Property rights to the physical object belong to YRL Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The Regents do not hold the copyright.
McAfee was born in Houston, Texas, in 1883; emigrated to Mexico in 1906 as employee of the Compañía Mexicana de Peteo El Aguila, S.A.; began studying the Nahuatl language in 1907 under John H. Cornyn with whom he jointly authored several studies; after Cornyn's death in 1941, McAfee collaborated with Angel María Garibay K. and Robert H. Barlow; became an acknowledged expert in Nahuatl studies and published widely.Byron McAfee (1883-1966) was born in Houston, Texas, and emigrated to Mexico in 1906 as an employee of the Compañía de Petróleos El Aguila. Shortly thereafter, he joined a Nahuatl study group at the Benjamin Franklin Library in Mexico City where he made contacts with scholars such as Robert Barlow, Miguel Leon Portilla, John H. Cornyn and Doña Luz Jimenez (a noted native Nahuatl consultant, also known as Julia Jimenez Gonzalez). McAfee became known as a prolific ethnohistorian and Nahuatl linguist through his research collaborations with Cornyn, and publications of several studies. After Cornyn's death in 1941, McAfee collaborated with noted scholars such as Angel María Garibay K. and Robert H. Barlow, and maintained friendships with Mexican intellectuals such as Alfonso Caso and Manuel Gamio.
In 1965, L. G. Roberts (Lawrence G.) successfully implemented the first computer-to-computer packet link between MIT and Systems Development Corporation (SDC). In 1966, Roberts became the chief scientist and in 1967 the director of the Information Processing Techniques Office (IPTO) of the Advanced Research Projects Agency (ARPA), later renamed the Defense Advanced Research Projects Agency (DARPA) of the United States Department of Defense (DoD). As director, Roberts was responsible for designing and managing the implementation of the Advanced Research Projects Agency Network (ARPANET) computer communications network, a research packet switching computer communications network that was the precursor to the internet. The collection contains the professional and research files of L. G. Roberts dating from 1962 to 2009 and includes publications; notes written by Roberts concerning the development of the Advanced Research Projects Agency Network (ARPANET); notes on the internet and on networked computing more broadly; professional correspondence.
Michael Allen Wingfield, former UCLA engineering graduate student, was part of a team responsible for installing the Interface Message Processor (IMP) and creating the first Advanced Research Projects Agency Network (ARPANET) node at the University of California, Los Angeles. He designed the hardware interface linking the Scientific Data Systems (SDS) Sigma 7 computer at UCLA with an IMP to connect to the ARPANET in 1969, making UCLA the first site to receive an IMP. He also implemented Transmission Control Protocol/Internet Protocol (TCP/IP) for Unix, a family of multiuser computer operating systems, in 1979. His papers detail the design specifications of the IMP for ARPANET and the TCP/IP source code for UNIX, and include: handwritten notes, manuals, specifications, computer printouts, and photographs.
From 1969 to 1974, Martin Thrope was a member of the of the team at Bolt Beranek and Newman (BBN), that implemented the ARPANET, the precursor to the Internet. His papers detail the BBN company of that time, and his work developing procedures for reports of network outages, installing Interface Message Processor (IMP) systems at various sites around the country, and designing specialized interfaces to connect a variety of host computers to the IMPs for connection to the ARPANET.
Corinne Seeds (1889-1969) was the principal of the Training School of the University of California, Southern Branch (1925). In 1929, the school was renamed the University Elementary School (UES), and in the late 1940s, the school moved to the UCLA campus with the first permanent UES buildings opening in 1950. She retired in 1957. In 1982, the school was renamed the Corinne A. Seeds University Elementary School in her honor. The collection consists of biographical and historical materials, scrapbooks, sample units of work, publications and studies, and photographs relating to Seeds' work at the UCLA University Elementary School.
Welton Davis Becket (1902- ) was a Los Angeles based architect with Becket, Wurdeman, and Plummer (later renamed Welton Becket and Associates) - one of the largest firms in Los Angeles with building credits throughout the world. He also served as the Master Planner and Supervising Architect for UCLA from 1949 to 1969. After Becket's death, the firm continued under the same name, directed by his nephew, MacDonald Becket. Around 1985, the firm was acquired by Ellerbe Incorporated to become Ellerbe Becket. The collection consists of photographs related to the work of the Welton Becket & Associates architectural firm. Most of the photographs represent projects in and around the Los Angeles area and include examples of both residential and commercial buildings with interior and exterior views.
