Search

Browse items

–

Current results range from 1963 to 1984

View distribution

Search Constraints

You searched for: Subject Idiophones ✖Remove constraint Subject: Idiophones
Start Over

122 Catalog Results

Number of results to display per page
View results as:
List Created with Sketch. List View List Gallery Created with Sketch. Gallery View Gallery

Search Results

Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Description:
Gīgīpada (Gigipada, Gīgī Pada) singers of the Holeya community (left to right): Yerappa Basavappa Sutagaji, of Kalma Galli (voice and taal or jhāñjh cymbals); Ramachandra Ramappa Dhavale, of Tigadi Galli (voice and daf); and Basappa Gagappa Talwar, of Talwar Galli (voice and tuṇtuṇe). Gigipada singers performed Kannada songs, created by Hulkund Basappa, Purandara Dasa, and Hosur Somappa, at festivals. They sang mystical songs, auspicious songs, and modern songs on sanitation and cleanliness of body and mind.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Description:
Gondhal ceremony--Inauguration of the Archives and Research Centre for Ethnomusicology. Devotional ritual music to Hindu Goddess Amba. Standing behind a mandhab, vocal ensemble musicians with instruments (left to right): Jagannath Tite (tuṇtuṇe), Bhagvan Renake (jālra), and R. H. Garuda (sambal). A flame, incense and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Gondhal and Jāgran ceremony - Mānik Bāī with a musician, Pune (India), 1984

Description:
Jāgran (Vāghyā Muralī)--Inauguration of the Archives and Research Centre for Ethnomusicology. Behind the mandhab, Mānik Bāī gestures and holds a tuṇtuṇe, and a musician sings and plays jālra, during a Jāgran (Hindu ritual): Vāghyā Muralī Jāgran – Marathi devotional ritual music to Hindu deity Khaṇḍobā Goddess Amba. A flame and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony - Mānik Bāī with a musician, Pune (India), 1984

Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Description:
On the day of an enactment of the folk tale about Lord Krishna, his two wives, and the magical pārijāt tree, the Mallava Megeri Krishna Pārijāta Company poses outdoors on a dhurrie carpet, with actors Shrimati Mallava Megeri, troupe leader, holding a doll; Gudusab Nadat Khajidoni; and Mallakajappa Mallappa Gaddankeri (Krishna); and with musicians Krishnaji Varad Tulasigiri (tablā); Hanuman Mastar (harmonium); and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Description:
In an open area in the village, the musicians are, from left: unidentified musician (pambai, drum pair), A. K. Ganesan (tavil), unidentified musician (instrument blocked), unidentified musician (“shrutiputtu” shrutipeti, “tone box”) pumped free-reed aerophone (substitutes for traditional ottu reed pipe), I. P. Kurusāmi (nāgasvaram), unidentified musician (nāgasvaram), unidentified musician (taḷām cymbals), M. Raman is behind a musician (tavil), unidentified (timiri – small membranophone played with two sticks), Karutta Kannan (pambai, single drum), and behind Karutta Kannan, an unidentified musician (pambai, drum pair). Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumbi (Urummi, Uṟumi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, singing with kaimani cymbals, Madurai (India), 1984

Description:
Seated portrait of Tiruppati, age 62, singing, the blind leader of Madurai Meenakshi Temple bhajan mandali (group devotional, sacred song singers). Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy went to Madurai especially to meet Tiruppati, whom A. A. Bake recorded in 1938.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, singing with kaimani cymbals, Madurai (India), 1984

Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Description:
Gondhal ceremony--Inauguration of the Archives and Research Centre for Ethnomusicology. Three musicians perform a Jāgran (Hindu ritual): Vāghyā Muralī Jāgran – Marathi devotional ritual music to Hindu deity Khaṇḍobā and Goddess Amba. Standing behind a mandhab, musicians (left to right): Jagannath Tite (tuṇtuṇe), Bhagvan Renake (jālra), and R. H. Garuda (sambal). A flame, incense and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Description:
In an open area in the village, the musicians are, from left: unidentified musician (pambai, drum pair), A. K. Ganesan (tavil), unidentified musician (instrument blocked), unidentified musician (“shrutiputtu,” shrutipeti, “tone box”) pumped free-reed aerophone (substitutes for traditional ottu reed pipe), I. P. Kurusāmi (nāgasvaram), unidentified musician (nāgasvaram), unidentified musician (tāḷam cymbals), M. Raman is behind a musician (tavil), unidentified musician (timiri – small membranophone played with two sticks), Karutta Kannan (pambai, single drum, and pambai, drum pair). Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumbi (Urummi, Uṟumi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Kota women dance in a circle around Kota men musicians, Trichagadi (India), 1984

Description:
Five Kota women dance in a circle with hands above their heads while encircling Kota men musicians playing two kinpar barrel drums, a koḷ double-reed aerophone, jālra bronze cymbals and a tabaṭk frame drum. The women wear traditional cotton varad wrapped around the body and left shoulder, over sari blouses. The dances are for the Kambattaraya festival held for 21 days in January, and announced as: 1) kalkujattam “leg joining dance,” 2) tiruganāṭ dāk / tirukanat (turning dance), 3) bibarmarattam (?). In Ticgār (Trichagadi) Village, near Lovedale, Ooty (Udagamandalam).
Date:
April 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Kota women dance in a circle around Kota men musicians, Trichagadi (India), 1984

Gondhal and Jāgran ceremony, Pune (India), 1984

Description:
Gondhal ceremony--Inauguration of the Archives and Research Centre for Ethnomusicology. Three musicians perform a Jāgran (Hindu ritual): Vāghyā Muralī Jāgran – Marathi devotional ritual music to Hindu deity Khaṇḍobā Goddess Amba. Standing behind a mandhab, musicians (left to right): R. H. Garuda, singing (sambal), Bhagvan Renake, (jālra), and Jagannath Tite, singing (tuṇtuṇe). A flame, incense and objects are on the right.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony, Pune (India), 1984