Resource Type: still image / Repository: University of California, Los Angeles. Ethnomusicology Archive - UCLA Library Digital Collections Search Results

Description:: Rakteswari Theyyam: Naga Kali. The goddess Rakteswari (Rakteshwari, Rikteswari) is transformed into a triumphant cobra, having eaten the raw eggs. Front view of ritual dancer with enormous twenty (?) foot figure of a cobra made of slats of palm wood attached to his back. The central bamboo “spine” of the cobra extends about 15 feet upwards from the dancer’s head. Two drawings of smaller cobras are attached to the giant upright cobra, as if they are swimming upwards. The figure’s similarity to a penis and scrotum with travelling sperm evokes the ritual’s objective of increasing fertility.
Date:: April 6, 1984
Resource Type:: still image
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Cākyār kuthu , a one-man narrative form. “Hanuman Pira” Story of Hanuman performed by P. K. G. Nambiar. This is a one-man monologue storytelling comic genre on the birth and tales of Hanuman (Hanuman pira, Hanuman ouva). The storyteller made fun of shortening names like “Radhakrishnan” (a man’s name) to “Radha” (a woman’s name).
Date:: April 6, 1984
Resource Type:: still image
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Padayāni are a “row of soldiers” sent by Lord Siva at Lord Subrahmanya’s request to cool Goddess Kali’s anger, aroused the previous night during the Mudiyeṭṭu Theyyam when she fought and killed the demon Darika. The “soldiers” imitate the Goddess’ wrath, which causes her to laugh and forget her anger. In this image, Bhairavi: representing the hideous goddess Bhadrakali. A painted kolam mask, enormous crown, breastplate with jutting breasts and triangular waist piece, all made of areca tree laths. Performed by Guru P. K. Madhavan (Pillai) and party.
Date:: April 8, 1984
Resource Type:: still image
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Bake Restudy Notes, p. 71, Jairazbhoy Diary, p. 115, Data Sheets, p. 260-273
Date:: April 13, 1984
Resource Type:: still image
Photographer:: Catlin-Jairazbhoy, Amy
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Bake Restudy Notes, p. 71, Jairazbhoy Diary, p. 115, Data Sheets, p. 260-273
Date:: April 13, 1984
Resource Type:: still image
Photographer:: Catlin-Jairazbhoy, Amy
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Kota musician playing a pulāng (?), a small (ca. 10”) bamboo idioglot clarinet pulāng. It is not a bugīr trumpet, which was filmed during this excursion and is about 3 feet long with 6 holes in front and with two integral 2” branch stems. The player looks like B. Kamatn (aka Pukali), according to Richard K. Wolf. Two Kota men stand behind the musician and watch.
Date:: April 13, 1984
Resource Type:: still image
Photographer:: Catlin-Jairazbhoy, Amy
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Description:: Padayāni are a “row of soldiers” sent by Lord Siva at Lord Subrahmanya’s request to cool Goddess Kali’s anger, aroused the previous night during the Mudiyeṭṭu Theyyam when she fought and killed the demon Darika. The “soldiers” imitate the Goddess’ wrath, which causes her to laugh and forget her anger. In this image, a “soldier” Gaṇapati, with a short dhoti and bare chest. Performed by Guru P. K. Madhavan (Pillai) and party.
Date:: April 8, 1984
Resource Type:: still image
Collection:: Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

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