James Dalton Trumbo (1905-1976) was a screenwriter who became one of the Hollywood Ten and was blacklisted by the motion picture industry (1947). He was one of the first blacklisted writers to emerge from the underground when he received screen credit for his work on the 1960 releases of Spartacus and Exodus. The collection consists of materials related to Trumbo's career as a screen writer and novelist. The majority of material in the collection includes scripts, correspondence, manuscripts, clippings, and notes.
Collection consists of mostly subject files containing manuscripts, published articles, clippings, and research material related to Andrew Hamilton's writing, his service in the U.S. Navy during World War II, and his career as UCLA Public Affairs officer. The papers mainly comprise clippings, articles and other research materials for Andrew Hamilton's writing but also include records relating to his service in World War II as a Navy public information officer with Fleet Admiral Nimitz in the Pacific. He was a UCLA graduate of the Class of 1935 and held the position of Public Affairs Officer for many years prior to his retirement from the university in 1975. He contributed as a freelance writer to a number of national magazines and was for some time a reporter and feature writer for the Los Angeles Times.
Henry Fitzgerald Heard (October 6, 1889-August 14, 1971) was interested in parapsychology, Vedanta, philosophy, and religion. He took honors in history at Cambridge, 1911, where he also did his postgraduate work in philosophy of religions. He lectured at Oxford University and on the radio and wrote Ascent of Humanity. He later founded Trabuco College as a center for spiritual studies. As Gerald Heard, he wrote philosophical works such as The Emergence of Man and The Creed of Christ. Under the name H.F. Heard, he wrote mysteries. The collection consists of Heard's manuscripts of published and unpublished books, correspondence, tape recordings of Heard's lectures, lecture notes, articles, books from Heard's library, photographs, and ephemera. It also includes manuscripts by others as well as an oil painting of Heard by Aldous Huxley (1933).
Richard Bentley (1794-1871) worked at his brother Samuel's printing shop. He published a series of 127 volumes known as standard novels and retired in 1867, after which his son George Bentley (1828-95) ran the business. His grandson, Richard Bentley, (1854-1936) ran the business for five years until its dissolution in 1898. The collection consists of correspondence, manuscripts, business records, catalogs, and ephemera related to the activities and literary associations of Richard Bentley and his publishing firm, Richard Bentley and Son.
Kenneth Macgowan (1888-1963) was a drama critic for newspapers and magazines, a publicity director, producer and director with the Actor's Theater (1927-29), and the first department chair at the UCLA Theater Arts Department (1946-58). He was also interested in the anthropological field of archaeology. His publications include The theater of tomorrow (1921), Footlights across America (1929), Early man in the new world (1950), and Behind the screen: the history and technique of the motion picture (1965). The collection consists of materials related to Macgowan's careers in theater, motion pictures, and academia as well as material related to his interest in anthropology.
This collection includes videos from 396 film containers from the collection of the news program “El Mundo al Día,” a daily news broadcast from 1954 to 1996 on the first television channel of the Dominican Republic. Recordings of the show, preserved on 16 mm film reels, document significant historic events during the Cold War in the Dominican Republic, including the coup d'état that led to a civil war and the military intervention of the United States on Dominican territory in 1965; Joaquín Balaguer's 12-year regime, marked by persecution and political assassinations; and the popular uprising known as "La Poblada de Abril de 1984" against the government of Salvador Jorge Blanco where hundreds of people died. The collection covers the period from the 1950s - 1980s.
