Photograph of a model in an outdoor setting wearing a long one piece dress with a scoop neck and belted at the waist. She wears a knee-length coat fur lined at the wide, shaped lapel or revers and at the cuffs, and a beaded knit hat.
Photograph os a sketch showing a model wearing a cashmere tunic and skirt. The drawing features a narrow sleeve, a narrow longer body, a shaped, flaired skirt, and a gauntlet-like cuff. The tunic buttons at the back.
A different photograph of Peggy Hamilton wearing this brocaded evening wrap appears in her Los Angeles Times feature "Fashions," on March 17, 1929, pg. J3.
Max Rée (1889–1953) was a Danish costume designer who designed for films from 1926 to 1935 and was the supervising director for sets and costumes at RKO from 1929 through 1932. He won an Academy Award for Best Art Direction for the film Cimarron.
A different photograph of Peggy Hamilton wearing this brocaded evening wrap appears in her Los Angeles Times feature "Fashions," on March 17, 1929, pg. J3.
Max Rée (1889–1953) was a Danish costume designer who designed for films from 1926 to 1935 and was the supervising director for sets and costumes at RKO from 1929 through 1932. He won an Academy Award for Best Art Direction for the film Cimarron.
Max Rée (1889–1953) was a Danish costume designer who designed for films from 1926 to 1935 and was the supervising director for sets and costumes at RKO from 1929 through 1932. He won an Academy Award for Best Art Direction for the film Cimarron.
Max Rée (1889–1953) was a Danish costume designer who designed for films from 1926 to 1935 and was the supervising director for sets and costumes at RKO from 1929 through 1932. He won an Academy Award for Best Art Direction for the film Cimarron.