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- 1959 [remove] 9,531
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- 1959 to 1959 9,531
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Studio portrait of Jibrail Jabbur
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouin encampment near a water point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Camels grazing
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of a flour mill
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Snapshot of Jibrail Jabbur
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of a bride and a groom
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of a mountain house
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Flock of sheep at a water point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Cotton fields
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of Jibrail Jabbur
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio reproduction of a book
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Outdoor family portrait
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Outdoor portrait
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of the Kharbaqa dam water qanats
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Gathering of scouts
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Portrait of Emir Nayef Al Shaalan
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouin men slaughtering a camel
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of Lake Qaraoun
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Snapshot of calf feeding
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Al Shaalan tribe encampment
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Indoor and outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and studio portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and family portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots and portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and indoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots and portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio reproduction of a book
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of a herd of camels at a watering point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio photograph of a washing machine
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of AUB's outdoor sports facilities
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Outdoor portrait
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and outdoor portrait
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program