The Henry Miller Papers consist of correspondence, manuscripts, printed materials, film, audio recordings, and artwork that document Henry Miller's life and career as a writer and painter. The collection contains a large body of correspondence, primarily from Miller's friends, fans, and members of his artistic and literary circles, including Brassaï, Blaise Cendrars, Lawrence Durrell, Alfred Perle's, Abraham Rattner, Anaïs Nin, Bezalel Schatz, and Jean Verame. Of particular interest are the original manuscripts for many of Miller's books, essays, articles, and reviews that span the whole of his career as a writer, including several early, unpublished manuscripts dating from the late 1920s. The collection also includes a large selection of original watercolors by Miller and artwork given to Miller by friends and prominent artists, including Man Ray, Abram Krol and Gyula Zilzer. Other significant materials include legal documents related to court proceedings involving the publication of Tropic of Cancer, ephemera documenting Miller's publications and art exhibitions, copies of films of or related to Miller, sound recordings of Miller reading from various works including Tropic of Capricorn, and photographs of Miller and his art.
Correspondence, clippings, photographs, certificates, awards, letters of citation and related printed material concerning the activities of Taylor as Director General of El Salvador Agriculture and developer of rubber in the United States. Also included are 14 scrapbooks, reports, etc. with manuscripts and memorabilia kept by Taylor as Superintendent of Horticulture and Director of Concessions at the Buffalo Exposition, 1901. This is arranged under such headings as: annals, McKinley assassination, horticulture, concessions reports, foods and their accessories, and reports of the agricultural and horticultural division.
The KTLA Newsfilm Collection held at the UCLA Film & Television Archive represents a significant resource for researchers interested in Los Angeles news and local coverage of national events. KTLA has been a prominent independent television station in the Los Angeles area for more than 60 years, with the scope of the KTLA Newsfilm Collection at UCLA primarly encompassing the period of the late 1960s through the end of the 1970s. Despite the growing prominence of television news during this era, many local broadcasters did not fully recognize the long-term historical value of their newsfilm collections, and the industry discarded much local TV news footage, making the surviving KTLA newsfilm collection at UCLA a unique and vital moving image resource for research.<br/><br/>
This curated collection of 65 KTLA newfilm holdings documents a selection of people, places, and issues relevant to marginalized communities in Los Angeles between 1970 and 1980. Marked by the international trauma of the devastating war in Vietnam and the national political upheaval of Watergate, this period saw great strides in social movements for equality for marginalized communities and continued legacies of institutionalized oppression, discrimination, and prejudice. The news segments selected for the Diverse Communities of Los Angeles (1970-1980) KTLA Television Newsfilm project are intended to help illuminate the challenges facing marginalized communities and related public policies during this critical period in Los Angeles history.
The collection consists of diaries, correspondence, manuscripts, cassette and reel-to-reel tapes of lectures and speeches, film appearances, printed items and memorabilia related to diarist and writer Anaïs Nin. Many of the diaries include letters, photographs, theatre programs, clippings, ephemera and memorabilia tipped and laid in. Some of the correspondents include Hugh Guiler, Rupert Pole, Lawrence Durrell, Henry Miller, Gore Vidal, James Leo Herlihy, Felix Pollak and Alan Swallow.
Ruth St. Denis (1879-1968) was a modern dance pioneer who combined spirituality and dance. Throughout her career, St. Denis's dances were greatly influenced by eastern culture and religion. In the later years of her career, Christian themes were also explored and depicted in her works. Her papers include handwritten journals, personal and professional correspondence, essays, poems, lectures, choreographic notes, musical scores, dance programs and ephemera, photographic prints, reel-to-reel audio recordings, books from her personal library, and business materials. The collection spans the majority of her life, though the bulk of collection derives from the 1920s to her death in 1968.
Collection consists of Hebrew manuscripts, including Kabala (mysticism), prayer books, poetry, synagogue records from the Jewish community of Ancona, Italy, printed official documents relating to the Jews of Ancona, and about 50 Italian manuscripts.
W. Graham (Walford Graham) Robertson (1866-1948) was a dramatic author, and author/illustrator of several books, including: Pinkie and the fairies (1908), A masque of May morning, Gold, Frankincense and myrrh, The slippers of Cinderella, and The town of the Ford. The collection contains scrapbooks of clippings about Robertson's work, and photographs of Robertson and actors and actresses such as George Alexander, Ellen Terry, and Mrs. Patrick Campbell.
This collection consists of glass photonegatives, glass positive transparencies, and black & white photographic prints of the photographer C.C. Pierce (1861-1946). The subject matter primarily covers Los Angeles and the surrounding vicinity.
