam, and S. K. Khadke, Miraj (India), 1963

Description:
S. B. Jadav plays a tuṇtuṇe (a plucked monochord) with a carved wooden horse head peg and a painted wooden cylinder resonator; B. R. Jadav plays manjira (small bronze hand cymbals); D. G. Kadam holds a daf (a shallow membranophone) with metal tuning pegs; and S. K. Khadke plays a ḍholki (a small cylindrical membranophone). The location is the shop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
S. B. Jadav, B. R. Jadav, D. G. Kadam, and S. K. Khadke, Miraj (India), 1963

S. K. Khadke, Babu Sherbande, and D. G. Kadam, Miraj (India), 1963

Description:
A group of musicians perform Marathi folk songs, Krishna bhajan. S. K. Khadke plays ḍholki (a small cylindrical membranophone). Singer Babu Sherbande plays a daf (a shallow membranophone with metal tuning pegs). D. G. Kadam plays a tuṇtuṇe (a plucked monochord with a carved wooden horsehead peg and a wooden cylinder resonator, painted like the national flag of India: horizontal stripes in three colors, saffron, white, and green, with charkha spinning wheel in the center). The location is the shop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
S. K. Khadke, Babu Sherbande, and D. G. Kadam, Miraj (India), 1963

S. K. Khadke, Babu Sherbande, and D. G. Kadam, Miraj (India), 1963

Description:
A group of musicians perform Marathi folk songs, Krishna bhajan. S. K. Khadke plays ḍholki (a small cylindrical membranophone). Singer Babu Sherbande plays a daf (a shallow membranophone with metal tuning pegs). D. G. Kadam plays a tuṇtuṇe (a plucked monochord with a carved wooden horsehead peg and a wooden cylinder resonator, painted like the national flag of India: horizontal stripes in three colors, saffron, white, and green, with charkha spinning wheel in the center). The location is the shop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
S. K. Khadke, Babu Sherbande, and D. G. Kadam, Miraj (India), 1963

Instrument maker sculpting leaves on a gourd for a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Description:
Abdul Karim Ismail Saheb carving of leaves on the gourd of sitar or taṃbūrā. Grape leaves, tendrils, and grape bunches are carved into wooden panels glued to tumba gourd of taṃbūrā or sitar. The location is the verandah of the workshop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Instrument maker sculpting leaves on a gourd for a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Ḍholki in the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Description:
Ḍholki, resting on a textile at the shop of Abdul Karim Ismail Sahab. The ḍholki is a small double-headed membranophone. Cotton lacing is tightened with the dumbbell-shaped wooden or metal tighteners. The smaller, higher-pitched head (left) is usually played by right hand, and the larger, lower-pitched head (right) is usually played by left hand.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ḍholki in the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Ḍholki in the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Description:
Ḍholki, resting on a textile at the shop of Abdul Karim Ismail Sahab. The ḍholki is a small double-headed membranophone. Cotton lacing is tightened with the dumbbell-shaped wooden or metal tighteners. The smaller, higher-pitched head (left) is usually played by right hand, and the larger, lower-pitched head (right) is usually played by left hand.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ḍholki in the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Description:
Banjara women with children discuss arrangements for the upcoming recording session of women’s songs. The women wear large nose rings, toe rings, and elaborate necklaces. Their long cholīs (blouses), gāgrās (ankle-length full skirts), and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Two-headed clay drum (madiala ?), of the Bagata people, Hyderabad (India), 1963

Description:
Two-headed clay drum, a vase-type pot drum, with paste on both sides (madiala?). An instrument of the Bagata (Bhagatā) people and other tribes in Āraku Valley. “Paste” refers to weighted paste applied on both drumheads. The image shows the larger head, usually played by the left hand. A.P. photo. Possession of the Tribal Cultural Research and Training Institute.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Two-headed clay drum (madiala ?), of the Bagata people, Hyderabad (India), 1963

Sodi burra, instrument of the Yerukala (?) people, Hyderabad (India), 1963

Description:
Sodi burra, a 1-string stick zither with a resonator, a fortune telling instrument. The danda (neck) is of bamboo, the tuning peg is of wood, the string is attached to a nail, and the resonator is of dried pumpkin gourd. Instrument of the Yerukala (Parigamuggula Erukula) people (?). Possession of the Tribal Cultural Research and Training Institute.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Sodi burra, instrument of the Yerukala (?) people, Hyderabad (India), 1963

Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Description:
Congregational singers at Christmas Eve hymn singing Telugu Christmas songs: to Mariamma (Mary), and Jesus; a lullaby; a rama; and a “village" song. Musicians play rectangular clappers (left), a ḍholak or mṛdaṅgam (center), and harmonium (right). A large kolam drawing decorates the floor.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Koyā women and men with an official, Nehrunagar (India), 1963

Description:
A man in white trousers (possibly the tehsildar: leader of subdistrict) explains the researchers’ recording objective to a group of Koyā women. Two young Koyā men hold a ḍolu and two shooting bows. The women sang several Koyā wedding songs, and a lullaby. Nehrunagar, Palwañcā, Khammam District, Telangana.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Koyā women and men with an official, Nehrunagar (India), 1963

Koyā people dance with a ḍolu musician and two men with hunting bows, Nehrunagar (India), 1963

Description:
Koyā tribal dance. Accompanied by ḍolu. Koyā women and girls dance and sing while holding hands, bending forward. A Koyā man walks with them while playing ḍolu. Two young Koyā men walk with them while holding shooting bows. Nehrunagar, Palwañcā, Khammam District, Telangana.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Koyā people dance with a ḍolu musician and two men with hunting bows, Nehrunagar (India), 1963