The Women Against Violence Against Women(WAVAW) Collection is a mixture of papers and organizational records, publications, ephemera and audio-visual materials collected by organization member Dani Adams (national office in Los Angeles). Of particular interest are the internal memos and complete run of national newsletters produced by the Los Angeles Chapter for national chapter distribution and slides and scripts from the WAVAW slide show, the presentation that chapter members showed to audiences nationwide. There is also extensive coverage of WAVAW's actions against the film "Snuff" and the Rolling Stones's "Black and Blue" advertising campaign and national boycott of Warner Communications, Inc. (WCI).
This digital collection will include 4,375 photographic prints from the archive, reflecting this important period in Ghanaian history with images of political figures and events, the processes of industrialization, and ceremonial and daily life in communities throughout Ghana following independence.
William Starke Rosecrans (1819-1898) commanded the Army of the Cumberland during the Tullahoma campaign and at the battles of Stone's river and Chickamauga during the U.S. Civil War. After the war, he moved to Los Angeles, California and became an advocate for railroad building and Mexican trade in the West before being appointed as the U.S. Minister to Mexico (1868). He later served in the U.S. Congress (1881-85), and as the Register of the U.S. Treasury (1885-93). The collection consists of correspondence, papers, diaries, accounts, photographs, maps, realia, and related printed material of Major General William S. Rosecrans and his family. The papers cover nearly a century of American history and are comprised of materials from three generations of the Rosecrans family.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Digitization of the field recordings was made possible by a generous grant from the Grammy Foundation. The D.K. Wilgus Folksong Collection consists of approximately 8,000 commercially recorded albums of traditional music, song, and narrative as well as 1,000 field-recorded tapes.
W. Graham (Walford Graham) Robertson (1866-1948) was a dramatic author, and author/illustrator of several books, including: Pinkie and the fairies (1908), A masque of May morning, Gold, Frankincense and myrrh, The slippers of Cinderella, and The town of the Ford. The collection contains scrapbooks of clippings about Robertson's work, and photographs of Robertson and actors and actresses such as George Alexander, Ellen Terry, and Mrs. Patrick Campbell.
Henry Hebard West was a Los Angeles resident, Southern Pacific Railroad employee, and candid photographer. His photograph album contains images of Los Angeles and vicinity, but also includes many photos of travels to Northern California, the Midwest, and New England. Most of the photos are portraits of the West family in Los Angeles, where they lived at 240 S. Griffin Avenue, in a house built by the photographer's father. The photos provide a first-hand look at the architecture, interior decoration, furniture, clothing, hair styles, and transportation of the period. They document the life of the West family over a span of forty years, as they age, marry, raise children, enjoy outings to nearby city parks, beaches, hotels, and missions, and vacation together in Northern California, returning again and again to places like Yosemite, Silver Lake, Gem Lake, June Lake, Convict Lake, and Minnelusa to camp; sled; hike; trout fish; and hunt deer, rabbits, doves, and sage hens.
Collection of approximately 800 digitized photographs and other items collected by Walter L. Gordon, Jr. and given to William C. Beverly, Jr., who donated the collection to UCLA. Collection includes photos given to Walter by his former boss, Charlotta Bass, publisher of the California Eagle, as well as other photos he collected. Photos largely depict African American social life and family life in 1940s Los Angeles and feature celebrities, athletes, politicians, lawyers, and other notable people of the era.
This collection includes Mau’s Swahili poetry and sermons that reflect on education, social justice, morality and piety. The collection also includes his memoirs which reflects his thirst for knowledge and his social commitment.
The Uplifters Club was founded in Dec. 1913 at the Los Angeles Athletic Club by Harry Marston Haldeman and a small group of business and professional men; acquired a country home in Rustic Canyon; activities included monthly dinner meetings, polo games, annual outings, and organized entertainment at which stage and screen celebrities performed; the Club ended in 1947. Includes minute books, miscellaneous financial, real estate, and other records, photographs, copy photographs, clippings, and ephemera relating to Rustic Canyon.
A collection of declassified satellite images of major cultural regions in China. These images are from the United States Corona Satellite program, which was a reconnaissance imaging program that focused on photographing the Soviet Union and China Flight missions span from the early 1960s to the middle 1970s. These images were obtained from USGS by Dr. Li Min with the support of a UCLA Office of Instructional Development teaching enhancement grant for designing and teaching the class "Archaeological Landscapes of China" in Anthropology and Asian Languages and Cultures.
The personal collection of Tomás Olivera documents the history of the Afro-Uruguayan population from 1960 to 2005. Digitization of this collection addresses the absence of Afro-Uruguayans from existing archives in Uruguay. Digitization was completed by the Archivo Sociedad en Movimientos.