Paul Rotha (1907-1984) was a film critic, documentary filmmaker, and movie director. The collection consists of materials related to Rotha's documentary and feature films and Rotha's books on the cinema.
Collection consists of posters issued chiefly by the Jewish National Fund to encourage diaspora Jews to travel to Israel and to support Israel financially and politically. The posters cover topics such as agriculture, land reclamation and settlement, holidays and celebrations, and campaigns. They are in full color with texts in Hebrew, English, French, and Spanish.
Collection of approximately 800 digitized photographs and other items collected by Walter L. Gordon, Jr. and given to William C. Beverly, Jr., who donated the collection to UCLA. Collection includes photos given to Walter by his former boss, Charlotta Bass, publisher of the California Eagle, as well as other photos he collected. Photos largely depict African American social life and family life in 1940s Los Angeles and feature celebrities, athletes, politicians, lawyers, and other notable people of the era.
Collection consists of posters on topics covering politics, religion, popular music, general health education, HIV/AIDS, tourism, commercial advertisement, film and television, sports and culture. The posters are mostly in full color with texts featuring Amharic, English, French, Italian, Arabic, Oromo, and Swahili languages in 3 scripts: mainly in Ethiopic and roman, with some also in Arabic.
The bulk of the collection consists of photographs of the Fenner, Marshall, and Fraser families as well as their friends. The rest of the collection includes memorabilia of Hollywood High School and the city of Hollywood (1928-1941), UCLA yearbooks and memorabilia (1942-1944), manuscripts of family records, items collected by members of the Marshall family, writings of Virginia Fraser and Asenith Smith, newspaper clippings of the Johnstown flood (1889) and Will Rogers, books collected by the Marshall family, as well as Marshall family correspondence with family and friends.
This collection contains motion picture stills and key book photographs created by Columbia Pictures mostly from 1932 to 1959. Included are portrait photos, publicity photos, fashion stills, movie stills, and off-camera photographs showing various aspects of production filming. The subjects of the portrait images include actors, writers, directors, producers, composers, lyricists and others engaged in film production. The images are taken from nitrate negatives and corresponding photographic prints, with front and reverse views. The reverse sides of many prints bear date stamps, A.A.C. (Advertising Advisory Council) stamps, press tags, and handwritten notes including names of people involved in publicity and titles of film fan magazines.
The Archive of the Diocesan Curia of Nova Iguaçu (ACDNI) is the historic center of the progressive Catholic Church in Brazil throughout the military dictatorship. Throughout its lifetime, the archive has collected resources vital to the study of human rights, social movements, resistance to authoritarianism, and liberation theology. The collection is comprised of 475 linear feet (145 linear meters) of printed materials dating from 1948 to 2015. Most notably, the collection includes the institutional documentation of the Diocese as well as materials produced and received by Dom Adriano Mandarino Hypólito, the third bishop of Nova Iguaçu and one of the Church’s leaders in the struggle against the military dictatorship.
This digital collection will include 4,375 photographic prints from the archive, reflecting this important period in Ghanaian history with images of political figures and events, the processes of industrialization, and ceremonial and daily life in communities throughout Ghana following independence.
This collection includes digitized negatives created by field experts and professional photographers during research surveys between 1966 and 1990. The images document heritage buildings in various Indian states (Jammu and Kashmir, Karnataka, Tamil Nadu, Andhra Pradesh and Telangana, Chhattisgarh and Madhya Pradesh, Odisha, Uttar Pradesh, etc) that are decayed, damaged, or inaccessible. Also included are images of rare terracotta sculptures unearthed in excavations conducted at archaeological sites in Jammu and Kashmir, Punjab, Bihar, Haryana, Uttar Pradesh, West Bengal, and Karnataka, and a collection of miniature paintings commissioned by Mughal and Rajput patrons during the 16th to the 19th centuries in Uttar Pradesh, Rajasthan and Himachal Pradesh.
Nnamdi Azikiwe, (1904-1996) was the first president of independent Nigeria (1963–66). His personal papers include a draft of his memoirs, state papers from his presidency (1960-1966), and political material related to the Republic of Biafra. These collected papers are currently held in his family's home in Nsukka, Nigeria. This digital collection includes these materials as well as records from Azikiwe's two presidential campaigns in 1979 and 1983.
