Handwritten on drawing: a suit is to be suitable in --- I feel very suitable in suede with a wide stride skirt & the briefest of jackets to take me to luncheon or a board meeting --- I wear the parts separately with other things too / Bonnie Cashin
Handwritten on drawing: four parts of fall -- a shirt / a shell / a long stride skirt / a suede cardigan over all -- line it with wool / Bonnie Cashin / Jan/68
Contact sheet with 12 prints of a model wearing a two-piece matchin outfit. The jacket and skirt with a front vent are of the same wool-like checked material. The collar of the jacket and its front panels are fringed. She wears solid, light-colored gloves with a metal turnlock [turnscrew] closur, and a shoulder bag. Her earrings are rounded squares of what appears to be metal with an off-center punchout.
Text of press release: "BONNIE CASHIN TAKES A GIANT STEP IN SUEDEHere is a 2 piece all-suede suit that will pep up even the weariest traveler. Styled particularly for individualists, impeccably tailored in the newest of our suede shades - a derring-do color called Krishna. Peek under the soft, bow-tied jacket and you’ll find the brightest surprise of the season. A sleeveless blouse of light weight brushed jersey in the boldest, brightest multicolored flower pattern you can imagine. The suit in Krishna (turquoise) suede, Style #733X13Z4 about $125.00 retail. The blouse, Style#14 about $55. 00 retail. Both in 8 to 16 sizes.EDITOR THIS PHOTO IS EXCLUSIVE TO YOU IN YOUR CITY."
Mannequin wearing a suit with a leather skirt and a woolen fabric or knit jacket with leather sleeves. Accessorized with a black hat and a black cashmere shell.
Mannequin wearing a suit with a leather skirt and a woolen fabric or knit jacket with leather sleeves . Accessorized with a black hat and black cashmere shell.
Model posing in a garden setting, wearing a light colored suit (skirt and jacket) with a matching belt and dark trim. She is also wearing a dark colored cloche hat.
Mannequin wearing a muslin, or mock-up, of a garment consisting of a light-colored jacket with dark cuffs, over a dark skirt that extends past the knees.
Mannequin wearing a muslin, or mock-up, of a garment consisting of a light-colored jacket with dark cuffs, over a dark skirt that extends past the knees.
Handwritten on drawing: #1733 jacket / smooth backed suede -- unlined -- for a brief jacket - all shape --- I wear it with a matching jersey dress - Also edged in suede --- looks wonderful with my suede shorts too / Bonnie Cashin / 1957
Rib knit, pullover sweater with a wide, cape-like collar flowing over the shoulders and upper arms. The sweater is worn with a skirt in a suede-like fabric with a snap placket down the front and 2 pockets with zipper closures. The outfit is shown with knit gloves.
Model wearing a suit with a leather jacket with a plaid fabric collar and cuffs, and a narrow skirt and handbag in a matching plaid. She also wears a close-fitting fur hat and leather gloves.
Mannequin wearing a Brown wool and leather suit in black with leather trimming. Photographed with a yellow cashmere sweater with hood; designed by Cashin for Sills and Company.
The poncho is trimmed with a leather-like material. There are two pockets and seven turnlock [turnscrew] closures acting as fasteners around the neck, arms and horizontal length of the item.
Mannequin wearing a brown wool and leather suit in black with leather trimming. Photographed with a yellow cashmere sweater with hood; designed by Cashin for Sills and Company.
Text of press release:"BONNIE CASHIN COMBINES IMPORTED SCOTCH CHECKS AND SOFTEST SUPPLE SUEDEA suit for more than the country, a suit that’s chic, sleek, sophisticated - can go any and everywhere. Painstakingly tailored new shorter belted jacket in softest supple suede. Roll-over collar and slim gently gathered skirt in Sills' exclusive imported Scotch checks. Curry color suede with muted check wool. 8 to 16 sizes. Style #487 about 110.00 retail."
Text of press release: "A‘FOREVER' KIND OF EASY-GOING COAT, WITH THE LOOSE LINES IDEAL TO WEAR OVER SWEATERS AND TWEEDS. A POINT IS THE WIDE OPEN NECK, RIMMED WITH PURE LINEN, HAND-KNITStyle Number: 1219Approximate retail price: $iOOOOSize Range: Small, Medium, largePlease Credit: A BONNIE CASHIN DESIGN FOR PHILIP SILLS"
Handwritten on drawing: spongy boucle tweed in a feminine fuchu coat --- I can wear it with a matching skirt and jersey camisole or it looks wonderful over a lilac jersey dress / Bonnie Cashin
Text: "I'd like a simple classic drive-round suit for spring - in a pretty new suede color - a linden green"; "unlined full weight suede stitch in black"; "all raw edges"; "2939 jacket - fit 4939 without elastic - add band, plain sleeve"; "5821 skirt"; "5821'; "Bonnie Cashin"
View of mannequin wearing a suit with a leather skirt and a woolen fabric or knit jacket with leather sleeves. Accessorized with a black hat and black cashmere shell.