From 1969 to 1974, Martin Thrope was a member of the of the team at Bolt Beranek and Newman (BBN), that implemented the ARPANET, the precursor to the Internet. His papers detail the BBN company of that time, and his work developing procedures for reports of network outages, installing Interface Message Processor (IMP) systems at various sites around the country, and designing specialized interfaces to connect a variety of host computers to the IMPs for connection to the ARPANET.
This collection includes 3,300 audio recordings that document Mexican social movements and indigenous cultures through the voices of social activists, peasants, native (indigenous) Mexicans, musicians, traditional physicians, and guardians of traditional culture. The original field and studio recordings were collected throughout Mexico by Ricardo Montejano between 1970 and the present. These audio recordings document political and cultural realities of Mexican people.
The Photo Jack collection, held by the Arab Image Foundation (Lebanon) comes from the Studio Photo Jack, and includes different photographic practices ranging from photo surprise in public space to reportage from private events. The images show the diversity of northern Lebanon and its communities across religious, ethnic, cultural and class lines.
Collection contains manuscripts of several of Williams' published and unpublished plays, play fragments, short stories, screen scenarios, and poems. Includes transcripts of early versions of Sweet Bird of Youth and The Night of the Iguana. Also includes uncorrected proofs and galleys of Gilbert Maxwell's book, Tennessee Williams and Friends (1965).
Kango Takamura (1895-1990) was an photo retoucher for RKO Studios in Los Angeles when Pearl Harbor was attacked by the Japanese Imperial Navy. He was detained by the FBI in 1942 after offering to sell a motion-picture camera to a visiting Japanese general. He was incarcerated at Santa Fe, New Mexico for several months and then moved to a camp at Manzanar, California, where he joined his wife, daughter, son-in-law and granddaughter. He remained at Manzanar with his family until 1945. While at Manzanar, Takamura depicted his surroundings in drawings and watercolors. He also worked as a camp sign-maker at Santa Fe and as curator for a small museum at Manzanar. After the war, he returned to Hollywood and worked at RKO Studios for another twenty-five years before retiring. The collection consists of 77 watercolor paintings produced during World War II while Kango Takamura was detained at the Santa Fe Internment Camp, New Mexico, and the Manzanar Internment Camp, California. Also included are paper mounts and one photographic reproduction of a painting.
Susan Sontag (1933-2004) was an American writer, director, and political activist. She authored numerous essays, short stories, novels, and non-fiction books, as well as films and plays that she also directed in the United States and abroad. The recipient of many honors and awards throughout her life, Sontag's works have been translated into over thirty languages. The contents of the Susan Sontag Papers reflect her intelligence, energy, and the seamless integration of her wide-ranging interests in her work and life. In addition to notes, research, and manuscript material related to her writing, theatre, and film projects, the collection includes the following: personal and professional correspondence; journals; schoolwork; teaching material; ephemera and correspondence related to her public appearances, institutional involvement, and political activism; publicity and press; highlights from her library; personal and professional photographs; personal materials including calendars and notes; along with digital materials. The digital materials include drafts for published and unpublished works, contact lists, lists of her favorite words, books, restaurants and more, and email correspondence regarding travel plans and world events.
Stuart Z. Perkoff (1930-1973) was a Beat era poet living in Venice, California. The collection consists of his manuscripts and 46 handwritten journals.
The material encompasses three periods of Brazilian history: the onset of the military dictatorship (1964), democratization (the 1980s) and the deepening of Brazilian democracy (from the 1990s onwards). Digital access to this collection will enrich the understanding of the deterioration of democracy in present-day Brazil.
The Armenian Soviet Posters Collection comprises Soviet Era propaganda posters covering a variety of subjects, from arts and culture to industry and science. These posters translate and re-imagine the ideology and the agenda of the Soviet Union for Armenian society.
The Southern California Women for Understanding Collection contains the operational records of Southern California Women for Understanding (SCWU), one of the earliest lesbian non-profit educational organizations in Los Angeles, California.
SOUL Publications was established in 1966 in Los Angeles by Regina and Ken Jones. The impetus for SOUL was the Watts Riots, which inspired local newsman Ken Jones to develop a vehicle for documenting and expressing the African American perspective in a self-representative way. Equipped with his vision and the industrious drive of his wife, Regina Jones, the company initially focused on providing promotion and recognition for Black musicians, who received scant publicity at that time. Its publications grew to include other aspects of Black cultural production, including film, television, literature, and the visual arts.
The collection contains correspondence, publications, publicity materials, radio scripts, office records, a transcript of the Sleepy Lagoon trial, and research materials including articles about Mexicans and Mexican Americans in Los Angeles. Portions of the collection are in Spanish.