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An angel leads Lot out of Sodom & destroys the city, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Gillian van der Gouwen, a South Netherlandish engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis XIX: 15-26.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
An angel leads Lot out of Sodom & destroys the city, 17th century engraving (photographed between 1920-1939)

And it rained upon the Earth forty days & forty nights, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Gillian van der Gouwen, a South Netherlandish engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis VII: 12.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
And it rained upon the Earth forty days & forty nights, 17th century engraving (photographed between 1920-1939)

Annunciation of the Virgin Mary, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam. The artist who created the engraving is Louis Suruge, a French engraver and print publisher, active in Paris. The print contains titles of the subject in 6 languages: Greek, English, German, Latin French and Dutch. The biblical verse is identified on the print as Luke I: 28.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Annunciation of the Virgin Mary, 17th century engraving (photographed between 1920-1939)

BELT MS 37 [Book of hours : Use of Rouen].

Description:
Manuscript book of hours for the use of Rouen, written and illuminated in Rouen, France sometime during the 15th century. Includes the typical common elements of a book of hours: church year calendar in French; readings from the Gospels; Hours of the Virgin, a set of eight devotional texts in Latin, one to be recited at each of the eight canonical hours of the day; penitential psalms, litany of saints, prayers for the dead, and prayers to the Virgin. Script: Latin text in gothic hand in black, with instructions in red ink, 15 lines per page; months of the calendar illuminated in gold, with saints' days written in red or blue ink. Illustrations: includes 11 large miniatures within arched frames, of scenes from the life of Christ (Annunciation, Nativity, Crucifixion, Pietà), as well as portraits of the four Evangelists, King David with his harp, and St. Michael overcoming the devil; donor portrait on verso of leaf 53; all miniatures vividly colored and illuminated in red, blue, green, rose, black, and white; enclosed by richly painted and illuminated borders of arabesques, leafy branches, flowers and strawberry vines; illuminated floral borders along text margins; large and small illuminated rose and blue capitals. Binding: bound in blind-stamped calf over boards by Cambridge stationer and bookbinder Nicholas Spierinck, with date of 1520 supplied by Ferrari; upper and lower boards decorated with small blind-tooled square stamps containing figures of beasts and birds, and the device of binder with his initials "N" and "S," arranged in intersecting horizontal and vertical rows; vellum endpapers; all edges gilt. In modern beige cloth and brown leather clamshell box having gold-stamped spine title "Book of Hours." Provenance: From the library of Viscount Lee of Fareham, White Lodge, Richmond Park. A gift to Dr. Elmer Belt from Evelyn Cushman, 1954. Dr. Belt's illustrated bookplate on recto of front endleaf, with caption "From the House of Belt."In Latin and French.
Date:
ca. 1520
Resource Type:
text
Collection:
Medieval and Renaissance Manuscripts
BELT MS 37 [Book of hours : Use of Rouen].

Christ buried, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the print is Abraham de Blois, a Dutch engraver. The print contains titles of the subject in 6 languages: Greek, English, German, Latin, French and Dutch. The biblical verse is identified on the print as Matthew XXVII: 60.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Christ buried, 17th century engraving (photographed between 1920-1939)

Christ strengthened by an angel, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the print is identified as "Bernards." The print contains titles of the subject in 6 languages: Greek, English, German, Latin, French and Dutch. The biblical verse is identified on the print as Luke XXII:43.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Christ strengthened by an angel, 17th century engraving (photographed between 1920-1939)

Christ upon the Cross, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is Jacob Folkema, a Dutch draftsman and printmaker. The print contains titles of the subject in 6 languages: Greek, English, German, Latin French and Dutch. The biblical verse is identified on the print as Luke XXIII: 33.
Date:
between 1920-1939
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Christ upon the Cross, 17th century engraving (photographed between 1920-1939)

Coll. 170. MS. 348. BIBLE, with prologues and additions.

Description:
Written in Spain in the middle of the thirteenth century. In the possession of a Dominican convent or friar before the end of the century; front pastedown top, half cropped, “. . . -ia ordinis predicatorum.” In England before the fourteenth century; English hands on ff. 1r-v, 387r-v, front pastedown. On f. 386 lower margin, erased note of accounts in fourteenth-century anglicana, “... sol[idos] . . . sol[idos] . . . Ego frater . . . sororem . . . sorores. ...” On f. 1v top, an erased note. Paper label “11” on the spine. Belonged to Isaac Foot; his bookplate, f. 1v. Came to UCLA with the Foot Collection in 1960.
Date:
XIII med
Resource Type:
text
Collection:
Medieval and Renaissance Manuscripts
Coll. 170. MS. 348. BIBLE, with prologues and additions.

