Additional Poster text: Care for yourself and each other. Prevent the spread of HIV. Call YouthCO for updates on events, information and support for gay, lesbian and heterosexual youth. Call 688-1441
Multiple gray silhouettes of male and female figures are interspersed with red-tinted photographs of men and woman against a white background. A large red AIDS ribbon appears in the upper right corner. Poster suggests wearing the AIDS ribbon on World AIDS Day to show support for and solidarity with people living with AIDS.
Ink drawing. Red human wearing a blue coat, curled up into a ball, sitting in a pool of blood, on a large, outstretched yellow hand. Image is in a style similar to that of the artist Keith Haring. Title across top. Additional information in a box near the lower right.
Extremely fuzzy image in reds and yellows of people dancing in a nightclub. Gender uncertain. Chiefly in German; title in English, across top. Advertises 2-CD set of dance music released as a fundraiser for the 6 largest AIDS organizations in Germany. CD released on Nov. 26, 2001.
Reproduction of painting of African nude woman with two African men in suits on either side of her, surrounded by many images--dying man, skeleton, etc. Dark colors. In small text on bottom right of illustration, "La Prostituta, Art Bodo, 92." Advertises exhibit held at Rautenstrauch-Joest-Museum für Völkerkunde in Cologne, Germany, Oct. 19, 2003-Jan. 25, 2004
At the bottom of the poster, there is a red AIDS ribbon and the text December 1, Nunakakaakhimaut AIDSNI Naluhuiktailiktakhait Ubla [Tiisiivva 1, Nunaqaqkaaqsimajut Aukut Tusaumanirmut Ullunggat].
Four panels of collages signed "Brood". Each panel contains some poetry about drugs and sketches of people using drugs, including syringes. The last panel includes photographs of gun use.
A colorful graphic illustration of people, with a background suggesting clouds and snowy mountains. One man is playing a fiddle while another looks on, and there are music notes next to them. Another man (wearing an AIDS ribbon) is adjusting the neckerchief of a man in traditional native American dress. There is a mother (perhaps an Inuit woman, suggested by her clothing) with a child on her back. Finally, there are a man and woman holding hands. The graphic illustrates the textual message that there is hope for more supportive communities and hope that together, HIV/AIDS can be overcome.
Poster is primarily textual, with 4 small images of South Africans depicted as advocates, organizers and patients. Poster advocates for the aggressive use of Antiretroviral drugs (ARVs) to treat the 150,000 South Africans infected with AIDS by 2004.
Illustration depicts 9 people standing together, male and female, young and old. Text suggests that we shouldn't assume someone isn't infected just because they look healthy.
The text on this poster appears on an illustration that resembles a mirror-image Rorschach ink-blot design, with the top half mirrored on the bottom (which is upside-down). The design suggests a group of people, and is colored with a watercolor wash of orange, green and brown shades. The top group of people is divided from the upside-down bottom group, illustrating the message that if fear divides us, AIDS will grow. At the bottom of the poster appears a logo: two telephone receivers with a red drop of blood in between them.
The poster shows a picture of different people with different ethnicities and different ages are talking with no fear about the people who have AIDS and HIV. Some of the examples of what these people said: "You're fired", "I don't want to hear about that", "Stay away", "you bastard", "I'm leaving you", "you're an unclean woman", "you've brought shame on your family", "we can't give you medication", "you're already dead", "the wedding is off", "I'm sorry but we can't come", "don't touch anything", "I loved you", "I thought you loved us", etc...
Multicolored depiction divided into a 3x3 arrangement of nine panels. The first eight panels each contain a person which is a composite of two halves of different faces. The people depicted are from different races, ethnicities, and age groups. The last panel shows a picture of the AIDS ribbon and a vertically aligned rainbow.
Poster features a black-and-white photo of Jon Secada with the AIDS ribbon and the poster's inscription in the center. Immediately below is a group of colored photographs of various people depicted as if in a sequence of still images on a movie reel. Uppermost and lowermost edges of poster show 8 blue monochromatic panels (4 on top and 4 on bottom) showing additional people.
Poster shows photos of various people standing in a line shoulder to shoulder. The is also a photo of a condom. Poster advertises World AIDS Day and encourages using a condom to prevent HIV/AIDS.
