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Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits and snapshots

Description:

This digital contact sheet reflects one third of a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits and snapshots

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

Modern Endangered Archives Program
The Photo Surprise Archive of Photo Jack 

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1954

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Indoor and outdoor portraits

Description:

This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.

Date:

ca.1953

Resource Type:

still image

Photographer:

Photo Jack

Collection:

The Photo Surprise Archive of Photo Jack 
Modern Endangered Archives Program

Ilo Pando

Description:

Albanian: Imazhi fotografik i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original photographic image taken of the Albanian director of documentary, Ilo Pando.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Imazhi fotografik i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original photographic image taken of the Albanian director of documentary, Ilo Pando.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilo Pando

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin e filmit dokumentar, Ilo Pando.<br>English: Original negative still taken of the Albanian documentary director, Ilo Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilmi Ibrahimi

Description:

Albanian: Foto negativ origjinal i Ilmi Ibrahimi.<br>English: Original photo negative portrait of Ilmi Ibrahimi

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Skënderi

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për marangozin dhe mjeshtrin e skenës, Ilir Skënderi.<br>English: Original negative still taken of the Albanian carpenter, Ilir Skënderi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Skënderi

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për marangozin dhe mjeshtrin e skenës, Ilir Skënderi.<br>English: Original negative still taken of the Albanian carpenter, Ilir Skënderi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Skënderi

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për marangozin dhe mjeshtrin e skenës, Ilir Skënderi.<br>English: Original negative still taken of the Albanian carpenter, Ilir Skënderi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Skënderi

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për marangozin dhe mjeshtrin e skenës, Ilir Skënderi.<br>English: Original negative still taken of the Albanian carpenter, Ilir Skënderi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Skënderi

Description:

Albanian: Imazhi fotografik i krijuar për marangozin, Ilir Skënderi.<br>English: Original photographic image taken of the Albanian carpenter, Ilir Skënderi.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Pando

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ilir Pando.<br>English: Original negative still taken of the Albanian assistant director, Ilir Pando.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Karkanaqe

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kampionin e shahut në vitet 1986 dhe 2005, Ilir Karkanaqe.<br>English: Original negative still taken of the Albanian champion of chess in 1986 and 2005, Ilir Karkanaqe.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Karkanaqe

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kampionin e shahut në vitet 1986 dhe 2005, Ilir Karkanaqe.<br>English: Original negative still taken of the Albanian champion of chess in 1986 and 2005, Ilir Karkanaqe.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Imazhi fotografik i krijuar për operatorin e zërit, Ilir Gjata.<br>English: Original photographic image taken of the Albanian sound operator, Ilir Gjata.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Gjata

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për operatorin e zërit Ilir Gjata.<br>English: Original negative still taken of the Albanian sound operator Ilir Gjata.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Demaliaj

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ilir Demaliaj.<br>English: Original negative still taken of the Albanian assistant director, Ilir Demaliaj.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Demaliaj

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ilir Demaliaj.<br>English: Original negative still taken of the Albanian assistant director, Ilir Demaliaj.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Butka

Description:

Albanian: Foto negativi origjinal i krijuar për piktorin e filmit vizatimor, Ilir Butka.<br>English: Original negative still taken for the animator artist, Ilir Butka.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Butka

Description:

Albanian: Foto negativi origjinal i krijuar për piktorin e filmit vizatimor, Ilir Butka.<br>English: Original negative still taken for the animator artist, Ilir Butka.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Bushi

Description:

Albanian: Foto negativ origjinal i Ilir Bushi.<br>English: Original photo negative portrait of Ilir Bushi

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilir Bushi

Description:

Albanian: Foto negativ origjinal i Ilir Bushi.<br>English: Original photo negative portrait of Ilir Bushi

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Iliaz Bërxolli

Description:

Albanian: Imazhi fotografik i krijuar për mekanikun, Iliaz Bërxolli.<br>English: Original photographic image taken of the Albanian mechanic, Iliaz Bërxolli.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Tërpini

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për drejtorin e fotografisë Ilia Tërpini.<br>English: Original negative still taken of the Albanian cinematographer Ilia Tërpini.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Tërpini

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për drejtorin e fotografisë Ilia Tërpini.<br>English: Original negative still taken of the Albanian cinematographer Ilia Tërpini.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Tërpini

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për drejtorin e fotografisë Ilia Tërpini.<br>English: Original negative still taken of the Albanian cinematographer Ilia Tërpini.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Tërpini

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për drejtorin e fotografisë Ilia Tërpini.<br>English: Original negative still taken of the Albanian cinematographer Ilia Tërpini.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Tërpini

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për drejtorin e fotografisë Ilia Tërpini.<br>English: Original negative still taken of the Albanian cinematographer Ilia Tërpini.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Terpini

Description:

Albanian: Imazhi fotografik i krijuar për drejtorin e fotografisë, Ilia Tërpini.<br>English: Original photographic image taken of the Albanian director of photography, Ilia Tërpini.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Terpini

Description:

Albanian: Imazhi fotografik i krijuar për drejtorin e fotografisë, Ilia Tërpini.<br>English: Original photographic image taken of the Albanian director of photography, Ilia Tërpini.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Terpini

Description:

Albanian: Imazhi fotografik i krijuar për drejtorin e fotografisë, Ilia Tërpini.<br>English: Original photographic image taken of the Albanian director of photography, Ilia Tërpini.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Terpini

Description:

