Parchment, 1 leaf, slightly cropped at the inner margin. 24 long lines (text or music); ruled in ink. Heavy German gothic bookhand in liturgical style; brown ink. 2-line inititals in red on faded green flourishes; initials in the text in red; rubric in red miniscule; the first two lines of text of each hymn have German gothic notes on staves of 4 lines, 3 in red and 1 brown (the line of F, which is marked; C also is marked); on the other lines of text notes without staves.
Parchment, 1 leaf. 2 columns of 32 lines; ruled in ink. Calligraphic gothic bookhand in liturgical style (littera textualis formata); dark brown ink. 2-line initials alternately red and blue on penwork of the opposite color; initials in the text slashed with red; initials in the lines of text with music at times with elaborate flourishes in brown; on the outer margin of the verso "LVII" in red belongs to a contemporary foliation; music on staves of 4 brown lines; F and C are marked; German gothic notes. A contemporary correction of the text by a different hand in lighter ink on the lower margin of the recto.
Used for binding, rubbed in the middle portion. Title on the verso (s. XVII), on what was the spine of the book bound with this leaf: De iure emphiteutico Tractatus Aurilii Corbuli (i.e., Aurelio Corboli, De iure emphyteutico tractus novus et utilissimus, of which the second and most widespread edition was printed in Colgne, 1589).
Parchment, 1 leaf. 21 long lines; ruled in lead. German gothic bookhand in liturgical style (littera textualis formata); brown ink. 2-line initials and initials in the text in red; rubrics in red minuscule; German gothic notation on staves of 4 lines, the line of F red and that of C pale green.
Antiphonal. Parchment, 1 leaf cropped at the inner margin. 14 lines of text with music; text unruled. Spikey German gothic bookhand in liturgical style (littera textualis formata); black ink. Initials of verse alternately plain red, and blue with red flourishes; initials in the text are elaborated brown majuscule touched with red; rubrics in red minuscule; German gothic neumes on staves of 4 red lines, F and C are marked. Used as a pastedown in binding: the verso is almost completely rubbed.
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the engraving is Matthys Pool, a Dutch draftsman and printmaker, a Dutch printmaker. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Daniel VI:17.
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Jan van Vianen, a Dutch draftsman and copper engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Deuteronomy V: 1-22
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Gillian van der Gouwen, a South Netherlandish engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis XIX: 15-26.
The artist who created the design is Gerard Hoet, a Dutch painter and draftsman, and the artist who created the engraving is Gillian van der Gouwen, a South Netherlandish engraver. The print contains titles of the subject in 6 languages: Hebrew, English, German, Latin French and Dutch. The biblical verse is identified on the print as Genesis VII: 12.
Color guard for the National Guard marching inside the Los Angeles Exposition Park Armory while men stand by and salute the flags. The color guard holds the American flag and the 160th infantry regiment flag. One man on the sidelines holds a flag with a star, staff parallel to the ground. In the rafters, an audience watches the procession.
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the print is identified as "Bernards." The print contains titles of the subject in 6 languages: Greek, English, German, Latin, French and Dutch. The biblical verse is identified on the print as Luke XXII:43.
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the print is Abraham de Blois, a Dutch engraver. The print contains titles of the subject in 6 languages: Greek, English, German, Latin French and Dutch. The biblical verse is identified on the print as Matthew XXVI: 26.
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam. The artist who created the engraving is Louis Suruge, a French engraver and print publisher, active in Paris. The print contains titles of the subject in 6 languages: Greek, English, German, Latin French and Dutch. The biblical verse is identified on the print as Luke I: 28.
The artist who created the design is Bernard Picart, a French draughtsman, engraver and book illustrator in Amsterdam, and the artist who created the print is Abraham de Blois, a Dutch engraver. The print contains titles of the subject in 6 languages: Greek, English, German, Latin, French and Dutch. The biblical verse is identified on the print as Matthew XXVII: 60.