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  • Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts✕[remove]1,128
  • University of California, Los Angeles. Ethnomusicology Archive✕[remove]1,128

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Toda woman wearing a traditional Toda shawl pukhoor, with her daughter, Udagamandalam (India), 1984

Description:
Toda woman in a traditional ceremonial Toda shawl pukhoor or "pootkhul(zh)y" covering her left shoulder and arm, and choli blouse, with her child in Western pants and top. She holds a framed photograph of a Toda man in a pukhoor, perhaps being bowed down to by another person. In the village of Kash Madh (Toda name), also known as Kandal Mund (outsiders’ name) within the city of Udagamandalam (also called Ooty or Ootacamund).
Date:
April 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Toda woman wearing a traditional Toda shawl pukhoor, with her daughter, Udagamandalam (India), 1984

Toda woman wearing a traditional Toda shawl pukhoor, Udagamandalam (India), 1984

Description:
A Toda woman, possibly Nashan, wears a ceremonial Toda shawl pukhoor or "pootkhul(zh)y" wrapped around her body, with her left shoulder covered, and a choli blouse. She stands in front of a stone and concrete Toda dogle (hut), a modern version of the traditional Toda thatch roof dogle. In the village of Kash Madh (Toda name), also known as Kandal Mund (outsiders’ name) within the city of Udagamandalam (also called Ooty or Ootacamund).
Date:
April 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Toda woman wearing a traditional Toda shawl pukhoor, Udagamandalam (India), 1984

Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Description:
Gīgīpada (Gigipada, Gīgī Pada) singers of the Holeya community (left to right): Yerappa Basavappa Sutagaji, of Kalma Galli (voice and taal or jhāñjh cymbals); Ramachandra Ramappa Dhavale, of Tigadi Galli (voice and daf); and Basappa Gagappa Talwar, of Talwar Galli (voice and tuṇtuṇe). Gigipada singers performed Kannada songs, created by Hulkund Basappa, Purandara Dasa, and Hosur Somappa, at festivals. They sang mystical songs, auspicious songs, and modern songs on sanitation and cleanliness of body and mind.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Description:
Two Holeya (Dalit, Pulaya) agricultural women in traditional saris sing back a song, after hearing the song recorded by musicologist A. A. Bake in 1938. The woman on the right wears sacred red and white muttu beads worn only by jogtīs (devadāsīs) (women dedicated to Goddess Renuka/Yellamma). Men wearing white dhotis or navy pants stand behind. The names of four women singing are: Basava Bhimshappa Bharamannavar, Gangavva Shivappa Bharamannavar, Dayamavva Phakirappa Bharamannavar, and Bhimavva Yalapappa.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Eight visible girls (of 18) in bright long skirts and blouses hold hands as they sing and dance in a circle around the image of an elephant (not visible in image), representing the vahana of Goddess Lakshmi, thus worshiping Shakti, the feminine principle.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Haḏgā at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Nine visible girls (of 18) in bright long skirts and blouses hold hands as they sing and dance in a circle around the image of an elephant (lower right corner of image), representing the vahana of Goddess Lakshmi, thus worshiping Shakti, the feminine principle.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Members of the Basavanneppa Band at a baraat wedding procession. A band member holds a mini Casio keyboard and stands beside a microphone and amplifier attached to a bicycle. They are in front of an Indian Airlines bus. The location is 35/1 Vardhappa Rd., Belgaum 590004.
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Holy Name Cathedral choir members with Reverend Ali and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Description:
Left to right: Reverend Adina, of the Holy Name Cathedral with choir members Mr. Divakar Abnes, Mr. Tejappa Peter (violinist, age 74), Mrs. Makalamma Havalad, Mrs. Hinnamma Ajagrni, age 78; Smt. Jeevubai Goni and Amy Catlin-Jairazbhoy (behind Smt. Goni). Session at Holy Name Cathedral to playback music recorded by the musicologist A. A. Bake in 1938, and to re-record music performed by the session participants. The participants were brought to the session by the minister, Reverend Adina.
Date:
February 25, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holy Name Cathedral choir members with Reverend Ali and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Sattakulai multiple-reed aerophone at the Tamil Nadu Hotel, Madurai (India), 1984

Description:
Close-up view of the playing end of a sattakulai multiple-reed aerophone, an earlier version of the longer bari nāgasvaram. Composed of a wooden pipe with ten holes, a brass bell, and a brass staple to attach the reed. Extra reeds hang by strings. Its player Mukkasāmi, age 55, said the sattakulai (cattak kuḻāy) is becoming extinct.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Sattakulai multiple-reed aerophone at the Tamil Nadu Hotel, Madurai (India), 1984

Saraswathi Swaminathan, archivist, interviews Doreswami, Madurai (India), 1984

Description:
Saraswathi Swaminathan, archivist of the Archives and Research Center for Ethnomusicology, interviews Doreswami, age 80, in Tamil. Doreswami is the grandfather of Mr. K. Bose, the principal of Usilampatty school. The interview was recorded at the Usilampatty Circuit House.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Saraswathi Swaminathan, archivist, interviews Doreswami, Madurai (India), 1984