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Visalia Theatre, Visalia, auditorium

Description:
The auditorium interior reveals Lee's use of the inexpensive Quonset hut truss system, also used in the Puente Theatre (51101-51110) and the Garmar Theatre ((30301-30305) from the same period. In the immediate post-war period the system was used to build housing, commercial and factory buildings to satisfy the pent-up demand for new construction.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, auditorium

Visalia Theatre, Visalia, exterior

Description:
The finished theatre conforms closely to the design of the night-time rendering. The box office and sign focus attention on the corner. The use of artificial brick cladding was fashionable for both commercial and residential building of the period. (See also the Garmar Theatre in Montebello 30301-30305 for similar treatment of the exterior.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, exterior

Egyptian Theatre, photograph of rendering

Description:
Lee's concept rendering for a storefront theatre in the popular Egyptian theme betrays little attention on the façade to Egyptian-derived elements. The tall pylon sign, the illuminated marque extended out over the sidewalk, and the dramatically curved forms all serve to advertise the product to the audience on the street.
Date:
1936
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Egyptian Theatre, photograph of rendering

Drive-in theatre, Arcadia, photograph of bird's eye rendering

Description:
The drive-in theatre concept was first tried in the mid-1930s but only after World War II did the idea gain widespread acceptance. Lee designed several drive-in theaters, a type especially suited to the mild climate and car-dependent economy of Southern California. The drive-in allowed the whole family to go to the movies in the family car, with no need for a baby-sitter. It also proved especially popular with dating teen-agers, who found drive-ins the ideal refuge from watchful adult eyes. The drive-in was also cheap to build. A large piece of land, a structure to display the screen and smaller buildings for tickets, refreshments and the projector were all that was needed. The parking lot was usually graded to provide the parked cars with a good angle for viewing the screen, and each space was equipped with a speaker that could be hooked to the dashboard to bring the sound into the car.
Date:
1948
Resource Type:
still image
Photographer:
Hoffman-Luckhaus
Collection:
S. Charles Lee Papers, 1919-1962
Drive-in theatre, Arcadia, photograph of bird's eye rendering

Puente Theatre, Puente, rendering

Description:
Lee's sketch offers a prototype for a theatre that could be built cheaply and quickly. The simplest means of quickly constructing a theatre-sized space was to build a Quonset hut, a method devised in the late 1930s using small wood members to create an arched truss frame, which was then often clad in metal for warehouse purposes. A number of motion picture theatres were built in this way. They offered inexpensive rapid construction of theatre spaces in small towns such as Puente, an agricultural community east of Los Angeles.
Date:
1947-48
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Puente Theatre, Puente, rendering

Fox Theatre, Bakersfield, auditorium

Description:
The auditorium is a so-called atmosphere theatre, a popular design type which created a stage set surrounding the audience. In this example, the auditorium simulates a Spanish Colonial Revival village into which the audience enters to see the show. Simulated buildings project from the walls, ivy hangs from their balconies and windows, trees painted on the wall behind provide a natural setting, and the whole is illuminated to create a realistic effect. Above is the dark sky, painted with clouds and featuring twinkling lights simulating the stars.
Date:
1929-1930
Resource Type:
still image
Photographer:
Luckhaus Studio
Collection:
S. Charles Lee Papers, 1919-1962
Fox Theatre, Bakersfield, auditorium

Miami Theatre, Miami, Huyler's sweet shop, counter

Description:
Transparent glass walls facing the sidewalk and the lobby integrate the shop with the activity going on outside. The display counter and its cabinets and drawers are sleek and cleanly designed, as are the curving lunch counter and its simple chairs. The traditional forms of the glass chandelier lend a touch of historicist elegance to the otherwise stark interior.
Date:
1946-47
Resource Type:
still image
Photographer:
Lee, S. Charles, 1899-1990
Collection:
S. Charles Lee Papers, 1919-1962
Miami Theatre, Miami, Huyler's sweet shop, counter

Miami Theatre, Miami, mural

Description:
The focal point of the foyer is the mural at the auditorium entrance. The peoples and the flags of the countries of the Americas are ranged around a map of the continents. Even fruits and pets are included. It is clear that the theatre intended to attract Miamiýs Latin American community as well as English speakers.
Date:
1946-47
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Miami Theatre, Miami, mural

Tower Theatre, Los Angeles, Construction, Eighth Avenue elevation 8/3/27

Description:
Construction photos show the odd open steel frame along the top of the building to give it increased strength (70104), the scaffolding along the Broadway elevation (70105), a view down into the interior showing the steel framing (70106), and the process of applying the finish decoration on the balcony interior (70107).
Date:
1926-27
Resource Type:
still image
Photographer:
Dwyer Studio
Collection:
S. Charles Lee Papers, 1919-1962
Tower Theatre, Los Angeles, Construction, Eighth Avenue elevation 8/3/27

Academy Theatre, Inglewood, detail of lobby doors

Description:
The floor plan (2070001) shows how the geometry of overlapping circles shaped the design. The architectural drawing of the façade (2070002) depicts a spool of film unwinding, the inspiration for the spiral form used on the pylon (10102-10103)). Compare the photo of the auditorium (10105) with the floor plan (2070001) and the ceiling plan (2070002).
Date:
1939
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Academy Theatre, Inglewood, detail of lobby doors

Miami Theatre, Miami, poster case

Description:
Set right on the sidewalk, the poster cases are large and sleek. They provide a glimpse of the show within to every passerby. Titles in both English and Spanish reflect Miamiýs Latin American population, which is also depicted in the mural in the foyer. (40812,40813).
Date:
1946-1947
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Miami Theatre, Miami, poster case

Miami Theatre, Miami, crying room

Description:
The crying room, a feature of many theatres of the period, was a soundproof glass-walled viewing room for mothers with small children. Here the model demonstrates the audio device that transmitted sound to individual viewers. The acoustic tile on the walls began to be widely used in the 1940s and soon became ubiquitous.
Date:
1946-47
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Miami Theatre, Miami, crying room

La Tijera Theatre, Los Angeles, exterior, day

Description:
In the late 1940s and 1950s architects combined the fluid forms of the Streamline Moderne style with the square modules favored by International Style architects. In California a new form of modernism was developing that favored the use of natural materials, especially stone and wood, in architecture, foremost in residential building. These influences, however, were also felt in commercial buildings, especially in the suburbs. Hence La Tijera Theatre, on Sepulveda Boulevard in a growing suburban area near the airport. A streamlined automobile is entering the porte-cochere on the left.
Date:
1948-49
Resource Type:
still image
Photographer:
Blakeslee, Alpheus A.
Collection:
S. Charles Lee Papers, 1919-1962
La Tijera Theatre, Los Angeles, exterior, day