This collection includes one Early Italian manuscript, 'Medici Antiqui,' published ca. 1547, with annotations by Nicolas de Nancel and Michel de la Vigne, two 16th-century French physicians and scholars.
This collection includes digitized negatives created by field experts and professional photographers during research surveys between 1966 and 1990. The images document heritage buildings in various Indian states (Jammu and Kashmir, Karnataka, Tamil Nadu, Andhra Pradesh and Telangana, Chhattisgarh and Madhya Pradesh, Odisha, Uttar Pradesh, etc) that are decayed, damaged, or inaccessible. Also included are images of rare terracotta sculptures unearthed in excavations conducted at archaeological sites in Jammu and Kashmir, Punjab, Bihar, Haryana, Uttar Pradesh, West Bengal, and Karnataka, and a collection of miniature paintings commissioned by Mughal and Rajput patrons during the 16th to the 19th centuries in Uttar Pradesh, Rajasthan and Himachal Pradesh.
The Albanian National Film Archive (AQSHF) has digitized a curated selection of materials from the photographic and graphic art collections that includes costume and set design sketches, animation slides and production stills, allowing viewers to trace the journey of Albanian visual artists.
Aldous Leonard Huxley (1894-1963) was a prolific writer of novels, essays, poetry, criticism, and screenplays. The Aldous Huxley Papers portion of the collection consists correspondence between Aldous Huxley and publishers Harper & Row, personal correspondence, holographic notes, literary manuscripts and personal effects. Laura Archera Huxley (1911-2007) was a musician, author, psychological counselor and lecturer. The materials in the collection that comprise the personal papers of Laura Archer Huxley include personal correspondence, holographic and typewritten notes, manuscripts, collected articles and clippings and interviews. As well, there are photographs and audiovisual recordings of both Aldous Huxley and Laura Archera Huxley.
Maud Allan (1883-1956) was a interpretive dancer. She made her performing debut in Vienna (1903) and was best known for her solo performance in The vision of Salome (1908). She toured India (1913), Southeast Asia (1913 and 1923), South America (1919-1920), and the U.S. The collection contains manuscripts, photographs, postcard albums, books, ephemera, and a scrapbook related to Allan's life and career.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Collection consists of mostly subject files containing manuscripts, published articles, clippings, and research material related to Andrew Hamilton's writing, his service in the U.S. Navy during World War II, and his career as UCLA Public Affairs officer. The papers mainly comprise clippings, articles and other research materials for Andrew Hamilton's writing but also include records relating to his service in World War II as a Navy public information officer with Fleet Admiral Nimitz in the Pacific. He was a UCLA graduate of the Class of 1935 and held the position of Public Affairs Officer for many years prior to his retirement from the university in 1975. He contributed as a freelance writer to a number of national magazines and was for some time a reporter and feature writer for the Los Angeles Times.
The Arab Image Foundation (AIF) has selected a collection for digitization that represents a large range of photography methods-- from commercial studio use by professionals to personal use (e.g. family shots) by non-professionals. The materials represent a visual and social history of Lebanon and the Middle East that showcases the diversity and complexity of cultural practices captured via photography. Through the AIF's digitized work, users can access not just the practice of photography in Lebanon, but also a wider range of concepts representations of self-image, intimacy, domesticity, and the development of modernity in Lebanon. This collection contextualizes these ideas through visualizations of tension between private and public space within and outside of Lebanon, including countries such as Syria, Egypt, Iran, and Iraq. Lebanon’s current socioeconomic crisis has caused a rift in social unrest and has put cultural heritage, such as this collection, at risk of damage or loss of access. The AIF’s work to preserve these photographic materials is absolutely essential and will allow users to explore spaces throughout Lebanon and in a variety of other countries.
Ryichir Arai was born in 1855 and came to New York in 1876 to start the direct export of silk. Ryichir Arai, Toyo Morimura, and Morimoto Sato were founders of Japanese American Trade, and they promoted closer relations between Japan and the United States. Yoneo Arai, son of Ryichir Arai, has served as Resident Representative of The Tokio Marine & Fire Insurance Company, Ltd. United States Fire Branch, a director of Japan Society, Vice president of the Japan Society, and Chairman of the Board, Yamaichi Securities Company of New York., Inc. The collection consists of personal and business papers of Ryichir Arai and his son, Yoneo Arai. They also include Arai family photographs. Portions of this collection are in Japanese.
