The mural, funded by the WPA (Works Project Administration), was controversial especially because of the depictions of nudity and references to war in the central panel. The central panel was removed from the Frank Wiggins Trade School lobby (now LA Trade Tech) and returned to the Public Works Administration in 1935 and the other two panels were returned in 1939.
Painting of King Gustav V, in military uniform with sword, printed as a plate in a book and photographed from open book on mat or carpet. Caption under plate reads: H. M. King Gustaf V of Sweden (In the Swedish Chamber of Commerce of the U.S.A.)
The "Treasure Ship" float with a Spanish galleon bearing golden gifts; the intended inhabitants of the float were driven away by the rain. The Pasadena Memorial Flagpole (Goodhue Flagpole) is visible behind the float in its original location in the middle of the intersection of Orange Grove and Colorado Boulevard. The float was entered by the Hotel Vista del Arroyo.
"Mandalay" float representing the love boat in the play "East is West." One participant is wearing a traditional Chada hat and costume while others don tunics and round hats. The float was entered by the city of Whittier.
View of the "Sea Serpent" float with 3 women. The Pasadena Memorial Flagpole (Goodhue Flagpole) is visible behind the float in its original location in the middle of the intersection of Orange Grove and Colorado Boulevard. The float was entered by the city of Venice.
"Home Sweet Home" float with a flower-draped Spanish style house with a boy and girl sitting in the front yard. The float was entered by the Los Angeles Chamber of commerce.
Another photograph of Atanas Katchmakoff, with this sculpture, with his attorney Saul Ruskin, and art expert Dr. Ernest L. Tross appears in a Los Angeles Times article on 4/17/1935 titled: "Worth of Statue Debated: Value of Lost Madonna Estimated in Cost Case." At this time Katchmakoff sued Fred Keeler, the owner of the foundry that cast his Madonna sculpture for losing the plaster original. Two bronze sculptures had been made, but the owner of the bronze Madonnas had refused to allow his bronzes to be used to produce a new plaster cast.
"Drummer Boys of '61" float with the theme song of "When Johnny Comes Marching Home" and with a group of 8 aged veterans with fifes and drums. Entered by the John F. Godfrey Post, G.A.R.
Float with a Miss Frank Alexander in an open jewelry box with a red satin lining and a strand of pearls half out of the box in the Tournament of Roses Parade. Floral signs on the float include "Safe Keeping" on the lid of the jewelry box and "Banks" on the front. Signs on the corner commercial building behind the float read: "Latest Model Cars for Hire Without Drivers...," "Pasadena Vulcan...g Works," and "Hotel Franklin." Spectators are standing along the parade route and on top of the corner building.
Portrait painter Josef Sigall with his wife Marie Sigall. Josef wears a double-breasted suit with a vest and Marie wears a felt hat and a coat with a fur collar and fur cuffs.
Flower arrangement in shallow oval bowl. Margaret Preininger published a book titled Japanese flower arrangement for modern homes on December 1, 1935. At that time she was the chairman of Cultural Arts at Los Angeles Junior College. According to the review in Kirkus Reviews, the 35 pages of text explain the four important Japanese Schools and the adaptations of their principles to American flowers and settings; the book includes 52 large reproductions of arrangements and 100 line drawings showing method of procedure; and chapters on vases, holders, flower selection, color, seasons, background and table settings
Annotated business card of R. Lee Miller, a Palm Springs artist and architect. On the card is printed: Engineering - Construction, R. Lee Miller, Palm Springs, California. On the card are written the names and addresses of A. Boyd Mewborn and Mrs. Jack Pfister, who were photographed with him in the patio of his Palm Springs home by the photographer Adelbert Bartlett, circa 1920-1939.
The 1888 horse-shoe-shaped shell art wreath made by Ina Donna Coolbrith. The wreath was composed of sea shells interwoven with moss gathered at Santa Monica. The flowers represented include Mariposa lily, Shasta daisy, Copa de Oro, camelia, rose and other flowers. The wreath was a gift to Elizabeth Dalton Perry and William Hayes Perry. At the time of this photograph the wreath belonged to the Perrys' nephew John H. Crum of Santa Monica. The shell wreath is an example of Victorian era domestic crafts.