Albanian: Imazhi fotografik i krijuar për drejtorin e fotografisë, Ilia Tërpini.<br>English: Original photographic image taken of the Albanian director of photography, Ilia Tërpini.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Dede

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për skenaristin dhe regjisorin e filmit shqiptar Ilia Dede.<br>English: Original negative still taken of the Albanian screenwriter and film director Ilia Dede.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Dede

Description:

Albanian: Imazhi fotografik i krijuar për redaktorin e filmit dokumentar, Ilia Dede.<br>English: Original photographic image taken of the Albanian documentary editor, Ilia Dede.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Dede

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për skenaristin dhe regjisorin e filmit shqiptar Ilia Dede.<br>English: Original negative still taken of the Albanian screenwriter and film director Ilia Dede.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ilia Dede

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për skenaristin Ilia Dede.<br>English: Original negative still taken of the Albanian screenwriter Ilia Dede.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ikbale Jaçellari

Description:

Albanian: Foto negativi origjinal i krijuar për montazhieren, Ikbale Jaçellari.<br>English: Original negative still taken of the Albanian editor, Ikbale Jaçellari.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ikbale Jaçellari

Description:

Albanian: Foto negativi origjinal i krijuar për montazhieren, Ikbale Jaçellari.<br>English: Original negative still taken of the Albanian editor, Ikbale Jaçellari.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ikbale Jaçellari

Description:

Albanian: Foto negativi origjinal i krijuar për montazhieren, Ikbale Jaçellari.<br>English: Original negative still taken of the Albanian editor, Ikbale Jaçellari.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Muço

Description:

Albanian: Imazhi fotografik i krijuar për regjisorin, Ibrahim Muço.<br>English: Original photographic image taken of the Albanian director, Ibrahim Muço.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Muço

Description:

Albanian: Imazhi fotografik i krijuar për regjisorin, Ibrahim Muço.<br>English: Original photographic image taken of the Albanian director, Ibrahim Muço.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Muçaj

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ibrahim Muçaj.<br>English: Original negative still taken of the Albanian assistant director, Ibrahim Muçaj.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Muça

Description:

Albanian: Foto negativi origjinal i krijuar për regjisorin e filmit artistik Ibrahim Muçaj.<br>English: Original negative still taken of the Albanian film director Ibrahim Muçaj.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Muça

Description:

Albanian: Foto negativi origjinal i krijuar për regjisorin e filmit artistik Ibrahim Muçaj.<br>English: Original negative still taken of the Albanian film director Ibrahim Muçaj.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Katroshi

Description:

Albanian: Imazhi fotografik i krijuar për mirëmbajtësin e rrjetit elektrik, Ibrahim Katroshi.<br>English: Original photographic image taken of the Albanian network electrician maintainer, Ibrahim Katroshi.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Kasapi

Description:

Albanian: Imazhi fotografik i krijuar për operatorin, Ibrahim Kasapi.<br>English: Original photographic image taken of the Albanian operator, Ibrahim Kasapi.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Kasapi

Description:

Albanian: Foto negativ origjinal i paidentifikuar.<br>English: Unidentified original photo negative portrait.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Kasapi

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ibrahim Kasapi.<br>English: Original negative still taken of the Albanian assistant director, Ibrahim Kasapi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Ibrahim Kasapi

Description:

Albanian: Foto negativi origjinal i krijuar për asistent regjizorin, Ibrahim Kasapi.<br>English: Original negative still taken of the Albanian assistant director, Ibrahim Kasapi.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Toska

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kamera operatorin Hysen Toska.<br>English: Original negative still taken of camera operator, Hysen Toska.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Toska

Description:

Albanian: Imazhi fotografik i krijuar për kontrollorin e filmi, Hysen Toska.<br>English: Original photographic image taken of the Albanian film controller, Hysen Toska.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Toska

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kamera operatorin Hysen Toska.<br>English: Original negative still taken of camera operator, Hysen Toska.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Toska

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kontrollorin e filmit, Hysen Toska.<br>English: Original negative still taken of film controller, Hysen Toska.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Toska

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për kontrollorin e filmit, Hysen Toska.<br>English: Original negative still taken of film controller, Hysen Toska.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Milla

Description:

Albanian: Imazhi fotografik i krijuar për brigadierin e ndriçimit, Hysen Milla.<br>English: Original photographic image taken of the Albanian director of electrical department, Hysen Milla.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Milla

Description:

Albanian: Imazhi fotografik i krijuar për brigadierin e ndriçimit, Hysen Milla.<br>English: Original photographic image taken of the Albanian director of electrical department, Hysen Milla.

Date:

1950 - 1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Hakani

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin shqiptar Hysen Hakani.<br>English: Original negative still taken of the Albanian director Hysen Hakani.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Hakani

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin shqiptar Hysen Hakani.<br>English: Original negative still taken of the Albanian director Hysen Hakani.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Hakani

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin shqiptar Hysen Hakani.<br>English: Original negative still taken of the Albanian director Hysen Hakani.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Hakani

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin shqiptar Hysen Hakani.<br>English: Original negative still taken of the Albanian director Hysen Hakani.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection

Hysen Hakani

Description:

Albanian: Foto negativi origjinal i fotos i krijuar për regjisorin shqiptar Hysen Hakani.<br>English: Original negative still taken of the Albanian director Hysen Hakani.

Date:

1950-1990

Resource Type:

still image

Collection:

Albanian Photographic and Graphic Art Collection