The Fundacja Q Archive aims to counteract the vulnerability of ‘queer memory’ by preserving queer history, including evidence of Polish queer activism from the late 1980s until the present. This digital collection includes community heritage such as photographs, postcards, written personal memoirs, short-run printed materials, zines, personal documents, correspondence, posters as well as internal documents and official records.
The archive of the Confederación Campesina del Perú (CCP) includes flyers and posters that document the CCP's organization, its national congresses, efforts to incorporate women's groups, correspondence with foreign human rights organizations and political parties. The collection also includes a collection of denunciations by rural people and details from the organization’s support of indigenous communities' efforts to defend their land and autonomy. The archive provides insight into the history of Peru in the 20th Century, including the growth of the radical left, organization of major strikes, and the impact of Shining Path on peasant and indigenous peoples.
This digital collection includes documents from the Interdiocese Project for the Recovery of the Historic Memory (REMHI): Never Again. This project was launched in 1994 by the Archbishop's Office for Human Rights (ODHA) of Guatemala and collected documents and testimonies related to the armed conflict in Guatemala (1960-1996). The materials include community reports, eyewitness accounts of massacres, newspaper clippings and additional press materials. These different kinds of documentation reflect a range of themes and topics, including the Communities of Population in Resistance (CPR), the Civil Self-Defense Patrols (PAC), refugees and internal displacement, social violence of the internal armed conflict. The collection also includes photographs that show the first exhumations carried out in the early 1990s, the anniversary of the martyrdom of Monsignor Juan Gerardi Conedera, the Peace Process and Martyrs' Hall.
This digital collection focuses on photographs from multiple collections held at the Archivo Histórico de Tijuana, including materials from the Colección Guadalupe Kirarte Domínguez. Images in the collection document people, buildings, political activism and public events as well as the City’s administrative office.
James Arkatov was born in 1920 in Odessa, Russia and raised in San Francisco, where his father, Alexander Arkatov, owned a photography salon. In 1938, he was invited by Fritz Feiner to join the Pittsburgh Symphony. Later, he joined the San Francisco Symphony with Pierre Monteux, and went on to be principal cellist of the Indianapolis Symphony Orchestra under Fabien Sevitzky. Arkatov returned to California in 1946 as a studio musician and was later appointed principal cellist of the NBC Symphony Orchestra. In 1956, he married Salome Ramras Arkatov.
In 1968, he founded the Los Angeles Chamber Orchestra (LACO) and was its first principal cellist. According to LACO: "The Los Angeles Chamber Orchestra was founded in 1968 as an artistic outlet for the recording industry’s most gifted musicians. The Orchestra’s artistic founder, cellist James Arkatov, envisioned an ensemble that would allow these conservatory-trained players to balance studio work and teaching with pure artistic collaboration at the highest level."
Arkatov began photographing musicians when he was with the Pittsburgh Symphony. In 1990, he published his first book of photography, Masters of Music: Great Artists at Work. In 1998, he published his second book, Artists: The Creative Personality.
In May 2015, the Arkatovs donated James' photographs of world music performers to the Ethnomusicology Archive. Many of these photos highlight UCLA Ethnomusicology's famous World Music Ensembles. https://schoolofmusic.ucla.edu/ensembles/ James Arkatov died May 11, 2019 at age 98.
The Instituto de Lengua y Cultura Aymara’s archive on the Aymara language and culture from the mid twentieth century to the present was collected in Bolivia, Chile and Peru. Materials include early pamphlets and newspapers, fieldwork recordings including speech and songs, fieldwork notes and transcriptions, documentation on Aymara regional variants, and teaching materials, some concerning intercultural bilingual education in Bolivia and elsewhere.
The Barbados Ephemera Collection includes over 1000 objects that cover the decades following the Independence of Barbados (1966) and the subsequent transition from colony to independent state. Items in this collection, now openly available for use by scholars, teachers, Barbadians and others around the world, reflect and document the lives of ordinary people beyond elite voices at a foundational period in the history of Barbados. While items in the collection are specific to Barbados, they address broader global movements of the 20th century, including civil rights struggles, women's rights, identity formation, and political realities. Digitized as part of the Modern Endangered Archives Program.
