Dyck, Gerald P. 1975. “Lung Noi Na Kampam Makes a Drumhead for a northern Thai Long Drum. A Photographic Documentary.” In Selected Reports in Ethnomusicology 2(2): 183-203.
Dyck, Gerald P. 1975. “Lung Noi Na Kampam Makes a Drumhead for a northern Thai Long Drum. A Photographic Documentary.” In Selected Reports in Ethnomusicology 2(2): 183-203.
Russian Song - of separation between a man and his wife;Russian Song - story about the Service;Russian Song;Shapushkin;Song - (I itch all over, it's cold outside. I'm about to jump out of my skin.);Love song - (I love you and you are married);Song about a person who is too proud;Yiddish Babysitter Song - (You should live so long and be well to know how I have to sit here so long and rock you);Yiddish Song - about a child watching his mother make jam and she won't let him have any berries except the ones that fall on the floor;Yiddish Song - (We have a song and we sing it and this is the way our ancestors sang it) - each verse mentions another ancestorHebrew Song Translated into Yiddish;Lullaby;School Song.
On the grounds of Mount Mary's Church, building with a spire and two perron staircases leading to the entrance, flanked by palm trees and surrounded by trees and foliage (description from the blue notebook).
View from behind the windshield of the Volkswagen van of Nazir Ali Jairazbhoy, looking towards concrete and corrugated metal walls ahead, and a Rehmat Manzil building on the left.
Bulbultarang, a string instrument with keys, an Indian adaptation of a Japanese Taisho Koto. The floral design on the face is worn with age. There are two bridges for playing and drone strings, tuning pegs, and a plectrum. A metric measuring stick shows the scale.
Cawandga, a variable tension monochord whose string is attached to a wooden handle, and stretched and loosened by the left hand, while being plucked with the right-hand fingers. Three bronze bells ghanti are attached to the bronze holder for the strap attached to the wooden cylindrical body, whose bottom is tightly covered by a thin leather membrane, through which the end of the string passes and is tied. Three bronze jingles are attached to the wooden handle. The instrument is said to have originated in the skull of the evil king Kartavirya Arjun, after he was beheaded by Lord Parasurama, son of Goddess Renuka/Yellamma. Devotees play the instrument in honor of Goddess Renuka-Yellamma and Lord Parasurama. The cawandga was made at the shop of Abdul Karim Ismail Saheb, sitar Makers of Miraj.