Front of card depicts a crowd of men and women entering a store and looking at a window display. The display is labled Biliousine with a hanging sign that reads, "For sale here." There are bottles of Billiousine in the window. A sign hanging outside of the store reads, "Biliousine is a sure cure for sick headache, dyspepsia, constipation, indigestion, sour stomach, heartburn & c."Back of card contains a list of people who will "testify from actual experience."
The Ludington estate, also known as Val Verde, Dias Felices, the Henry Dater house, and the Dr. Warren Austin home, was designed by the architect Bertram Grovenor Goodhue, constructed in 1918 and then purchased by Charles H. Ludington in 1924. His son, Wright Saltus Ludington (who inherited the estate in 1927 or 1930), engaged the landscape architect Lockwood de Forest to design the gardens in 1925. Retaining the geometry of Goodhue's design and much of the wilderness, Lockwood transformed the gardens over a period of twenty-three years.
View of a stone basin on a pedestal in a garden area with brick pavement and a low wall incorporating a bench, with a boxwood hedge and trees visible beyond.
Two views of the Fred G. Young residence under construction and without landscaping. Top photograph captures the back of the residence. The bottom photograph captures the front of the residence. Two unidentified men are standing in the front of the residence.
Wikipedia entry for Culver Crest neighborhood, Culver City, Calif.: "Youngworth Road was named for the early developer, whose home is still on the Marycrest Manor property."
Photo closely resembles uclamss_1411_0622, dated 1932. Patio walls are not visible in other 1928 and 1930 photos of the residence, so 1932 seems the more likely date.
Photo almost identical to uclamss_1411_0622, dated 1932. Patio walls are not visible in other 1928 and 1930 photos of the residence, so 1932 seems the more likely date.
Photo almost identical to uclamss_1411_0622, dated 1932. Patio walls are not visible in other 1928 and 1930 photos of the residence, so 1932 seems the more likely date.
Two pictures of 2-year-old Rosita Dee Cornell, daughter of landscape architect Ralph D. Cornell, standing by a trellis with a big squash growing on it. In one picture Rosita Dee is looking at the camera; in the other she is reaching up towards the squash.
Two pictures of 27 1/2-month-old Rosita Dee Cornell, daughter of landscape architect Ralph D. Cornell. One picture shows her standing at a table in the dark; the other shows her sitting at table wearing an apron.
Double portrait of Ruth Iva Cornell, wife of landscape architect Ralph D. Cornell. One of the portraits is obscured by a white rectangle, maybe a piece of tape that was stuck on the negative. Ruth is wearing a hat and not smiling in the pictures, she appears to be seated on a stool.
Double portrait of Ruth Iva Cornell, wife of landscape architect Ralph D. Cornell. In one portrait she is looking at the camera, in the other she is looking up and off into the distance. Ruth is wearing a hat and not smiling in the pictures, she appears to be seated on a stool.
Note on back of photograph: Shelty white with blue trim. Fls on door in pink & blue with blue green stims. Flowers in beds in pink & blue. Tree roses in pink
Handwriting on back of photograph states: A particularly interesting treatment. Would like very much to have it, but do you suppose photographer could paint out broken glass in & lamp? Believe they can touch up minor points like that, but am not sure - Is it lemon trees on left?
Bettye K. Cree (Elizabeth Kirkpatrick Cree) was born March 24, 1879. She married Raymond Cree, a founder and developer of Palm Springs, but the marriage ended in divorce. Ms. Cree then maintained an art gallery in Palm Springs. She died in Pasadena on March 16, 1944.
The Ludington estate, also known as Val Verde, Dias Felices, the Henry Dater house, and the Dr. Warren Austin home was designed by the architect Bertram Grovenor Goodhue, constructed in 1918 and then purchased by Charles H. Ludington in 1924. His son, Wright Saltus Ludington (who inherited the estate in 1927 or 1930), engaged the landscape architect Lockwood de Forest to design the gardens in 1925. Retaining the geometry of Goodhue's design and much of the wilderness, Lockwood transformed the gardens over a period of twenty-three years.
View of the Lansdowne Hermes (a Roman, marble statue from the Hadrianic period, now in the Santa Barbara Museum of Art), against a backdrop of alternating columns and hedges. On top of each column is a sculpted basket of flowers.