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Perguntas e respostas

Description:
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Date:
1960
Resource Type:
text
Collection:
Modern Endangered Archives Program
Partituras de Frevo da Banda Capitão Zuzinha
Perguntas e respostas

Materiales de Información - Primera carpeta

Description:
Documentos y textos sobre tierras, reforma agraria, decreto legislativo 19400, comunidades y relacionado con los campesinos. Resumenes de fichas del Boletín del Ministerio de Fomento, sección asunto indígena de 1922-1926 relacionado con la legislación relativa a los indígenas. Texto sobre conflictos de haciendas de la Cerro de Pasco Corporation con comunidades y haciendas (1985-1968). Texto de la Sinamos sobre la organización del campesinado según el decreto ley 19400. Documento de trabajo sobre el Proyecto del Programa Agrario. "La lucha de la comunidad campesina San Juan de Ondores, una muestra del nuevo tipo de enfrentamiento comunidad hacienda" de Víctor Caballero Martin y Custodio Arias. Informe técnico sobre el proyecto "Modalidad de Adjudicación del PIAR Canas-Canchis. La carpeta tiene 38 folios
Date:
1922-1979
Resource Type:
text
Collection:
Modern Endangered Archives Program
Archive of Confederación Campesina del Perú (CCP)
Materiales de Información - Primera carpeta

Photo Surprise

Description:
This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
Date:
ca.1953
Resource Type:
still image
Photographer:
Photo Jack
Collection:
The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program
Photo Surprise

Photo Surprise

Description:
This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
Date:
ca.1953
Resource Type:
still image
Photographer:
Photo Jack
Collection:
The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program
Photo Surprise

Photo Surprise

Description:
This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
Date:
ca.1953
Resource Type:
still image
Photographer:
Photo Jack
Collection:
The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program
Photo Surprise