This digital collection includes a few items from the larger physical collection. The full physical collection contains materials generated by the Committee for Simon Rodia's Towers in Watts relating to the effort to save the Towers, a selected bibliography of articles about the Towers, photographs and pictures, legal documents, audiotapes, films, slides, videotape, transcripts of interviews with Simon Rodia and others, and material regarding the Watts riots and the community response to the Towers.
Most of the records are preserved in their original order of filing; some of the correspondence and reports of town officials, however, were received by the Library in a disorganized condition. These have been grouped by office of the town government.
Collection contains the records of the administrative activities of Los Angeles Mayor Tom Bradley, whose tenure in office covered an unprecedented five terms. Although the bulk of the collection covers Bradley's years as mayor (1973-1993), the collection contains some material from Bradley's service as a LA City Councilman (1963-1973) as well as materials related to his candidacy for Governor of CA in 1983 and 1986. The collection covers a variety of subjects related to events and issues in Los Angeles, including transportation, water, offshore oil drilling, education, the 1984 Olympic Games, the Los Angeles Convention Center LA Produce and Flower Markets, and civil unrest (LA Riots). The collection contains records in a variety of formats, including correspondence, photographs, reports, publications, architectural drawings, cassette recordings, video tapes, and memorabilia.
The Uplifters Club was founded in Dec. 1913 at the Los Angeles Athletic Club by Harry Marston Haldeman and a small group of business and professional men; acquired a country home in Rustic Canyon; activities included monthly dinner meetings, polo games, annual outings, and organized entertainment at which stage and screen celebrities performed; the Club ended in 1947. Includes minute books, miscellaneous financial, real estate, and other records, photographs, copy photographs, clippings, and ephemera relating to Rustic Canyon.
Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Collection consists of miscellaneous 18th, 19th, and 20th century manuscript materials, typewritten transcripts, holographs, and facsimiles. Includes literary manuscripts, correspondence, letters, diaries, scripts, legal documents, photographs, and audio tapes related to various prominent literary, political, and intellectual figures.
Copyright has been assigned to the Department of Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of the Dept. of Special Collections.
Hugo Ballin (1879-1956) was born in New York City. He began his Hollywood career creating motion picture sets for Samuel Goldwyn and later worked as a director and producer. He ultimately gave up his film career to focus on art and writing. The collection consists of original paintings and drawings by Ballin, correspondence, literary manuscripts, books, clippings, and photographs.
Harry French Blaney was a civil engineer who worked for the U.S. Department of Agriculture (USDA) (1917-1962), was a research associate in the Department of Irrigation Research and Soil Science at UCLA (1962-1965) and served in the Department of Engineering and Water Resource Center (1965-1973). He authored many publications on the consumptive use of water, irrigation, evaporation and water supply.
Collection contains manuscripts of several of Williams' published and unpublished plays, play fragments, short stories, screen scenarios, and poems. Includes transcripts of early versions of Sweet Bird of Youth and The Night of the Iguana. Also includes uncorrected proofs and galleys of Gilbert Maxwell's book, Tennessee Williams and Friends (1965).
All maps use the same grid, showing cities and towns in Los Angeles County, as well as boundary lines of the adjoining counties and some features and delineations of cities surrounding LA County (within the map's borders). A legend of various sized dots is given for each map, from the largest dot representing the highest population figure per dot to the smallest dot representing the smallest population figure this number varies per map. In rare cases, some population figures are represented by dots for some of the adjoining (non-LA County) cities
Henry Fitzgerald Heard (October 6, 1889-August 14, 1971) was interested in parapsychology, Vedanta, philosophy, and religion. He took honors in history at Cambridge, 1911, where he also did his postgraduate work in philosophy of religions. He lectured at Oxford University and on the radio and wrote Ascent of Humanity. He later founded Trabuco College as a center for spiritual studies. As Gerald Heard, he wrote philosophical works such as The Emergence of Man and The Creed of Christ. Under the name H.F. Heard, he wrote mysteries. The collection consists of Heard's manuscripts of published and unpublished books, correspondence, tape recordings of Heard's lectures, lecture notes, articles, books from Heard's library, photographs, and ephemera. It also includes manuscripts by others as well as an oil painting of Heard by Aldous Huxley (1933).
