Decoration:Major initials in alternating red and blue with pen infilling and flourishing. Large initials alternating in red and blue and pen-flourished, occasionally with faces (ff. 114v, 124, 125v). Mid-sized initials in black on green, occasionally with pen faces colored tan (ff. 119r-v, 124v, 125, unnumbered fragment verso). An erroneous large red initial A[lorificamus] on f. 187 has a discreet contemporary mauve G with harping inserted beside it.
Written in Campania, probably in Naples to judge from the watermark and later ownership; there were two houses dedicated to St. Gaudiosus in Naples, one of which (a nunnery) also enclosed a church devoted to St. Fortunata (Cottineau 2.2035). Belonged in the 17th century to Aurelia Carrafa (signature vertically in the inner margin of f. 12 and again on f. 13), member of an illustrious Neapolitan family, probably from the branch of the princes of San Lorenzo; the Carafa women had close ties through the generations with the convent of San Gaudioso (see B. Aldimari, Historia genealogica della famiglia Carafa [Naples 1691] 367). Bought from Les Enluminures, Paris (their TM 366), by Richard and Mary Rouse. Given to UCLA in 2005.
Written by Alberico Spinola, a Camaldolese monk and a citizen of Genoa, in 1443, and illuminated by Hugo of Alexandria, noted in the Dictionnaire des Colophons (from the Quaritch catalog cited below). On f. 1 in ink: “Ex libris Dominici Merli Civis Lucensis 1787.” Listed in Bernard Quaritch, A Catalogue of Illuminated and other Manuscripts (London 1931) no. 74; at that time the manuscript was lacking only 2 leaves (first leaf of q. 3 and of q. 16) and contained: “f. 1, Calendar; f. 21, Officium B.M.V. (lacking 1st leaf); f. 141b, Missa B.V.M.; f. 147, Septum Psalmi Penitentiales cum Litania; f. 181, Officium Mortuorum; f. 257, Officium S. Crucis; f. 267, Officium S. Spiritus; f. 290, Memoriae Sanctorum”; at that time it was decorated with 14 illuminated and 3 historiated initials, and with three-quarter borders of “floreated scrolls.” Acquired, still whole except for the two missing leaves, by Nicolas Pavlov, Dobbs Ferry, NY, from Reiss & Auvermann at Glashuetten im Taunus, West Germany (Catalog, lot #15, with plates) in October 1988. Dismembered by Pavlov and portions sold to other dealers. A part, probably the Office of the Dead, was sold to the bookdealer Bruce Guenter of South Egermont, MA. Rouse MS 40 was acquired in its present state from Pavlov in March 1990 by Richard and Mary Rouse. Given to UCLA in 2005.
Antiphonal. Parchment, 1 leaf cropped at the inner margin. 14 lines of text with music; text unruled. Spikey German gothic bookhand in liturgical style (littera textualis formata); black ink. Initials of verse alternately plain red, and blue with red flourishes; initials in the text are elaborated brown majuscule touched with red; rubrics in red minuscule; German gothic neumes on staves of 4 red lines, F and C are marked. Used as a pastedown in binding: the verso is almost completely rubbed.
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Jan van Vianen, a Dutch draftsman and copper engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis III: 9.
Manuscript book of hours for the use of Rouen, written and illuminated in Rouen, France sometime during the 15th century. Includes the typical common elements of a book of hours: church year calendar in French; readings from the Gospels; Hours of the Virgin, a set of eight devotional texts in Latin, one to be recited at each of the eight canonical hours of the day; penitential psalms, litany of saints, prayers for the dead, and prayers to the Virgin. Script: Latin text in gothic hand in black, with instructions in red ink, 15 lines per page; months of the calendar illuminated in gold, with saints' days written in red or blue ink. Illustrations: includes 11 large miniatures within arched frames, of scenes from the life of Christ (Annunciation, Nativity, Crucifixion, Pietà), as well as portraits of the four Evangelists, King David with his harp, and St. Michael overcoming the devil; donor portrait on verso of leaf 53; all miniatures vividly colored and illuminated in red, blue, green, rose, black, and white; enclosed by richly painted and illuminated borders of arabesques, leafy branches, flowers and strawberry vines; illuminated floral borders along text margins; large and small illuminated rose and blue capitals. Binding: bound in blind-stamped calf over boards by Cambridge stationer and bookbinder Nicholas Spierinck, with date of 1520 supplied by Ferrari; upper and lower boards decorated with small blind-tooled square stamps containing figures of beasts and birds, and the device of binder with his initials "N" and "S," arranged in intersecting horizontal and vertical rows; vellum endpapers; all edges gilt. In modern beige cloth and brown leather clamshell box having gold-stamped spine title "Book of Hours." Provenance: From the library of Viscount Lee of Fareham, White Lodge, Richmond Park. A gift to Dr. Elmer Belt from Evelyn Cushman, 1954. Dr. Belt's illustrated bookplate on recto of front endleaf, with caption "From the House of Belt."In Latin and French.
![Lincolniæ, Notinghamiæq[ue] comitatuũ noua vera et accurata descriptio : anno Domini 1576](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002cf88g/full/!200,200/0/default.jpg)
![Coll. 170 MS. 726. BARTHOLOMEUS PAIELLUS [BARTOLOMEO PAGELLO], Carmen in laudem Petri Mocenigi. Latin. Veneto (Padua? Ferrara?), 1474-1476](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz002hw54f/full/!200,200/0/default.jpg)
![BELT MS 37 [Book of hours : Use of Rouen].](https://iiif.library.ucla.edu/iiif/2/ark%3A%2F21198%2Fzz000j3rm7/full/!200,200/0/default.jpg)