The Universidade Federal do Oeste do Para (UFOPA) in Brazil has digitized the archive of the Court of Justice located in the city of Óbidos, Brazil in the Lower Amazon region. A particular point of cultural interest in this collection is the series of documentation on trials regarding land disputes. This part of the collection reflects the support of local people for creating protected areas including indigenous lands, territories of descendants of African slaves, and ecological conservation units for people of historical traditions. This content can help reconstitute chains of ownership of lands to better identify instances of land grabbing. These court records also document the daily lives of Amazonian civilians in a time of restricted individual rights as well as the modernization of Amazonia by authoritarian projects.
Bunche was born in Detroit, MI, on Aug. 7, 1904; AB, UCLA, 1927; AM, 1928, and Ph.D, 1934, Harvard Univ.; professor at Howard Univ. from 1929-1950, and at Harvard, 1950-1952; in 1948 joined Permanent Secretariat of UN; undersecretary for special political affairs, UN, 1958-67; became undersecretary general in 1968; awarded Nobel Peace Prize in 1950; died in NY, on Dec. 9, 1971.
McAfee was born in Houston, Texas, in 1883; emigrated to Mexico in 1906 as employee of the Compañía Mexicana de Peteo El Aguila, S.A.; began studying the Nahuatl language in 1907 under John H. Cornyn with whom he jointly authored several studies; after Cornyn's death in 1941, McAfee collaborated with Angel María Garibay K. and Robert H. Barlow; became an acknowledged expert in Nahuatl studies and published widely.Byron McAfee (1883-1966) was born in Houston, Texas, and emigrated to Mexico in 1906 as an employee of the Compañía de Petróleos El Aguila. Shortly thereafter, he joined a Nahuatl study group at the Benjamin Franklin Library in Mexico City where he made contacts with scholars such as Robert Barlow, Miguel Leon Portilla, John H. Cornyn and Doña Luz Jimenez (a noted native Nahuatl consultant, also known as Julia Jimenez Gonzalez). McAfee became known as a prolific ethnohistorian and Nahuatl linguist through his research collaborations with Cornyn, and publications of several studies. After Cornyn's death in 1941, McAfee collaborated with noted scholars such as Angel María Garibay K. and Robert H. Barlow, and maintained friendships with Mexican intellectuals such as Alfonso Caso and Manuel Gamio.
Alt IDs : Collection has not been completely processed; e.g. prints have not been assigned boxes. The Alt IDs reflect this by not having box numbers, but instead the names of the missions.
The Caro Minasian collection was acquired by the UCLA Charles E. Young University Research Library in 1968 from Isfahan born physician and collector, Dr. Caro Owen Minasian. The Collection consists of: Armenian manuscripts, among which is the noteworthy Armenian Gospel of Gladzor; Early Armenian printed books; Persian, Arabic, Ottoman Turkish and Urdu manuscripts which relate to Persian and Arabic lexicography, Persian literature and history, Shi'ite theology and jurisprudence, practical arts, philosophy, and logic; Persian calligraphy; artifacts and objects; and this collection which includes material relating to the Armenian community of Isfahan, Iran in the late 19th and early 20th centuries.
This collection consists of glass photonegatives, glass positive transparencies, and black & white photographic prints of the photographer C.C. Pierce (1861-1946). The subject matter primarily covers Los Angeles and the surrounding vicinity.
The archive at the Tallersol Cultural Center (Santiago, Chile) contains over eight thousand printed items that were produced by the graphic workshop between 1973 and the present day. Around five thousand of the pieces are posters. These were printed in colour and black-and-white by typography, screen printing, xylography (woodcut relief) and offset printing techniques on paper of various weights, formats and sizes, such as letter, legal, double letter, double legal and ‘mercurio’. The remaining three thousand items are cards, postcards, bulletins, event invitations, pamphlets, leaflets, books and poetry. Tallersol was the most productive graphic workshop in Santiago and the most enduring, as it continues its campaigns to commemorate resistance to dictatorship today.
Copyright of portions of this collection has been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections.
