An out-of-focus photograph of Mertie West posing beside a statue of Colonel William Prescott at Bunker Hill Monument in Boston. A sidewalk enters frame from the bottom edge and stretches back towards a statue at center. In the near distance, Mertie West stands to the right side of the statue and looks to camera. Beside her, the bronze sculpture of Colonel William Prescott sits atop a granite pedestal. The pedestal stands slightly taller than Mertie. Engraving on the front of the pedestal reads, "COLONEL WILLIAM PRESCOTT JUNE 17, 1775." Behind both Mertie and the sculpture the Bunker Hill Monument obelisk rises at center, extending beyond the top frame. Four punched holes line the lower left edge.
A slightly out-of-focus photograph of Mertie West posing while visiting the Granary Burying Ground in Boston. Mertie West stands in the near distance at center. She faces left but turns her head towards camera. The narrow, stone-paved walkway she stands upon enters frame from the lower left corner and extends on an upward angle to the right. On the near side of the walkway, grave markers stand in a row, parallel to the walkway. Behind Mertie, the cemetery grounds sprawl into the distance. Grave stones stand in rows that run perpendicular to the walkway. A tomb rises from the ground, behind and to the right of Mertie. Several trees dot the grounds. In the background, a street and buildings are visible lining the cemetery's back edge. Hazy patches of white obscure the image along its right edge.
Photograph, from left to right, of a caretaker and Mertie West conversing on a set of stairs at the Bunker Hill Monument in Boston. They are seen from an elevated angle. Tiered sets of wide steps extend on an angle along the bottom edge. They cascade downward to the right as they stretch into the distance. At center, the caretaker and Mertie West stand one tier below camera and 3 above street-level. Both pause their conversation and look to the camera. The caretaker rests a hand on a broom standing in front of him. A dustpan sits on the landing in front of Mertie. Behind them, a wrought-iron fence enters frame at left, lining the park's edge, and stops at center where it meets the base of the stairs. Beyond the fence and sidewalk, Monument Square runs parallel to the park's edge. Row houses line the far side of the street in the background.
Photograph, from left to right, of Mertie West and a caretaker sitting on benches that line the relic room at Faneuil Hall. The room enters frame along the bottom edge and stretches back on an angle to the right. A wall lines the left side of the room. Doorways stand equally spaced along the wall. Between each doorway hangs a large painting. Benches sit beneath each painting. Mertie West and the caretaker sit on the second bench from the left. Both face to the right. Along the top of the wall at left, rifles are mounted over each door frame. Above the rifles, framed portraits line the top of the wall and continue onto the back wall. Flags also extend out from the top of the wall at left. Back in the corner of the room, a piano stands.
Photograph of Mertie West posing by a produce stands while visiting a public market in Boston. Piles of fruit in crates line the bottom edge. Pears sit in the crates at right. Behind the pears, Mertie West stands, just right-of-center, and smiles to the camera. Behind and to the right of her, other shoppers mill about the market. Horses hitched to carts stand in an angled row behind the shoppers. The carts they haul are laden with crates. Behind the horse-drawn wagons, a long, covered market stand stretches across the image. Tall buildings rise in the background at right.