A store window displays three sets of clothing; two winter coats and one skirt suits. The heavy two piece skirt suit is wool. The jacket is long-sleeves and two pockets on each sides. The collar, the end of the sleeves and the bottom of the skirt is covered with a one inch length silk cloth. One of the winter coat has a fur collar and end-sleeves. It has three sections sewn together and has oval pockets on each sides. Another winter coat has circle multicolor pattern. It is of heavy wool material. All cloths are knee-high. There are two pairs of boots one worn by a mannequin and the other one displayed independently.
The poncho is trimmed with a leather-like material. There are two pockets and seven turnlock [turnscrew] closures acting as fasteners around the neck, arms and vertical length of the item.
Mannequin wearing a muslin, or mock-up, of a garment consisting of a light-colored jacket with dark cuffs, over a dark skirt that extends past the knees.
Three clippings. The first is from the Chicago, Illinois Herald-American, November 18, 1952. This clipping has an article discussing Cashin's versatility in design and the various types of clothes she creates. Three of her designs are shown: a two-piece short-sleeved knit with a four-inch band of contrasting metallic around the scooped neck and top of full skirt ($55); a deep gray, beige, and brown trim bouse and skirt ($78); and a cocktail knit in black or white touched with LUrex metallic threads ($69.95). The second clipping is from the Norfolk, Virginia Virginia-Pilot, February 5, 1953. This clipping shows a sheath dress and fingertip Iris tweed knit jacket. The dress is sleeveless and has a long belt that wraps and ties at the waistline. The third clipping is from The Washington Post, November 30, 1952. This clipping shows a three piece striped knit costume. The top can be tucked in to make the outfit appear to be a one-piece dress.
Model on left is standing wearing a black bathing suit, and a straw hat, with a white robe draped over her shoulder. Model on right is seated, wearing a black strapless bathing suit (or top?) under a white skirt with layered ruffles.
Text of press release : "One of the conpatible plussos of Bonnie Cashin’s fall collection for Philip Sills is the use of tweed with leathers that give value or changeability. A brass buttoned, double breasted jacket has an ascot tie that matches a slim tweed skirt.#188 Around $110.00 R/T Please credit Bonnie Cashin for Philip Sills From Donna Cannon"
Text of press release: "One of the compatible plussos of Bonnie Cashin’s fall collection for Philip Sills is the use of tweed with leathers that give valuo or changeability. A brass buttoned, double breasted jacket has anscot tie that matches a slim tweed skirt#188 Around $110.00R/T. Please credit Bonnie Cashin for Philip Sills.
Alternate view of mannequin wearing a green mohair poncho (or cape) with hood and skirt designed by Cashin for Sills and Co.; photographed with green cashmere sweater.
The poncho is trimmed with a leather-like material. There are two pockets and seven turnlock [turnscrew] closures acting as fasteners around the neck, arms and horizontal length of the item.
Four clippings. The first clipping is from the Louisville, Kentucky Courier-Journal, December 7, 1952. This article discusses Cashin's knit designs. Her knit dresses are praised for the shapeliness. There is a photograph of a woman in a cocktail hour knitwear dress and matching shawl. The second clipping is from the Portland, Oregon Oregonian, December 13, 1952. This article discusses Cashin's knits. Cashin has called this collection "Sculptura", a name she decided on "'because of the sculptural quality of knitting lends itself well to a simplicity that accents a supple body and chieves a certain serenity of line." There is a photograph of Cashin, as well as two photographs of women in Cashin's designs. One shows a woman in a greatcoat by Bonnie Cashin for Joseph Guttman in a heavy double-faced "netting" check with a wide tuxedo collar that falls over the shoulder. The other shows a woman in a knitted costume designed by Cashin that combines a low-scooped neckline bodice, triangular stole and a slender skirt. The peplum can be tucked beneath skirt for a one-piece effect. The third clipping is an advertisement for a soft robe of deep-piled Orlon fleece by Bonnie Cashin for Raymodes. The robe is lime and costs $69.95. Handwritten on the bottom left is something illegible. The fourth clipping is from the Kansas City, Missouri Star, January 9, 1953. Shown are drawings of a Cashin knit costume in pink and gray. The plaid coat has a versatile tuxedo collar that can be used as a hood. The dress is a narrow silhouette and has contrasting neck and waistbands.
Handwritten on drawing: I’ll face spring in sybarite cashmere – a bare topped striped undershirt – all stripedy – a gentle cashmere skirt – and top all this with a 2 ply mixture classic cardigan – a cashmere “bag” cap for my head too –
Sketches of six garments and additional decorative objects of different countries/continents including Korea, Peru, Africa, Maori, New Zealand and Marquesas. The sketches are oriented in different directions on the paper.