S. Charles Lee was born in Chicago on September 5, 1899; graduated, Technical College, Chicago, 1918; senior architect, South Park Board, City of Chicago, 1918; U.S. Navy, 1918-20; graduated, Armour Institute of Technology, Art Institute of Chicago, 1921; moved to Los Angeles, 1921; opened architectural office, Los Angeles, 1922; designed and built Tower Theatre (1927), Fox Wilshire Theatre and Los Angeles Theatre (1929), Max Factor buildings, Hollywood (1931-35), Fox Florence Theatre (1931), Municipal Light, Water and Power Buildings, Los Angeles (1934-35), Bruin Theatre (1937), Tower Bowl, San Diego (1940), and built several theaters in Mexico City (1942); honored by Royal Institute of British Architects at International Exhibit of Contemporary Architects, London, 1934; began partnership with Sam Hayden, 1948; began development of Los Angeles International Airport Industrial District, 1948; established S. Charles Lee Foundation, 1962; named Vice Consul to Beverly Hills! by President of Panama, 1963; established S. Charles Lee Chair, UCLA Graduate School of Architecture and Urban Planning, 1986; died in 1990.
The vagaries of eighteenth-century publishing have left some lingering confusions about the numbering of the volumes. Although Bernard published nine volumes under the same title, he added the last two (here listed as volumes 8 and 9 of the French edition) as a kind of afterword and numbered them “7, second half” and “8.” None of the translations included these final two volumes, and they have no illustrations by Picart, who died in 1733. We have used the numbering of the volumes in the Getty collection which follows their date of publication. Bernard had his own numbering system, in which the monotheistic religions were numbered 1-5 (here 1 [Jews and Catholics], 2 [Catholics], 5 [Greek Orthodox, Protestants], 6 [Other Protstants, Deists, etc.] and 7 [Islam]) and the religious ceremonies and customs of the “idolatrous peoples” were numbered 1 and 2 (here 3 and 4).
Manuscripts and manuscript leaves, in scripts of the Latin alphabet, ranging from Carolingian minuscule to Burgundian letter and humanist script, written across Europe before 1600 and representing the Latin, Italian, German, Netherlandish, Italian, English, French, Spanish, and Czech languages. Types of manuscripts include liturgical works, collections of sermons and the florilegia used for sermon composition, confessionals and penitentials for pastoral care, vernacular literature such as romances and verse, business and administrative records, including Italian and French land records—charters, cartularies, terriers, and rent rolls dating from the late thirteenth century to the seventeenth.
Recommend for future cataloging/collection management system. If going to scan large number of postcards recommend developing metadata schema that follows University of Delaware model http://fletcher.lib.udel.edu/collections/dpc/index.htm.Specific fields to create: sender's message, addressee, post mark, etc.
The Los Angeles branch of the National Urban League stems from a 1921 organization founded by Katherine Barr and others who attended Booker T. Washington's Tuskegee Institute in Alabama. The league gathered information about racial discrimination against African Americans and other minorities in jobs, health services, and housing; helped develop fair employment programs during World War II, and was active in the formation of the City Human Relations Commission.