Correspondence, clippings, photographs, certificates, awards, letters of citation and related printed material concerning the activities of Taylor as Director General of El Salvador Agriculture and developer of rubber in the United States. Also included are 14 scrapbooks, reports, etc. with manuscripts and memorabilia kept by Taylor as Superintendent of Horticulture and Director of Concessions at the Buffalo Exposition, 1901. This is arranged under such headings as: annals, McKinley assassination, horticulture, concessions reports, foods and their accessories, and reports of the agricultural and horticultural division.
Ruth St. Denis (1879-1968) was a modern dance pioneer who combined spirituality and dance. Throughout her career, St. Denis's dances were greatly influenced by eastern culture and religion. In the later years of her career, Christian themes were also explored and depicted in her works. Her papers include handwritten journals, personal and professional correspondence, essays, poems, lectures, choreographic notes, musical scores, dance programs and ephemera, photographic prints, reel-to-reel audio recordings, books from her personal library, and business materials. The collection spans the majority of her life, though the bulk of collection derives from the 1920s to her death in 1968.
This collection consists of glass photonegatives, glass positive transparencies, and black & white photographic prints of the photographer C.C. Pierce (1861-1946). The subject matter primarily covers Los Angeles and the surrounding vicinity.
Paul Rotha (1907-1984) was a film critic, documentary filmmaker, and movie director. The collection consists of materials related to Rotha's documentary and feature films and Rotha's books on the cinema.
Collection of approximately 800 digitized photographs and other items collected by Walter L. Gordon, Jr. and given to William C. Beverly, Jr., who donated the collection to UCLA. Collection includes photos given to Walter by his former boss, Charlotta Bass, publisher of the California Eagle, as well as other photos he collected. Photos largely depict African American social life and family life in 1940s Los Angeles and feature celebrities, athletes, politicians, lawyers, and other notable people of the era.
This collection contains motion picture stills and key book photographs created by Columbia Pictures mostly from 1932 to 1959. Included are portrait photos, publicity photos, fashion stills, movie stills, and off-camera photographs showing various aspects of production filming. The subjects of the portrait images include actors, writers, directors, producers, composers, lyricists and others engaged in film production. The images are taken from nitrate negatives and corresponding photographic prints, with front and reverse views. The reverse sides of many prints bear date stamps, A.A.C. (Advertising Advisory Council) stamps, press tags, and handwritten notes including names of people involved in publicity and titles of film fan magazines.
Faderman's papers consist of drafts of her published papers and book reviews and manuscript and typescript versions of three of her books: Surpassing the Love of Men (1981); Odd Girls and Twilight Lovers (1991) and Chloe Plus Olivia (1994). The papers also include background research for her various publications; correspondence relating to her publications and speaking engagements; publicity materials and lesbian, gay and women's publications produced by now defunct small presses and various organizations.
The Margaret Cruikshank Papers consist of drafts, background/research notes, correspondence and publicity materials for three published works edited by Cruikshank: Lesbian Path (1980, 1985), a collection of autobiographical writings; Lesbian Studies (1982), a women's history and lesbian studies text and New Lesbian Writing (1984), a lesbian literature anthology. The Cruikshank papers also consist of background/research files for women's studies and lesbian studies courses taught by Cruikshank and related correspondence and publicity materials. Personal correspondence is also included in the collection.
The Southern California Women for Understanding Collection contains the operational records of Southern California Women for Understanding (SCWU), one of the earliest lesbian non-profit educational organizations in Los Angeles, California.
The Women Against Violence Against Women(WAVAW) Collection is a mixture of papers and organizational records, publications, ephemera and audio-visual materials collected by organization member Dani Adams (national office in Los Angeles). Of particular interest are the internal memos and complete run of national newsletters produced by the Los Angeles Chapter for national chapter distribution and slides and scripts from the WAVAW slide show, the presentation that chapter members showed to audiences nationwide. There is also extensive coverage of WAVAW's actions against the film "Snuff" and the Rolling Stones's "Black and Blue" advertising campaign and national boycott of Warner Communications, Inc. (WCI).