Recommend for future cataloging/collection management system. If going to scan large number of postcards recommend developing metadata schema that follows University of Delaware model http://fletcher.lib.udel.edu/collections/dpc/index.htm.Specific fields to create: sender's message, addressee, post mark, etc.
Description of the digitized materials was repurposed from the finding aid for the collection of material about Japanese American Incarceration. For more information about interventions made during the processing of the collection, please see the Processing Information note in the collection’s finding aid.
Collection consists of posters issued chiefly by the Jewish National Fund to encourage diaspora Jews to travel to Israel and to support Israel financially and politically. The posters cover topics such as agriculture, land reclamation and settlement, holidays and celebrations, and campaigns. They are in full color with texts in Hebrew, English, French, and Spanish.
This collection contains motion picture stills and key book photographs created by Columbia Pictures mostly from 1932 to 1959. Included are portrait photos, publicity photos, fashion stills, movie stills, and off-camera photographs showing various aspects of production filming. The subjects of the portrait images include actors, writers, directors, producers, composers, lyricists and others engaged in film production. The images are taken from nitrate negatives and corresponding photographic prints, with front and reverse views. The reverse sides of many prints bear date stamps, A.A.C. (Advertising Advisory Council) stamps, press tags, and handwritten notes including names of people involved in publicity and titles of film fan magazines.
This digital collection includes a few items from the larger physical collection. The full physical collection contains materials generated by the Committee for Simon Rodia's Towers in Watts relating to the effort to save the Towers, a selected bibliography of articles about the Towers, photographs and pictures, legal documents, audiotapes, films, slides, videotape, transcripts of interviews with Simon Rodia and others, and material regarding the Watts riots and the community response to the Towers.
Will Connell (1898-1961) was a self-taught photographer. He opened a studio in downtown Los Angeles in 1925 and became a member of the Camera Pictorialists. He taught at Art Center College in Pasadena from 1931 until his death. His work includes movie publicity shots, magazine assignments and other commercial photography. Connell photographed every industry in California at the time. He completed a number of literary projects and artistic endeavors as well. Connell is known for his use of photomontage and there are examples of this aspect of his work among the nitrate images in the form of the photomontage itself and individual images that were used in creating the montage.
Corinne Seeds (1889-1969) was the principal of the Training School of the University of California, Southern Branch (1925). In 1929, the school was renamed the University Elementary School (UES), and in the late 1940s, the school moved to the UCLA campus with the first permanent UES buildings opening in 1950. She retired in 1957. In 1982, the school was renamed the Corinne A. Seeds University Elementary School in her honor. The collection consists of biographical and historical materials, scrapbooks, sample units of work, publications and studies, and photographs relating to Seeds' work at the UCLA University Elementary School.
The Archive of the Diocesan Curia of Nova Iguaçu (ACDNI) is the historic center of the progressive Catholic Church in Brazil throughout the military dictatorship. Throughout its lifetime, the archive has collected resources vital to the study of human rights, social movements, resistance to authoritarianism, and liberation theology. The collection is comprised of 475 linear feet (145 linear meters) of printed materials dating from 1948 to 2015. Most notably, the collection includes the institutional documentation of the Diocese as well as materials produced and received by Dom Adriano Mandarino Hypólito, the third bishop of Nova Iguaçu and one of the Church’s leaders in the struggle against the military dictatorship.
James Dalton Trumbo (1905-1976) was a screenwriter who became one of the Hollywood Ten and was blacklisted by the motion picture industry (1947). He was one of the first blacklisted writers to emerge from the underground when he received screen credit for his work on the 1960 releases of Spartacus and Exodus. The collection consists of materials related to Trumbo's career as a screen writer and novelist. The majority of material in the collection includes scripts, correspondence, manuscripts, clippings, and notes.
