Red poster with four panels, each depicting a different child seated at a classroom desk. Text of poster is arranged to give the impression of a clock. The letter "A" is placed at the "nine" position, "I" at the "twelve" position, "D" at the "three," and "S" at the "six" position, spelling the word "AIDS" around the face of the clock. Poster urges for schools to get involved in education efforts against AIDS.
A color photograph shows a young man and woman up in the mountains preparing for a sexual encounter in a beautiful sunny, grassy area. In the far background are high mountain peaks; not far behind the couple is a tent, and to their right is a motorcycle. The woman lies on the ground, unclothed except for her lower body; the man is seated to the left, with her head in his lap. He wears undershorts, and with one hand he appears to be unbuttoning his shirt. At the woman's feet, under her discarded bra, some red condoms are seen. The scene is one of idyllic pleasure, and also of safety and security.
Shows a nude man floating in front of a triptych of stars, a moon, and a cloud with an angel. Below him is an assortment of items associated with gay culture (a book of Robert Mapplethorpe's photography, a Freddie Mercury album, a Keith Haring painting) as well as holiday decor and wrapped presents. The poster may represent the gifts of gay culture to the mainstream and argue against thinking of the gay community as separate and the only part of society that has to deal with AIDS. It also suggests the decimation of the gay community by AIDS, as represented by the three artists, each of whom died of AIDS.
A color landscape scene, with a full sun on the horizon in the background masked by some clouds or fog, a horizontal row of trees in front of it. In the foreground is a large open field of tall grass. A pair of undershorts is in the air in the foreground, apparently being flung up into the air by someone hidden in the tall grass. A couple, perhaps, is enjoying sex in the tall grass; they are protected by condoms, which are always a part of the fun.
Poster depicts two naked men. One is standing and facing away. The other is kneeling in front of him, performing oral sex. In the lower right corner is the campaign slogan "Stop AIDS" with the "o" represented by a condom. Poster image and text suggest the importance of using protection during oral sex.
A color image of the needle end of a hypodermic syringe. The syringe contains a brownish liquid, and the needle itself has a knot in it. One drop of liquid has come out from the end of the needle, and it forms the "o" in the word "stop." The message emphasizes that one way to stop AIDS is to never share needles.
Two muscular young men, clad only in undershorts and shorts, are enjoying a picnic in a grain field. In the foreground, one man lies on his back on a blanket, shorts open in front and pulled down to reveal his undershorts. He holds hands and looks fondly into the face of his lover, who is sitting up next to him, dressed only in undershorts. Their eyes display love for each other. An open picnic basket sits nearby, and one can see some bread, some wine, some watermelon, and some red condoms. The scene is one of idyllic pleasure, and also of safety and security.
A color photograph shows a man dressed in a suit and tie seated behind a desk in an office, surrounded by shelves full of books. His closed right hand is raised with thumb pointing up in a "thumbs up" sign; on his thumb is a condom. The word "ohne" (without) is next to the condom. The man is probably in his thirties, wears glasses, and has a professional desk job, perhaps as an archivist, lawyer or accountant. The message is that a mature, well-educated professional gay man will not have sex unless condoms are used for protection.
A pink unused condom shines down like a moon in the predawn or after sunset starry sky over a city in Europe. The skyline of the city is in black, showing multi-story bank and hotel buildings with many lighted windows.
Shows a large image of an unused pink condom, with overprinted words "Sécurité sur canapé" (Security on a sofa). Lower right text says "Stop AIDS" in which "o" is an unused condom.
The bottom halves of two limes are shown at the top of the poster, with stems pointing downward, representing breasts. Lower right text says "Stop AIDS" in which the "o" is an unused pink condom.
A black and white photograph in the center of which stands a man looking directly at the viewer, his left hand in his trousers pocket, with a thoughtful, inquiring, and vaguely challenging look on his face. He is nicely dressed in slacks and a long-sleeved sweater, just an ordinary man aged in his thirties, balding in front, with a goatee and moustache. His challenge is to be seen as an individual human being, not just a sick man with AIDS.
Color photograph of a city view (Geneva?) at nighttime with a pink condom moon rising in the sky. Poster suggests the importance of protection during sex.
A young man encircles a woman in an embrace, holding her to his chest. Seen only from the shoulder up, they appear to be undressed. The man holds a partially opened condom packet in one hand. The man has short brown hair and there is a small flower design tatoo on his shoulder; the woman has long wavy blond hair.
Color photograph of a panoramic view of a city (Geneva?) with a pink condom moon rising above the city at nighttime. The city is dark but the skyline reveals a tall steeple in the middle.
![Sécurité sur canapé. [with large pink condom]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz0002ktzv/full/!200,200/0/default.jpg)
