This collection includes one Early Italian manuscript, 'Medici Antiqui,' published ca. 1547, with annotations by Nicolas de Nancel and Michel de la Vigne, two 16th-century French physicians and scholars.
This collection includes digitized negatives created by field experts and professional photographers during research surveys between 1966 and 1990. The images document heritage buildings in various Indian states (Jammu and Kashmir, Karnataka, Tamil Nadu, Andhra Pradesh and Telangana, Chhattisgarh and Madhya Pradesh, Odisha, Uttar Pradesh, etc) that are decayed, damaged, or inaccessible. Also included are images of rare terracotta sculptures unearthed in excavations conducted at archaeological sites in Jammu and Kashmir, Punjab, Bihar, Haryana, Uttar Pradesh, West Bengal, and Karnataka, and a collection of miniature paintings commissioned by Mughal and Rajput patrons during the 16th to the 19th centuries in Uttar Pradesh, Rajasthan and Himachal Pradesh.
The Albanian National Film Archive (AQSHF) has digitized a curated selection of materials from the photographic and graphic art collections that includes costume and set design sketches, animation slides and production stills, allowing viewers to trace the journey of Albanian visual artists.
Aldous Leonard Huxley (1894-1963) was a prolific writer of novels, essays, poetry, criticism, and screenplays. The Aldous Huxley Papers portion of the collection consists correspondence between Aldous Huxley and publishers Harper & Row, personal correspondence, holographic notes, literary manuscripts and personal effects. Laura Archera Huxley (1911-2007) was a musician, author, psychological counselor and lecturer. The materials in the collection that comprise the personal papers of Laura Archer Huxley include personal correspondence, holographic and typewritten notes, manuscripts, collected articles and clippings and interviews. As well, there are photographs and audiovisual recordings of both Aldous Huxley and Laura Archera Huxley.
Maud Allan (1883-1956) was a interpretive dancer. She made her performing debut in Vienna (1903) and was best known for her solo performance in The vision of Salome (1908). She toured India (1913), Southeast Asia (1913 and 1923), South America (1919-1920), and the U.S. The collection contains manuscripts, photographs, postcard albums, books, ephemera, and a scrapbook related to Allan's life and career.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Collection consists of mostly subject files containing manuscripts, published articles, clippings, and research material related to Andrew Hamilton's writing, his service in the U.S. Navy during World War II, and his career as UCLA Public Affairs officer. The papers mainly comprise clippings, articles and other research materials for Andrew Hamilton's writing but also include records relating to his service in World War II as a Navy public information officer with Fleet Admiral Nimitz in the Pacific. He was a UCLA graduate of the Class of 1935 and held the position of Public Affairs Officer for many years prior to his retirement from the university in 1975. He contributed as a freelance writer to a number of national magazines and was for some time a reporter and feature writer for the Los Angeles Times.
The Arab Image Foundation (AIF) has selected a collection for digitization that represents a large range of photography methods-- from commercial studio use by professionals to personal use (e.g. family shots) by non-professionals. The materials represent a visual and social history of Lebanon and the Middle East that showcases the diversity and complexity of cultural practices captured via photography. Through the AIF's digitized work, users can access not just the practice of photography in Lebanon, but also a wider range of concepts representations of self-image, intimacy, domesticity, and the development of modernity in Lebanon. This collection contextualizes these ideas through visualizations of tension between private and public space within and outside of Lebanon, including countries such as Syria, Egypt, Iran, and Iraq. Lebanon’s current socioeconomic crisis has caused a rift in social unrest and has put cultural heritage, such as this collection, at risk of damage or loss of access. The AIF’s work to preserve these photographic materials is absolutely essential and will allow users to explore spaces throughout Lebanon and in a variety of other countries.
Ryichir Arai was born in 1855 and came to New York in 1876 to start the direct export of silk. Ryichir Arai, Toyo Morimura, and Morimoto Sato were founders of Japanese American Trade, and they promoted closer relations between Japan and the United States. Yoneo Arai, son of Ryichir Arai, has served as Resident Representative of The Tokio Marine & Fire Insurance Company, Ltd. United States Fire Branch, a director of Japan Society, Vice president of the Japan Society, and Chairman of the Board, Yamaichi Securities Company of New York., Inc. The collection consists of personal and business papers of Ryichir Arai and his son, Yoneo Arai. They also include Arai family photographs. Portions of this collection are in Japanese.