The KTLA Newsfilm Collection held at the UCLA Film & Television Archive represents a significant resource for researchers interested in Los Angeles news and local coverage of national events. KTLA has been a prominent independent television station in the Los Angeles area for more than 60 years, with the scope of the KTLA Newsfilm Collection at UCLA primarly encompassing the period of the late 1960s through the end of the 1970s. Despite the growing prominence of television news during this era, many local broadcasters did not fully recognize the long-term historical value of their newsfilm collections, and the industry discarded much local TV news footage, making the surviving KTLA newsfilm collection at UCLA a unique and vital moving image resource for research.<br/><br/>
This curated collection of 65 KTLA newfilm holdings documents a selection of people, places, and issues relevant to marginalized communities in Los Angeles between 1970 and 1980. Marked by the international trauma of the devastating war in Vietnam and the national political upheaval of Watergate, this period saw great strides in social movements for equality for marginalized communities and continued legacies of institutionalized oppression, discrimination, and prejudice. The news segments selected for the Diverse Communities of Los Angeles (1970-1980) KTLA Television Newsfilm project are intended to help illuminate the challenges facing marginalized communities and related public policies during this critical period in Los Angeles history.
Donald R. Borcherdt, known as "Donn" to his friends and colleagues, received his B.A. from UCLA in music in 1956. He earned his M.A. in music with a specialization in ethnomusicology in 1962, and by 1966 had advanced to doctoral candidacy in music with a specialization in ethnomusicology. Borcherdt conducted field research in Mexico in 1960, 1961, and 1963-1964 and in Chile in 1966-67. Borcherdt also hosted the weekly radio program, "Many Worlds of Music," in 1960-1962, on KPFK in Los Angeles. In 1961, Borcherdt, started a student-run mariachi class, Conjunto Mariachi or Conjunto Uclatlán [the land of UCLA], in the then Institute (now Department) of Ethnomusicology at UCLA, making UCLA the first academic institution in the United States to offer mariachi classes. In 1967-1968, Borcherdt made a final fieldwork trip to Mexico to continue his studies on mariachi music in Jalisco and Michoacán. He died unexpectedly in Mexico in 1969. The Ethnomusicology Archive holds his complete collection, including fieldwork recordings, field notes, these photos, and nearly 2,000 index cards filled with the outline of his dissertation. As Professor Lauryn Salazar concluded in her own dissertation, "had he lived to finish his dissertation, it would have been a seminal work within the field." Salazar, Lauryn Camille. 2011. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., University of California, Los Angeles.
The East Asian Maps Collection consists of 1079 maps of China, Japan, Korea, Manchuria, and other areas in East Asia. The maps were produced between 1800 and 1960s. A majority of them produced by the Office of Strategic Service, the American Map Society, the National Geographic Magazine, and government agents or commercial publishers in China, Great Britain, and Japan. Some of the maps were once highly classified and produced in limited quantities.
Copyright has not been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Welton Davis Becket (1902- ) was a Los Angeles based architect with Becket, Wurdeman, and Plummer (later renamed Welton Becket and Associates) - one of the largest firms in Los Angeles with building credits throughout the world. He also served as the Master Planner and Supervising Architect for UCLA from 1949 to 1969. After Becket's death, the firm continued under the same name, directed by his nephew, MacDonald Becket. Around 1985, the firm was acquired by Ellerbe Incorporated to become Ellerbe Becket. The collection consists of photographs related to the work of the Welton Becket & Associates architectural firm. Most of the photographs represent projects in and around the Los Angeles area and include examples of both residential and commercial buildings with interior and exterior views.
This collection includes videos from 396 film containers from the collection of the news program “El Mundo al Día,” a daily news broadcast from 1954 to 1996 on the first television channel of the Dominican Republic. Recordings of the show, preserved on 16 mm film reels, document significant historic events during the Cold War in the Dominican Republic, including the coup d'état that led to a civil war and the military intervention of the United States on Dominican territory in 1965; Joaquín Balaguer's 12-year regime, marked by persecution and political assassinations; and the popular uprising known as "La Poblada de Abril de 1984" against the government of Salvador Jorge Blanco where hundreds of people died. The collection covers the period from the 1950s - 1980s.
Roy Newquist (b.1925) was a copy supervisor for various advertising agencies in Minneapolis and Chicago (1951-63), a literary editor for Chicago's American and a critic for the New York Post (1963). He also hosted a radio program called Counterpoint, WQXR, New York. His published books include Counterpoint (1964) and Conversations (1967). The collection consists of audiotape recorded interviews and documentation related to interviews of various authors and entertainers conducted by Newquist.