The Instituto de Lengua y Cultura Aymara’s archive on the Aymara language and culture from the mid twentieth century to the present was collected in Bolivia, Chile and Peru. Materials include early pamphlets and newspapers, fieldwork recordings including speech and songs, fieldwork notes and transcriptions, documentation on Aymara regional variants, and teaching materials, some concerning intercultural bilingual education in Bolivia and elsewhere.
This collection includes materials related to the critically endangered Vaihoho sung-stories of the Fataluku people of Timor-Leste. Vaihoho are considered the Fataluku’s most valued repertoire, as the major form of their continuing oral tradition. From 1999-2014, cultural leader Justino Valentim (deceased), recorded a significant amount of vaihoho material. Up until 2019 this handwritten collection was stored in exercise books at his family home. In danger of vanishing with the last of the knowledge-holders, the collection was digitally recorded and archived, to honour Justino Valentim’s intention to keep the oral tradition alive for future generations so they would know their own culture. The collection consists of 17 sung poems gathered from Fataluku communities across the Lautem region of Timor-Leste and 5 Fataluku language dictionaries. Digitized as part of the Modern Endangered Archives Program. Projetu ne'e apoia prezervasaun Kantigu vaihoho ema Fataluku iha Timor Leste neebe amiasadu atu sai lakon. Vaihoho hanesan patrimoniu ho neebe valor as liu husi ema Fataluku, nomos nu'udar forma boot ida husi sira-nia tradisaun orál ne'ebé la'o nafatin. Husi tinan 1999-2014, lider kulturál Justino Valentim (matebian) rejista materiál vaiho barak. To'o tinan 2019, koleksaun vaihoho neebe rekolla iha livru sira ne'e rai iha nia família nia uma. Tamba amiasadu atu lakon ho ema matenek-na'in sira-nia istória ikus, Dadus neebe rekolla no grava digitalmente hodi arkiva atu fó onra ba Justino Valentim nia intensaun atu mantein tradisaun orál ne'ebé moris ba jerasaun futuru atu nune'e sira bele hatene sira-nia kultura rasik. Keleksaun ne'e kompostu husi kantigu poema 17 rekolla husi komunidade Fataluku iha rejiaun Lautem no disionáriu lian Fataluku 5.
The Barbados Ephemera Collection includes over 1000 objects that cover the decades following the Independence of Barbados (1966) and the subsequent transition from colony to independent state. Items in this collection, now openly available for use by scholars, teachers, Barbadians and others around the world, reflect and document the lives of ordinary people beyond elite voices at a foundational period in the history of Barbados. While items in the collection are specific to Barbados, they address broader global movements of the 20th century, including civil rights struggles, women's rights, identity formation, and political realities. Digitized as part of the Modern Endangered Archives Program.
The Arab Image Foundation (AIF) has selected a collection for digitization that represents a large range of photography methods-- from commercial studio use by professionals to personal use (e.g. family shots) by non-professionals. The materials represent a visual and social history of Lebanon and the Middle East that showcases the diversity and complexity of cultural practices captured via photography. Through the AIF's digitized work, users can access not just the practice of photography in Lebanon, but also a wider range of concepts representations of self-image, intimacy, domesticity, and the development of modernity in Lebanon. This collection contextualizes these ideas through visualizations of tension between private and public space within and outside of Lebanon, including countries such as Syria, Egypt, Iran, and Iraq. Lebanon’s current socioeconomic crisis has caused a rift in social unrest and has put cultural heritage, such as this collection, at risk of damage or loss of access. The AIF’s work to preserve these photographic materials is absolutely essential and will allow users to explore spaces throughout Lebanon and in a variety of other countries.
Richard Josef Neutra (1892-1970) was born in Vienna. He was the city architect for Luckenwalde, then worked as a draftsman-collaborator with Erich Mendelsohn in Berlin before immigrating to the United States in 1923. He worked with Frank Lloyd Wright (1924) before settling in Los Angeles. His most productive years were during 1930s and 1940s. In the 1960s, Richard J Neutra worked in partnership with his son Dion. The collection consists of correspondence both personal and professional belonging to Richard J Neutra as well as his wife Dione Neutra, travel records and sketches, publications, drawings, blueprints, oversized rolled plans, audio recordings, and photographs.