Color guard for the 160th infantry regiment in the Los Angeles Exposition Park Armory, Los Angeles, 1936

Description:
Color guard for the National Guard marching inside the Los Angeles Exposition Park Armory while men stand by and salute the flags. The color guard holds the American flag and the 160th infantry regiment flag. One man on the sidelines holds a flag with a star, staff parallel to the ground. In the rafters, an audience watches the procession.
Date:
April 6, 1936
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
OpenUCLA Collections
Color guard for the 160th infantry regiment in the Los Angeles Exposition Park Armory, Los Angeles, 1936

Daniel in the lion's den, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is Matthys Pool, a Dutch draftsman and printmaker, a Dutch printmaker. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Daniel VI:17.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Daniel in the lion's den, 17th century engraving (photographed between 1920-1939)

Elijah fed by Ravens, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is identified as "Broen." The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin, French and Dutch. The biblical verse is identified on the print as I Kings XVII: 6.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Elijah fed by Ravens, 17th century engraving (photographed between 1920-1939)

God called unto Adam & said: where are thou, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Jan van Vianen, a Dutch draftsman and copper engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis III: 9.
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
God called unto Adam & said: where are thou, 17th century engraving (photographed between 1920-1939)

Good Samaritan, 17th century engraving (photographed between 1920-1939)

Description:
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is identified as "Broen." The print contains titles of the subject in 3 languages: Greek, English, and German. The biblical verse is identified on the print as Luke X: 30.
Date:
[between 1920-1939]
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
Good Samaritan, 17th century engraving (photographed between 1920-1939)

Hathaway 1

Description:
Used for binding; folio 1 used as a pastedown: the verso is stained and rubbed.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 1

Hathaway 5

Description:
Parchment, 1 leaf, slightly cropped at the inner margin. 24 long lines (text or music); ruled in ink. Heavy German gothic bookhand in liturgical style; brown ink. 2-line inititals in red on faded green flourishes; initials in the text in red; rubric in red miniscule; the first two lines of text of each hymn have German gothic notes on staves of 4 lines, 3 in red and 1 brown (the line of F, which is marked; C also is marked); on the other lines of text notes without staves.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 5

Hathaway 6

Description:
Parchment, 1 leaf. 30 long lines; single bounding lines; hard point ruling. Ordinary minuscule of liturgical style, showing minims often ending in a serif; brown ink. 1 and 2-line plain capital initials in red; initials in the text red or slashed with red; rubrics in mixed majuscule in red; neumes of St. Gall type.
Date:
12th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 6

Hathaway 8

Description:
Used as a pastedown in binding; the recto was pasted. While the leaf was a pastedown, a gothic cursive hand, using grayish ink, entered a text in German between the lines, on the verso, 15th century.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 8

Hathaway 9

Description:
Parchment, lower half of 1 leaf. 9 long lines survive; drypoint ruling barely discernible. Late Caroline minuscule script: "d" appears in two forms; both ampersand and the tironian note 7 for "et" are found; ascenders and descenders often end in a serif; brown ink. 8-line initial in red pen-and-ink vine stem pattern; rubric in red minuscule; neumes of St. Gall type.
Date:
11th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 9

Hathaway 12

Description:
Parchment, 1 leaf. 2 columns of 32 lines; ruled in ink. Calligraphic gothic bookhand in liturgical style (littera textualis formata); dark brown ink. 2-line initials alternately red and blue on penwork of the opposite color; initials in the text slashed with red; initials in the lines of text with music at times with elaborate flourishes in brown; on the outer margin of the verso "LVII" in red belongs to a contemporary foliation; music on staves of 4 brown lines; F and C are marked; German gothic notes. A contemporary correction of the text by a different hand in lighter ink on the lower margin of the recto.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 12

Hathaway 18

Description:
Parchment, upper portion of 1 leaf. 4 lines of text and 4 1/2 staves survive; text not ruled. Gothic bookhand in liturgical style (littera textualis formata); blackish ink. Initials plain red or touched with red; German gothic notation on staves of 4 lines, the line of F in red, that of C in green.
Date:
14th-15th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 18

Hathaway 21

Description:
Antiphonal. Parchment, 1 leaf cropped at margins. 12 lines of text with music; ruling not discernible. Liturgical gothic bookhand (littera textualis formata); dark brown ink. Primary initials alternately red and blue; initials in the text are elaborate brown majuscule slashed with red; music in square notation on staves of 4 red lines. A gothic cursive hand (s. XV) entered several notes on the recto, upside down, when leaf was a pastedown, including "Averrois commentator cum titulos fidei voluit probare rationibus nec potuit quare apostata in fede factus est"; "Sanctus Vincentius ordinis predicatorum habuit illum donum gratie, quod loquebatur suo sermone intelligibatur ab omnibus hominibus diversarum nationum." Used as a pastedown in binding: the verso is badly rubbed.
Date:
15th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 21

Hathaway 22

Description:
Parchment, 1 leaf. 21 long lines; ruled in lead. German gothic bookhand in liturgical style (littera textualis formata); brown ink. 2-line initials and initials in the text in red; rubrics in red minuscule; German gothic notation on staves of 4 lines, the line of F red and that of C pale green.
Date:
14th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 22

Hathaway 23

Description:
Used for binding, rubbed in the middle portion. Title on the verso (s. XVII), on what was the spine of the book bound with this leaf: De iure emphiteutico Tractatus Aurilii Corbuli (i.e., Aurelio Corboli, De iure emphyteutico tractus novus et utilissimus, of which the second and most widespread edition was printed in Colgne, 1589).
Date:
13th century
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 23

Hathaway 24

Description:
Antiphonal. Parchment, 1 leaf cropped at the inner margin. 14 lines of text with music; text unruled. Spikey German gothic bookhand in liturgical style (littera textualis formata); black ink. Initials of verse alternately plain red, and blue with red flourishes; initials in the text are elaborated brown majuscule touched with red; rubrics in red minuscule; German gothic neumes on staves of 4 red lines, F and C are marked. Used as a pastedown in binding: the verso is almost completely rubbed.
Resource Type:
text
Collection:
Hathaway Manuscripts
Hathaway 24