This collection consists of original artwork, printing blocks, photographs and other visual material produced by or related to artist and designer Eric Gill. Items include prints, printing blocks, drawings, sketchbooks, photographs, architectural plans, ephemera, and artists' proofs, as well as broadsides, posters and printed reproductions.
Collection consists of posters on topics covering politics, religion, popular music, general health education, HIV/AIDS, tourism, commercial advertisement, film and television, sports and culture. The posters are mostly in full color with texts featuring Amharic, English, French, Italian, Arabic, Oromo, and Swahili languages in 3 scripts: mainly in Ethiopic and roman, with some also in Arabic.
Established in 1961, the UCLA Ethnomusicology Archive is a world-renowned research archive dedicated to the study of musical traditions from around the globe. The Archive’s collection of more than 150,000 audio, video, print, and photographic items documents musical expressions throughout the world. As part of UCLA’s Department of Ethnomusicology, the Archive preserves and makes accessible over 60 years’ worth of materials that record the department’s famed musical performances. This Ethnomusicology Archive Photographic Collection represents a selection of images from the Archive's large photo collection. Included are images from the 1960s and 70s of the World Music Ensembles and guest artists: Mantle Hood, founder of the Institute of Ethnomusicology, with the Balinese and Javanese gamelans; Dong Youp “Danny” Lee, who led the Music of Korea from 1967-1997; Robert Ayitee and Robert Bonsu, who founded the Music of Ghana in 1961; guest artist Gayathri Rajapur Kassebaum playing gottuvadyum; Donn Borcherdt, founder of the Music of Mexico in 1961; Tsun-Yuen Lui, who founded the Music of China in 1959; and many more. Also included are fieldwork photos from: Fred Lieberman (Japan, 1963); Tsun-yuen Lui (Hong Kong, 1967); David Morton (Thailand, 1959-60); Bonnie Wade (India, 1968). Please browse this collection and learn more about UCLA Ethnomusicology's legendary history.
This collection includes materials related to the critically endangered Vaihoho sung-stories of the Fataluku people of Timor-Leste. Vaihoho are considered the Fataluku’s most valued repertoire, as the major form of their continuing oral tradition. From 1999-2014, cultural leader Justino Valentim (deceased), recorded a significant amount of vaihoho material. Up until 2019 this handwritten collection was stored in exercise books at his family home. In danger of vanishing with the last of the knowledge-holders, the collection was digitally recorded and archived, to honour Justino Valentim’s intention to keep the oral tradition alive for future generations so they would know their own culture. The collection consists of 17 sung poems gathered from Fataluku communities across the Lautem region of Timor-Leste and 5 Fataluku language dictionaries. Digitized as part of the Modern Endangered Archives Program. Projetu ne'e apoia prezervasaun Kantigu vaihoho ema Fataluku iha Timor Leste neebe amiasadu atu sai lakon. Vaihoho hanesan patrimoniu ho neebe valor as liu husi ema Fataluku, nomos nu'udar forma boot ida husi sira-nia tradisaun orál ne'ebé la'o nafatin. Husi tinan 1999-2014, lider kulturál Justino Valentim (matebian) rejista materiál vaiho barak. To'o tinan 2019, koleksaun vaihoho neebe rekolla iha livru sira ne'e rai iha nia família nia uma. Tamba amiasadu atu lakon ho ema matenek-na'in sira-nia istória ikus, Dadus neebe rekolla no grava digitalmente hodi arkiva atu fó onra ba Justino Valentim nia intensaun atu mantein tradisaun orál ne'ebé moris ba jerasaun futuru atu nune'e sira bele hatene sira-nia kultura rasik. Keleksaun ne'e kompostu husi kantigu poema 17 rekolla husi komunidade Fataluku iha rejiaun Lautem no disionáriu lian Fataluku 5.
Copyright has been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections.
Correspondence, clippings, photographs, certificates, awards, letters of citation and related printed material concerning the activities of Taylor as Director General of El Salvador Agriculture and developer of rubber in the United States. Also included are 14 scrapbooks, reports, etc. with manuscripts and memorabilia kept by Taylor as Superintendent of Horticulture and Director of Concessions at the Buffalo Exposition, 1901. This is arranged under such headings as: annals, McKinley assassination, horticulture, concessions reports, foods and their accessories, and reports of the agricultural and horticultural division.
