Miray Fasad Batri Wayal la ki gen lajè apeprè 2 mèt. Anpil zèb ak pye bwa ( sitou yon seri gran figye) te pouse sou tout konstriksyon an pandan anpil ane. Miray la te demantle nan pwofondè soti 40 cm rive nan 80 cm, answit yo reyabilite l nan tout kò l.
Poster that inaugurates and advertises Tallersol and its artistic and cultural activities, along with their schedules and target audience, and calls the community to participate in them.
Original negative still taken for the albanian sound engineer and operator Gëzim Koni.1 negative frame damaged. Long scratch in the middle of negative.
Original negative still taken for the albanian sound engineer and operator Gëzim Koni.One negative in good condition. Dust and scratches around the surface.
This is folio 122 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha with Rama in a gathering (top); Kausalya addressing Sita (center right); Janaka praising Sita (bottom left).
This is folio 117 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha with Rama (top left); people saluting Rama (top right); Rama going forward to receive Janaka (left); Janaka arriving with his train (bottom).
This is folio 123 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha seated (left top); the trio on right; Janaka preaching to Sita (right center); Bharata with Shatrughna (bottom left).
This is folio 107 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha talking to Rama (top right); Sita sitting with the Queens (center); Bharata and Shatrughna (left center).
This is folio 106 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha talking to Rama (top); all bathing in Mandakini; Kiratas offering fruit etc. (bottom).
This is folio 111 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Vasishtha addressing Rama (top right); Bharata speaking to Rama (bottom).
This is folio 21 from the Lankakanda chapter of the Ramcharit Manas manuscript. The illustration shows Ravana in his court (top); Vanarsena being divided into four groups; Angada before Rama (bottom right).
This is folio 57 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows Valmiki recommending Citrakuta as a suitable residence.
This is folio 75 from the Uttarakanda chapter of the Ramcharit Manas manuscript. The illustration shows Tulsidas relating Rama's story in a congregation (top) verses in praise of Rama.
This is folio 68 from the Lankakanda chapter of the Ramcharit Manas manuscript. The illustration shows couplets praising Rama; Tulsidas reciting Ramayana (bottom).
This is folio 1b from the Balakanda chapter of the Ramcharit Manas manuscript. The illustration shows Tulsidas paying homage to Rama, Sita, Valmiki, his guru and Hanumana (from top to bottom).
This is folio 17 from the Balakanda chapter of the Ramcharit Manas manuscript. The illustration shows Tulsidas hearing Rama's story that has been compared to the divine cow Kamadhenu, to great serpents which eat away fear; Ramayana is like Mandakini river, and the mind is Citrakuta where Rama, Lakshmana and Sita reside.
This is folio 53 from the Ayodhyakanda chapter of the Ramcharit Manas manuscript. The illustration shows the trio on its way (top); people gathering to see Rama and paying homage (bottom).
Left to Right:Albert Trevino (great grandfather), Mirasol Riojas, and Rodolfo Huerta (grandfather).This photograph was taken by another family member on Easter Sunday in the backyard of the family home in San Antonio, TX.
Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tomka Dhe Shokët e Tij". Me regji të regjisores Xhanfize Keko, kjo dramë bardhë e zi për fëmijë tregon historinë e një grupi djemsh që vendosin të ndërmarrin veprime pasi një kamp nazist pushton fushën e tyre të futbollit. Filmi zhvillohet gjatë pushtimit gjerman në Luftën e Dytë Botërore, në Shqipëri.One negative in fair condition.
Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tomka Dhe Shokët e Tij". Me regji të regjisores Xhanfize Keko, kjo dramë bardhë e zi për fëmijë tregon historinë e një grupi djemsh që vendosin të ndërmarrin veprime pasi një kamp nazist pushton fushën e tyre të futbollit. Filmi zhvillohet gjatë pushtimit gjerman në Luftën e Dytë Botërore, në Shqipëri.One negative in fair condition.
Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tomka Dhe Shokët e Tij". Me regji të regjisores Xhanfize Keko, kjo dramë bardhë e zi për fëmijë tregon historinë e një grupi djemsh që vendosin të ndërmarrin veprime pasi një kamp nazist pushton fushën e tyre të futbollit. Filmi zhvillohet gjatë pushtimit gjerman në Luftën e Dytë Botërore, në Shqipëri.One negative in fair condition.
Foto negativ origjinal i krijuar për filmin artistik shqiptar "Tomka Dhe Shokët e Tij". Me regji të regjisores Xhanfize Keko, kjo dramë bardhë e zi për fëmijë tregon historinë e një grupi djemsh që vendosin të ndërmarrin veprime pasi një kamp nazist pushton fushën e tyre të futbollit. Filmi zhvillohet gjatë pushtimit gjerman në Luftën e Dytë Botërore, në Shqipëri.One negative in fair condition.
Original image created for the Albanian fiction feature film "Tomka Dhe Shokët e Tij". Directed by filmmaker Xhanfize Keko, this black and white children's drama tells the story of a group of young boys who decide to take action after a Nazi camp takes over their football field. The film takes place during Albania's Second World War German occupation.
Skicë dekori e krijuar për filmin artistik shqiptar "Tomka Dhe Shokët e Tij". Me regji të regjisores Xhanfize Keko, kjo dramë bardhë e zi për fëmijë tregon historinë e një grupi djemsh që vendosin të ndërmarrin veprime pasi një kamp nazist pushton fushën e tyre të futbollit. Filmi zhvillohet gjatë pushtimit gjerman në Luftën e Dytë Botërore, në Shqipëri.
Poster is divided into three sections, with the top third black, and the bottom third beige. The middle section has an image of a several buildings in the middle of a valley surrounded by shrubs and greenery.
Poster is divided into thirds, with the top third black, and the bottom third white. In the middle is an image of mountains in the Tigray Region of Ethiopia with a number of stone buildings built into one of the mountains.