Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo de Blocofor the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arranjo do gênero musical Frevo Canção para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Mociones, acuerdos y conclusiones adoptados en eventos organizados por las federaciones y organizaciones sobre temas de problemas de tierras, reforma agraria, titulación de tierras, inundaciones en la selva, narcotráfico, regionalización, etc. Hay un acuerdo en desconocer el contrato con la empresa Agro Industria del Santa sobre espárragos. También hay un acuerdo sobre CHAVIMOCHIC. Existe un documento sobre la situación del Municipio de Tayacaja. La carpeta tiene 19 folios.
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Rental agreement, 28 August 1904, between "Groote Schouwburgh" zu Rotterdam and Algemeene Muziekhandel, Stumpff & Koning, Amsterdam, for October 20 and 22.
Agreement for dance performance by Isadora Duncan on January 17, Albert halle, Leipzig. Signed by Sally Liebling and [illegible], Berlin, 6 December 1904.
Agreement for dance performances by Isadora Duncan on December 26 and 29, St. Petersburg. Signed by Elizabeth Duncan (for Isadora Duncan), Berlin, 15 December 1905.
Contract for dance performances by Isadora Duncan on January 10 and 11. Signed by Elizabeth Duncan for Isadora Duncan, Berlin, 23 December 1904, and representative [illegible] for Dresden performance venue, Dresden, 29 December 1904.
Agreement for dance performance by Isadora Duncan on 23 and 24 April. signed by Isadora Duncan, no date, and representative [illegible] for Karl Schulze Theaters, Berlin, 20 April 1905.
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on January 20, Albert Halle, Leipzig. Dated Berlin, 21 December 1905, [not signed].
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on January 20, Albert Halle, Leipzig. Signed by Sally Liebling and [illegible], Berlin, 21 December 1905.
Agreement for dance performances by Isadora Duncan under management of Direktion Vereinigter Künste on January 23 and 30, February 1 and 6, 1906. Signed by [illegible], Berlin (?), 28 December 1905, and Edward Gordon Craig for Direktion Vereinigter Künste
Agreement for dance performances by Isadora Duncan under management of Direktion Vereinigter Künste on January 13, 14, 17, 18 or 20, 1906 at Halle o/s Magdeburg, Leipzig. Signed by Edward Gordon Craig, Berlin, 28 December 1905, and [illegible] Sachs(?) and Sally Liebling, 28 December 1905.
Agreement for dance performances by Isadora Duncan on February 3, 6 and 9, 1905. Signed by Nicolas Toulinof, Petersburg, 30 December 1904, and Isadora Duncan, no date.
Agreement for dance performance by Isadora Duncan on February 27. Signed by Augustin Duncan for Isadora Duncan, Berlin, 4 February 1905, and a representative [illegible]for Residenz-Theaters, Wiesbaden, 6 February 1905.
Agreement for dance performance by Isadora Duncan on March 16. Signed by Augustin Duncan for Isadora Duncan, Berlin, 18 February 1905, and by Emil [illegible] and Sally Liebling, no date.
Agreement for dance performance on February 25 in Frankfurt. Signed by Elizabeth Duncan for Isadora Duncan, Berlin, 26 January 1905, and [illegible] and Sally Liebling, Berlin, 2 February 1905.
Agreement for dance performance by Isadora Duncan on 24 May 1905. Signed by Otto [illegible], Bonn, 10 May 1905 and Isadora Duncan, Berlin, 12 May 1905.
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on November 28, 29 and 30. Signed by representative [illegible] for Central-Theatres, Dresden, 19 September 1905.
Agreement for dance performance of "Iphigenie" by Isadora Duncan under the management of Direktion Vereinigter Künste in Flensburg, no date. Signed by Sally Liebling and Emil [illegible], Berlin, 10 February 1906, and Edward Gordon Craig for Direktion Vereinigter Künste, Berlin, 10 February 1906.
Agreement for dance performance of "Tanz Idyllen" by Isadora Duncan under the management of Direktion Vereinigter Künste, February 26, in Lübeck. Signed by Sally Liebling and Emil [illegible], Berlin, 9 February 1906, and Edward Gordon Craig for Direktion Vereinigter Künste, Berlin, 9 February 1906.
Agreement for dance performance of "Tanz Idyllen" by Isadora Duncan under the management of Direktion Vereinigter Künste, date not specified, in Kiel. Signed by Sally Liebling and Emil [illegible], Berlin, 10 February 1906, and Edward Gordon Craig for Direktion Vereinigter Künste, Berlin, 10 February 1906.
Agreement for dance performance of "Tanz-Idyllen" by Isadora Duncan under management of Direktion Vereinigter Künste on February 9, Wilhelm-Theater, Görlitz. Signed by Sally Liebling, Berlin, 24 January 1906.
Agreement for dance performance of "Tanz-Idyllen" by Isadora Duncan under management of Direktion Vereinigter Künste on February 12, Bellevue Theater, Stettin. Signed by Sally Liebling, Berlin, 24 January 1906.
Agreement for dance performance by Isadora Duncan under the management of Direktion Vereinigter Künste on March 10. Signed by Edward Gordon Craig for Direktion Vereinigter Künste, Berlin, 2 March 1906, and Julius Rudolph, Hannover, 2 March 1906.
Agreement for dance performance by Isadora Duncan under the management of Direktion Vereinigter Künste on March 22. Signed by Edward Gordon Craig for Direktion Vereinigter Künste, Berlin, 17 March 1906, and Julius Rudolph, Hannover, 18 March 1906.
