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Resource Type
still image
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Date
1953
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Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Village women carrying earthware jars
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Snapshot of horses grazing in a field
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of an airfield from a rooftop
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Citadelle. the Batterie Royale Circa 1950
- Date:
- 1953
- Resource Type:
- still image
- Collection:
-
ISPAN Cap Haitien Archives
Modern Endangered Archives Program
View of the Facade on the Batterie Royale during major repairs at the Citadelle by Travaux Publics in 1953-54
- Description:
- Le mur de façade de la Batterie Royale a une épaisseur d'environ 2 mètres. Une végétation importante s'est installée dans la maçonnerie au fil des ans. Ficus particulièrement grand. Le mur a été démonté sur une profondeur de 40 cn à 80 cm puis remonté sur toute sa surface.
- Date:
- 1953
- Resource Type:
- still image
- Collection:
-
ISPAN Cap Haitien Archives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouin women weaving wool on a loom
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio reproduction of a book
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Camels at a watering point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of a bride and a groom
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Outdoor group portrait
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Wedding studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of a bride and a groom
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Emir Nayif Al Shaalan on the balcony of his house
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Rugs and mattresses in a market
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of the AUB green field
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouin man sitting in the Rawala clan's Utfa
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of Spring Field Day at AUB's green field
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise and indoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Welcome ceremony in a village alley
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio bridal portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise and outdoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Outdoor portrait of Jibrail Jabbur and unidentified person
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouins at a water point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Herd of camels in the desert
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Snapshot at the Lion of Babylon statue
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Group studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of Afqa grotto and waterfalls
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio photography
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Men grilling carps around a fire
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Portrait of Emir Nayef Al Shaalan
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Herd of camels in the desert
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Indoor snapshots and portraits
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Photo Surprise and indoor snapshots
- Description:
- This digital contact sheet reflects a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1954
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Photo Surprise
- Description:
- This digital contact sheet reflects a half a roll of photographs taken by Studio Photo Jack (1945-1997) in Tripoli, Lebanon. The photographers worked on reportage photography, a form of commercial photography practiced outside the Studio and covering various social, cultural and religious occasions. Their main photography style was called “Photo Surprise", which is a practice that was common in the Middle East between the 1940s and 1960s. They walked the public square of Tal in Tripoli photographing pedestrians - some posing and others caught candidly in their stride. They then invited their subjects to return to the studio to purchase and collect their photographs. A film roll with intimate snapshots of a family seen in sequence gives the impression of constant movement around the Tal. Images of officials and public figures are intercepted by images of baptisms, funerals, birthdays, and parties; adding a strange familiarity to the Tal and the faces of the people walking around.
- Date:
- ca.1953
- Resource Type:
- still image
- Photographer:
- Photo Jack
- Collection:
-
The Photo Surprise Archive of Photo Jack
Modern Endangered Archives Program
Studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Outdoor group portrait
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Flock camels at a watering point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of a bride and a groom
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait of Jibrail Jabbur
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Bedouin encampment near a water point
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Camels grazing
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1930-1970
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
Studio portrait
- Date:
- 1950-1971
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program
View of a flour mill
- Date:
- 1950-1961
- Resource Type:
- still image
- Collection:
-
Arab Image Foundation Photo Negatives
Modern Endangered Archives Program