Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
This publication by Fempress, an independent, woman-focused communicational alternative within the Instituto Latinoamericano de Estudios Transnacionales (Latin American Institute of Transnational Studies) consists of special editions of their periodical publication "Mujer/Fempress" which mean to cover specific topics in greater detail, all concerning women's liberation. Issues range from 1988 to 1999, and they cover topics such as abortion or the depiction of women in media.
El boletín de Servicio Paz y Justicia Nicaragua (la rama nicaraguense del Servicio Paz y Justicia) contiene números que van desde 1985 hasta 1996. Se ocupa de cuestiones socioeconómicas nacionales, enfatizando la resistencia activa no-violenta y la perspectiva pacifista de inspiración cristiana. Una preocupación recurrente en los números más viejos es la violencia política, en particular la relación con los Estados Unidos y la ayuda militar proporcionada a los Contras, mientras los más recientes se concentran más en la educación para la paz y los derechos humanos, el trabajo social con grupos vulnerables tales como prisioneros y mujeres, y las consecuencias del neoliberalismo.
A series of non-periodical publications by the Commission for Women and their Rights of the Asamblea Permanente por los Derechos Humanos (Permanent Assembly for Human Rights) ranging from 1988 to circa 2006, all concerning women's rights. Some are summaries of conferences, some tackle specific issues (like family violence, reproductive rights or women in the workplace), some are meant as a guide of international declarations, conventions and laws. Many contain resources for women in need of help.
Esta publicación del Comité de Familiares de Detenidos-Desaparecidos en Honduras contiene números de entre 1991 y 1994 y se ocupa fundamentalmente de denunciar las situaciones de violencia política contemporáneas y del pasado reciente, sosteniendo el esfuerzo de memoria sobre el terrorismo de Estado en Honduras
This publication of the Committee of Relatives of the Detained-Disappeared in Honduras contains issues between 1991 and 1994 and is mainly concerned with denouncing contemporary situations of political violence and those of the recent past, supporting the memory effort on State terrorism in Honduras.
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Esta publicación del Comité de Familiares de Detenidos-Desaparecidos en Honduras contiene números de entre 1991 y 1994 y se ocupa fundamentalmente de denunciar las situaciones de violencia política contemporáneas y del pasado reciente, sosteniendo el esfuerzo de memoria sobre el terrorismo de Estado en Honduras
Arranjo do gênero musical Frevo de Rua para execução da banda da polícia militar do estado de Pernambuco no Brasil. No início do século XX a banda recebe o nome do seu maestro Capitão Zuzinha (José Lourenço da Silva). Historicamente os arranjos da polícia militar foram criados por diversos compositores populares. Desde 2012 a Unesco reconhece o Frevo, ritmo tradicional do Carnaval pernambucano, como patrimônio imaterial da humanidade.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Esta publicación del Comité de Familiares de Detenidos-Desaparecidos en Honduras contiene números de entre 1991 y 1994 y se ocupa fundamentalmente de denunciar las situaciones de violencia política contemporáneas y del pasado reciente, sosteniendo el esfuerzo de memoria sobre el terrorismo de Estado en Honduras
This is a series by the Centro de Estudios Sociales y Legales (Center for Legal and Social Studies) that proposes divulging to the public some of the ways in which the 1976 Argentine dictatorship's system of repression worked. The publications expose facts and testimonies that allow a precise understanding of the functioning of State-sponsored terrorism.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Holograph. Bound in red cloth. pp.1-[654]. Letters in envelopes are tipped in following unnumbered pages.Photos of Caresse Crosby, Henry Miller, Salvador Dali, the Earl of Kenilworth, AN with Mr. & Mrs. Ruttner, Jimmy Sternes. “Diacritical & historical materialism,” pp.1-21. With letters from Henry Miller, John, the Earl of Kenilworth, Hugo, postcards, pocket calendar, clippings. With programs forperformances for the Katherine Dunham Dance Group and Joaquin Nin-Culmell. Catalog card for Winter of Artifice tipped in verso of front cover.
Holograph. In dark blue/black/grey/silver marbled boards with dark blue half leather binding. With photographs, notes, drawings and ephemera laid in the diary.