This collection includes 895 editions of the Humun Bichig newspaper, the only newspaper still published in the traditional Mongolian script today. The collection covers the period 1992 - 2013, documenting the transition of the nation of Mongolia from socialist era to democracy and market economy. The collection also reflects the nationwide attempt to get rid off the Russian Cyrillic script and shift back to the traditional Mongolian writing system.
Dr. Louis and Nancy Dupree, husband and wife, spent over fifty years capturing photos of the evolution of physical structures and social life of Afghanistan, documenting the country’s transition from the pre-war era to post-conflict. The late Nancy Dupree gifted the ACKU with this collection of approximately five thousand photographic slides. The images document the nature, architecture, culture, and history of Afghanistan throughout the second half of the twentieth century-- a time when the country was a key location for the Soviet Union and the United States during the Cold War (1947-1991). The photo collection records the destruction and cultural consequences of the war through rare visual materials of Afghan cultural heritage, Kabul architecture, landscapes, archaeological materials, art, and even objects from the Kabul Museum.
From 1976 to 1983, military dictatorship in Argentina overran the population with politically-charged attacks and threats of imprisonment against citizens. In response to this regime, various human rights organizations (HROs) were created. Memoria Abierta is a collective alliance of nine of these HROs that aimed to denounce social injustice and support victims of repression. This online collection includes written works from these groups. The materials document and reflect (1) the history of the HROs and their members, (2) forms of organization and intervention, and (3) the roles that these groups played in a sociopolitical context. The publications include magazines, booklets, newsletters, and newspapers from the 1970’s to today. Publications in the collection include but are not limited to the Magazine of the Permanent Assembly for Human Rights (a newspaper covering politics, human rights, and justice advocacy), Bulletin of Relatives of the Disappeared and Detainees for Political Reasons (a periodic publication on missing persons, human rights violations, and HRO activities), and “Paz y Justicia” (a periodic bulletin on human rights in Argentina and Latin America). These publications allow users to explore the history of the human rights movement as well as the sociopolitical context of organizations and interventions within the movement. The materials contextualize the HRO’s within their foundation histories, the challenges that they faced, and the actions they carried out against injustice. For this collection, Memoria Abierta has selected materials that reflect Argentina’s dictatorial state and its consequences that led to organized resistance. The content is especially significant in light of modern-day right-wing governments regaining presence within and surrounding the country. This political climate has created some set-backs in making accessible Argentina’s grim, repressive history. However, this archive takes a huge step towards highlighting the voices of those that advocated for a more democratic and inclusive system-- an ideology that echoes into the present day. Digitized as part of the Modern Endangered Archives Program.
This digital collection focuses on four personal collections: Raúl Ampuero, Marcelo Croxatto, Sergio Insunza and Patricia Verdugo. These collections includes minutes of meetings, correspondence, brochures, legal documents, press, publications, flyers, posters and audiovisuals.
SOUL Publications was established in 1966 in Los Angeles by Regina and Ken Jones. The impetus for SOUL was the Watts Riots, which inspired local newsman Ken Jones to develop a vehicle for documenting and expressing the African American perspective in a self-representative way. Equipped with his vision and the industrious drive of his wife, Regina Jones, the company initially focused on providing promotion and recognition for Black musicians, who received scant publicity at that time. Its publications grew to include other aspects of Black cultural production, including film, television, literature, and the visual arts.
Collection consists of original photographs and negatives of various 19th and 20th century photographers covering a broad range of subjects and includes portraits, landscapes, panoramic views, cityscapes and buildings from various geographic locations and photographs from various historical periods. A few of these photographs have been digitized and are offered here.
The archive of the Confederación Campesina del Perú (CCP) includes flyers and posters that document the CCP's organization, its national congresses, efforts to incorporate women's groups, correspondence with foreign human rights organizations and political parties. The collection also includes a collection of denunciations by rural people and details from the organization’s support of indigenous communities' efforts to defend their land and autonomy. The archive provides insight into the history of Peru in the 20th Century, including the growth of the radical left, organization of major strikes, and the impact of Shining Path on peasant and indigenous peoples.
Copyright of portions of this collection has been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