Agreement for dance performances by Isadora Duncan under the management of Direktion Vereinigter Künste on May 1, 2m, 4, 5 and 6. Signed by Albert [R____], Stockholm, 8 March 1906, and Edward Gordon Craig, Stockholm, 8 March 1906.
Contract for dance performances by Isadora Duncan under the management of Direktion Vereinigter Künste on the evenings of December 17, 19, 21 and 22, signed by Direktor Racjman, Warschau, 17 November 1906.
Agreement for 10 dance performances by Isadora Duncan under management of Direktion Vereinigter Künste between May 10 through 18. Signed by Fredrik Stenfelt, Stockholm, 19 April 1907, and Edward Gordon Craig, 16 April 1907.
Agreement for 8 dance performances by Isadora Duncan under management of Direktion Vereinigter Künste between March 10 - 17 and 24 and 31. Signed by Edward Gordon Craig for Direktion Vereinigter Künste and Willem Stumpff for De Algemeene Muziekhandel, Amsterdam, 31 January 1907.
Agreement for dance performance by Isadora Duncan under the management of Direktion Vereinigter Künste for the evening of March 6, Albert Halle, Leipzig. Signed by Edward Gordon Craig for Direktion Vereinigter Künste, [illegible signature] and Sally Liebling for Concertdirection Jules Sachs, 21 February 1906.
Agreement for dance performance by Isadora Duncan under the management of Direktion Vereinigter Künste in April [no year]. Signed by Isadora Duncan, no date.
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on March 6 [no year]. Signed by Julius Rudolf, no date, Hannover.
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on a unspecified date in November [no year], Neue [illegible] Theater. This contract unsigned.
Agreement for dance performance by Isadora Duncan under management of Direktion Vereinigter Künste on September 27 [no year]. Signed by Isadora Duncan, no date.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Lecture notes, "Actions to be Taken": Ecological Changes, Modernization as a Source of Conflict, The Role of Religion, Scientific View of the Future, Strive For:, Live For:, Can Be Free If:. Notes end, "Pastor Davis, what is our truth?"
Arranjo do gênero musical Frevo Canção para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
![[Agreement], 1904 August 28](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hct3c/full/!200,200/0/default.jpg)
![[Agreement], 1904 December 6](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hctvr/full/!200,200/0/default.jpg)
![[Agreement], 1904 December 15](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcstr/full/!200,200/0/default.jpg)
![[Agreement], 1904 December 23](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hctqp/full/!200,200/0/default.jpg)
![[Agreement], 1905 April 20](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcvq5/full/!200,200/0/default.jpg)
![[Agreement], 1905 April 20](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcvk3/full/!200,200/0/default.jpg)
![[Agreement], 1905 December 1](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcz8w/full/!200,200/0/default.jpg)
![[Agreement], 1905 December 21](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcz4t/full/!200,200/0/default.jpg)
![[Agreement], 1905 December 28](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcz0r/full/!200,200/0/default.jpg)
![[Agreement], 1905 December 28](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hczdz/full/!200,200/0/default.jpg)
![[Agreement], 1905 December 30](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcv1t/full/!200,200/0/default.jpg)
![[Agreement] 1905 February 4](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcv9z/full/!200,200/0/default.jpg)
![[Agreement], 1905 February 18](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcvf1/full/!200,200/0/default.jpg)
![[Agreement], 1905 January 26](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcv5w/full/!200,200/0/default.jpg)
![[Agreement], 1905 January 26](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcvv7/full/!200,200/0/default.jpg)
![[Agreement], 1905 May 5](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcw4v/full/!200,200/0/default.jpg)
![[Agreement], 1905 May 10](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcw0s/full/!200,200/0/default.jpg)
![[Agreement], 1905 September 5](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcwkk/full/!200,200/0/default.jpg)
![[Agreement], 1905 September 19](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcwfh/full/!200,200/0/default.jpg)
![[Agreement], 1905 September 19](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcwqn/full/!200,200/0/default.jpg)
![[Agreement], 1906 Febrary 10](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcx9x/full/!200,200/0/default.jpg)
![[Agreement], 1906 February 9](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcxk2/full/!200,200/0/default.jpg)
![[Agreement], 1906 February 10](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcxf0/full/!200,200/0/default.jpg)
![[Agreement], 1906 January 24](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcxv6/full/!200,200/0/default.jpg)
![[Agreement], 1906 January 24](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcxq4/full/!200,200/0/default.jpg)
![[Agreement], 1906 March 2](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcx5v/full/!200,200/0/default.jpg)
![[Agreement], 1906 March 10](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcx08/full/!200,200/0/default.jpg)
![[Agreement], 1906 March 17](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcx1s/full/!200,200/0/default.jpg)
![[Agreement], 1906 May 8](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcwvq/full/!200,200/0/default.jpg)
![[Agreement], 1906 November 17](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcs0b/full/!200,200/0/default.jpg)
![[Agreement], 1907 April 16](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdbxg/full/!200,200/0/default.jpg)
![[Agreement], 1907 January 31](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdc21/full/!200,200/0/default.jpg)
![[Agreement], 1907 October 22](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdc63/full/!200,200/0/default.jpg)
![[Agreement], 1907 October 22](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdc42/full/!200,200/0/default.jpg)
![[Agreement] Contract with Isadora Duncan and Direktion Vereinigter Künste]](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hcs4d/full/!200,200/0/default.jpg)
![[Agreement], [no year] April](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdbc6/full/!200,200/0/default.jpg)
![[Agreement], [no year] March](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdb74/full/!200,200/0/default.jpg)
![[Agreement], [no year] November](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hdbsd/full/!200,200/0/default.jpg)
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