Katz was an American painter, printer, and teacher. Katz studied at the Fine Arts Academy in Vienna. He arrived in America in 1921 and later became an American citizen.
The photograph shows the end of one side panel of a mural with the overall theme of the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
The mural was controversial especially because of the depictions of nudity and references to war in the central panel. The central panel was removed from the Frank Wiggins Trade School lobby (now LA Trade Tech) and returned to the Public Works Administration in 1935 and the other two panels were returned in 1939.
View of the central, "Youth Arisen," panel of Katz's mural of three panels, funded by the WPA (Works Project Administration). A central youth, with his eyes closed, is shown between creative uses of technology (like the movie camera seen in this photograph) and destructive uses as in war. The overall theme of the murals shown in the other two panels is the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
The photograph shows one of the side panels of the "Youth Arisen" mural with the overall theme of the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures. The mural was funded by the WPA (Works Project Administration).
The mural, funded by the WPA (Works Project Administration), was controversial especially because of the depictions of nudity and references to war in the central panel. The central panel was removed from the Frank Wiggins Trade School lobby (now LA Trade Tech) and returned to the Public Works Administration in 1935 and the other two panels were returned in 1939.
View of the central, "Youth Arisen," panel of Katz's mural of three panels, funded by the WPA (Works Project Administration). A central youth, with his eyes closed, is shown between creative uses of technology (like the movie camera seen in this photograph) and destructive uses as in war. The overall theme of the murals shown in the other two panels is the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
Leo Katz points to a section of the central, "Youth Arisen," panel of his mural of three panels. In this panel a central youth, with his eyes closed, is shown between creative uses of technology (like the movie camera seen in this photograph) and destructive uses as in war. The overall theme of the murals shown in the other two panels is the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
The WPA (Works Project Administration) mural was controversial especially because of the depictions of nudity and references to war in the central panel. The central panel was removed from the Frank Wiggins Trade School lobby (now LA Trade Tech) and returned to the Public Works Administration in 1935 and the other two panels were returned in 1939.
The WPA (Works Project Administration) mural was controversial especially because of the depictions of nudity and references to war in the central panel. The central panel was removed from the Frank Wiggins Trade School lobby (now LA Trade Tech) and returned to the Public Works Administration in 1935 and the other two panels were returned in 1939.
