Antiphonal. Parchment, 1 leaf cropped at margins. 12 lines of text with music; ruling not discernible. Liturgical gothic bookhand (littera textualis formata); dark brown ink. Primary initials alternately red and blue; initials in the text are elaborate brown majuscule slashed with red; music in square notation on staves of 4 red lines. A gothic cursive hand (s. XV) entered several notes on the recto, upside down, when leaf was a pastedown, including "Averrois commentator cum titulos fidei voluit probare rationibus nec potuit quare apostata in fede factus est"; "Sanctus Vincentius ordinis predicatorum habuit illum donum gratie, quod loquebatur suo sermone intelligibatur ab omnibus hominibus diversarum nationum." Used as a pastedown in binding: the verso is badly rubbed.
Used as a pastedown in binding; the recto was pasted. While the leaf was a pastedown, a gothic cursive hand, using grayish ink, entered a text in German between the lines, on the verso, 15th century.
Agreement for dance performance by Isadora Duncan under the management of Direktion Vereinigter Künste for the evening of March 6, Albert Halle, Leipzig. Signed by Edward Gordon Craig for Direktion Vereinigter Künste, [illegible signature] and Sally Liebling for Concertdirection Jules Sachs, 21 February 1906.
Contract for dance performances by Isadora Duncan for the evenings of November 5, 8, 10 and 12. Signed by Raymond Duncan (in blue ink) and representative [illegible] for Kaimsaals zu München, April 1904. With note in pencil, upper right, "I. Duncan, Paris, Hôtel Continental."
Contract for performances by Isadora Duncan, December 28 and 29, 1904. Signed by Elizabeth Duncan for Isadora Duncan, Berlin, 14 November 1904, and representative [illegible] for Central-Théaters, Dresden, 17 November 1904.
Agreement for dance performance by Isadora Duncan on March 16. Signed by Augustin Duncan for Isadora Duncan, Berlin, 18 February 1905, and by Emil [illegible] and Sally Liebling, no date.