This collection of ledgers and business records from the Ibicaba Farm documents the economic system of agricultural labor in Brazil that ultimately consolidated mass immigration. Starting in the 1840s, plantations in southwestern Brazil experiment with European immigrant labor co-existing with the enslaved black population. The Ibicaba Farm was a pioneer in such process and this collection tracks the development of this system. The digitized ledgers provide access to data relevant to labor history; economics of contractual design; sociology of immigration; political history of labor and immigration to Brazil; and cultural life in a plantation-based society following the transition from slavery.
The content revolves around the farm’s administration, daily life, and economic production. The accounting books, for instance, include information about laborers’ daily activities, productivity under various contracts, workers’ remunerations, and livelihoods. Such content will present a part of history of both Brazilians and immigrant workers of various nationalities. This is especially valuable to any descendants of the farm workers who seek to explore their ancestry.
This collection includes 895 editions of the Humun Bichig newspaper, the only newspaper still published in the traditional Mongolian script today. The collection covers the period 1992 - 2013, documenting the transition of the nation of Mongolia from socialist era to democracy and market economy. The collection also reflects the nationwide attempt to get rid off the Russian Cyrillic script and shift back to the traditional Mongolian writing system.
Hugo Ballin (1879-1956) was born in New York City. He began his Hollywood career creating motion picture sets for Samuel Goldwyn and later worked as a director and producer. He ultimately gave up his film career to focus on art and writing. The collection consists of original paintings and drawings by Ballin, correspondence, literary manuscripts, books, clippings, and photographs.
Isadora Duncan (1877-1927) was a modern dance pioneer influenced by Walt Whitman, Emerson and American Transcendentalism. She first gained recognition and support for her work after moving to London (1899). In 1904, she met Edward Gordon Craig, and they worked and toured together for three years. Later, she opened a school of dance for children in Bellevue near Paris (1914), and another in Moscow (1921). She continued to dance until her accidental death in 1927. Howard M. Holtzman (1921-1990) was a poet, lawyer and collector. His interest in Isadora Duncan began when he read her memoirs and sought to explore and document the influence of her artistic expression on the history of art. Recognizing the role that certain relationships, both personal and artistic, came to play in shaping her artistic development, Holtzman collected materials that reflect others' influences on Isadora, documented the impressions of many people who had seen her perform, and acquired the Edward Gordon Craig material in this collection. The collection consists of Isadora Duncan's business and personal papers, primary writings, and material about her. There are also materials by and about Edward Gordon Craig, Raymond Duncan, and Ellen Terry. Materials include dance programs, business correspondence, writings by Isadora Duncan, photographs, objets d'art created by her brother Raymond, research materials compiled by her biographer, Allan Ross Macdougall and collector Howard Holtzman, correspondence between Howard Holtzman and Irma Duncan, and programs and photographs of other dancers who influenced or were influenced by Isadora Duncan.
The collection consists of manuscript scores (holographs or copies) and open reel tapes of music composed by Herschel Gilbert for television series and motion pictures, and includes some related materials such as parts, cues, lyrics sheets, and sketches.
Harry French Blaney was a civil engineer who worked for the U.S. Department of Agriculture (USDA) (1917-1962), was a research associate in the Department of Irrigation Research and Soil Science at UCLA (1962-1965) and served in the Department of Engineering and Water Resource Center (1965-1973). He authored many publications on the consumptive use of water, irrigation, evaporation and water supply.
Yu-shan Han (1899-1983) taught at the History Department, UCLA (1941 to 1966). The collection consists of 24 histories of academies in China published between 1684-1910, a printed text of the Diamond Sutra (1798), a set of original woodblocks for the Diamond Sutra, imperial examination papers (1646-1904), imperial edicts, and manuscript scrolls.
