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Arkatov (James) World Music Photographs

Description:
James Arkatov was born in 1920 in Odessa, Russia and raised in San Francisco, where his father, Alexander Arkatov, owned a photography salon. In 1938, he was invited by Fritz Feiner to join the Pittsburgh Symphony. Later, he joined the San Francisco Symphony with Pierre Monteux, and went on to be principal cellist of the Indianapolis Symphony Orchestra under Fabien Sevitzky. Arkatov returned to California in 1946 as a studio musician and was later appointed principal cellist of the NBC Symphony Orchestra. In 1956, he married Salome Ramras Arkatov. In 1968, he founded the Los Angeles Chamber Orchestra (LACO) and was its first principal cellist. According to LACO: "The Los Angeles Chamber Orchestra was founded in 1968 as an artistic outlet for the recording industry’s most gifted musicians. The Orchestra’s artistic founder, cellist James Arkatov, envisioned an ensemble that would allow these conservatory-trained players to balance studio work and teaching with pure artistic collaboration at the highest level." Arkatov began photographing musicians when he was with the Pittsburgh Symphony. In 1990, he published his first book of photography, Masters of Music: Great Artists at Work. In 1998, he published his second book, Artists: The Creative Personality. In May 2015, the Arkatovs donated James' photographs of world music performers to the Ethnomusicology Archive. Many of these photos highlight UCLA Ethnomusicology's famous World Music Ensembles. https://schoolofmusic.ucla.edu/ensembles/ James Arkatov died May 11, 2019 at age 98.
Photographer:
Arkatov, James, 1920-

Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Description:
Portrait of the Jairazbhoy family with Hussein Visram, the Jairazbhoy Wakf office manager. They are on the Jairazbhoy Wakf office grounds, Vir Nariman Road, Colaba, Mumbai, opposite Leopold Café.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Description:
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy, and Rafique Ali Jairazbhoy outside Jairazbhoy Wakf office grounds, opposite Leopold’s Café on Vir Nariman Road, Colaba, Mumbai, opposite Leopold Café.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

Description:
Musician and teacher Babu Sherbande plays manjira (small bronze finger cymbals) for a song sung by his student, Nila Sewlinga Vaghmare. She plays a cawandga, a variable tension monochord whose string is attached to a wooden handle, and stretched and loosened by the left hand, while being plucked with the right-hand fingers. Bronze bells (ghanti) are attached to the bronze holder for the strap that is attached to the wooden cylindrical body, whose upper edge is rimmed in bronze, and whose bottom is covered by a thin leather membrane, through which the end of the string passes and is tied. Bronze jingles are attached to the wooden handle. Nila Vaghmare’s daughter, Ratna Shankar Vaghmare, sings along and plays a tuṇtuṇe, a plucked monochord with a horsehead peg and a wooden cylindrical resonator. The cawandga and tuṇtuṇe were made in the shop of Abdul Karim Ismail Saheb, sitar makers of Miraj.
Date:
December 19, 1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Description:
Banjara women with children discuss arrangements for the upcoming recording session of women’s songs. The women wear large nose rings, toe rings, and elaborate necklaces. Their long cholīs (blouses), gāgrās (ankle-length full skirts), and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Description:
Banjara women dancing and singing. Six women dance (a welcome song for marriage?) with raised arms, bedecked with white bangles. They wear large nose rings, toe rings, and elaborate necklaces. Their long cholīs (blouse) gāgrās (ankle-length full skirts) and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The headman, Gajā, plays a daf for their song. Other men had left for work in fields. Huts and a thatch-roof cowshed are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Description:
Banjara women dancing and singing accompanied by a daf or ḍapla (?). Two women bedecked with white bangles with arms and bodies lowered, as Gajā, plays a daf or ḍapla (?) with thin bamboo sticks. Dwellings are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, Hyderabad, vicinity (India), 1963

Description:
Twelve Banjara women dance (welcome song for marriage?) with raised arms, bedecked with white bangles. They wear large nose rings and elaborate necklaces. Their long cholīs (blouses), gāgrās (ankle-length full skirts), and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The headman Gajā, plays a daf / ḍapla (?) for their song. Other men had left for work in fields. Bañjārā homes are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, Hyderabad, vicinity (India), 1963

Baraat wedding procession - Basavanneppa Band leads the procession into traffic, Belgaum (India), 1984

Description:
Overhead view of the Basavanneppa Band in a crowded street. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - Basavanneppa Band leads the procession into traffic, Belgaum (India), 1984

Baraat wedding procession - crowd around the Basavanneppa Band, Belgaum (India), 1984

Description:
Two clarinets duet in the center of the Basavanneppa Band playing in formation during a baraat wedding procession. The researchers’ camera and video recorder and tripod are held by research assistants. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - crowd around the Basavanneppa Band, Belgaum (India), 1984

Baraat wedding procession - crowd of men and boys join the procession, Belgaum (India), 1984

Description:
Overhead view of a crowd of men and boys join baraat wedding procession in a street located at 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - crowd of men and boys join the procession, Belgaum (India), 1984

Baraat wedding procession - family members with a bridegroom on a pony, Belgaum (India), 1984

Description:
A bridegroom in a saffron turban and Western suit rides white Kacchi pony at a baraat wedding procession. Family members walk beside him.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - family members with a bridegroom on a pony, Belgaum (India), 1984

Baraat wedding procession - Kacchi pony awaits a bridegroom, Belgaum (India), 1984

Description:
A caparisoned and saddled white Kacchi pony awaits a bridegroom. A clarinet musician plays, band members assemble, and school children gather to begin the baraat procession.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - Kacchi pony awaits a bridegroom, Belgaum (India), 1984

Baraat wedding procession - vocalist, Mahadev B. Tavare, sings in front of band members, Belgaum (India), 1984

Description:
At a wedding procession, the male vocalist Mahadev B. Tavare sings in imitation of a woman's voice into a microphone as a clarinet musician plays. Band members surround him. The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - vocalist, Mahadev B. Tavare, sings in front of band members, Belgaum (India), 1984

Baraat wedding procession - vocalist, Mahadev B. Tavare with the Basavanneppa Band, Belgaum (India), 1984

Description:
At a baraat wedding procession, the male vocalist Mahadev B. Tavare sings, in imitation of a woman's voice, into a microphone (attached to a bicycle with an amplifier) with two clarinets; band members playing a side drum, a tāsa drum and trumpet are behind them. The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession - vocalist, Mahadev B. Tavare with the Basavanneppa Band, Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Nine brass players of the Basavanneppa Band in front of an Indian Airlines bus at a wedding procession. “Basawaneppa Band Belgaum” is written on large a megaphone. The Basavanneppa Band included bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
At a wedding procession, nine brass players and one clarinetist of the Basavanneppa Band stand alongside an Indian Airlines bus. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Members of the Basavanneppa Band at a baraat wedding procession. A band member holds a mini Casio keyboard and stands beside a microphone and amplifier attached to a bicycle. They are in front of an Indian Airlines bus. The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Two clarinets and a trumpet play in the center of a band in formation during a wedding procession as a city bus passes. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.<br>Ref. (Related Items): Ethnomusicology Archive, UCLA (coll. 198609_NA84): Jairazbhoy Diary, p. 17, Data Sheets, p. 3
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984