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About eight dolphins in the ocean seen from verandah of a hotel, Kanniyākumāri (India), 1984

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

About twenty-five dolphins in the ocean from verandah of a hotel, Kanniyākumāri (India), 1984

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aerial view of a Hindu temple, Chennai (India), 1984

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aerial view of a Hindu temple, Chennai (India), 1984

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aerial view toward the shore, Chennai (India), 1984

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Agasta Lingam Pillai, leader of a Villupāttu (bow song) ensemble at the temple to Santhanamari, Kottaram (Tamil Nadu, India), 1984

Description:

Agasta Lingam Pillai, leader of a Villupāttu ensemble seated, at the left end of the villu (bow) instrument (also known as Villupattu, Villadichampaatu, and Villisai).

Date:

March 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Agasta Lingam Pillai, leader of a Villupāttu (bow song) ensemble at the temple to Santhanamari, Kottaram (Tamil Nadu, India), 1984

Description:

Agasta Lingam Pillai, leader of a Villupāttu ensemble seated, at the left end of the villu (bow) instrument (also known as Villupattu, Villadichampaatu, and Villisai).

Date:

March 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Agasta Lingam Pillai, leader of a Villupāttu (bow song) ensemble at the temple to Santhanamari, Kottaram (Tamil Nadu, India), 1984

Description:

Agasta Lingam Pillai, leader of a Villupāttu ensemble seated, at the left end of the villu (bow) instrument (also known as Villupattu, Villadichampaatu, and Villisai).

Date:

March 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue, Madurai (India : District), 1984

Description:

An Aiyanar temple guardian: Cement statue of god Aiyanar (goddess?) astride a rearing white horse (Kalki), placed on a high pedestal at the corner of a temple wall. His (?) consort or servant Puranai stands beneath the horse with other figures. The slide was taken en route between Madurai and Usilampatty.

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue, Madurai (India : District), 1984

Description:

An Aiyanar temple guardian: Cement statue of god Aiyanar (goddess?) astride a rearing white horse (Kalki), placed on a high pedestal at the corner of a temple wall. His (?) consort or servant Puranai stands beneath the horse with other figures. The slide was taken en route between Madurai and Usilampatty.

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue, Madurai (India : District), 1984

Description:

An Aiyanar temple guardian: Cement statue of god Aiyanar (goddess?) astride a rearing white horse (Kalki), placed on a high pedestal at the corner of a temple wall. His (?) consort or servant Puranai stands beneath the horse with other figures. A woman on the left statue crawls to the edge of the temple wall toward Aiyanar. The slide was taken en route between Madurai and Usilampatty.

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:

View of a cement statue of woman astride rearing white horse, its hooves resting on the heads of two guards holding maces. A third, smaller figure behind them also holds a mace. Three figures stand under the belly of the horse: a male with two right arms, one in an abhaya mudra, and one holding a flame (?) aloft; a female with her left hand near her head; and a young girl with a long braid.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:

View looking down toward a statue of a rearing white horse, with a cowshed, haystack and green paddy fields visible in background. A bodhi tree with aerial branches and a man in a white turban are in the foreground. Three boys and an elderly man with walking stick walk up the slope toward the man in white turban.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:

View of a cement statue of the god Aiyanar, and the temple corner, from a high vantage point behind, with hanging aerial branches of bodhi tree in the foreground. A statue of a woman appears to crawl toward the edge of the temple wall toward Aiyanar.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:

View of a cement statue of woman astride a rearing white horse, the hooves resting on the heads of two guards holding maces. A third, smaller figure behind them also holds a mace. Three figures stand under the belly of the horse: a male with two right arms, one in an abhaya mudra, and one holding a flame (?) aloft; a female with her left hand near her head; and a young girl with a long braid.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:

View of a cement statue of a rearing white horse (Kalki ?) with its front hooves resting on the shoulders of a moustached, garlanded statue of female figure (Goddess Kali ?). The rider’s right arm is visible holding stick aloft in his hand. There is a lion statue and two Nandi bull statues at the base of the horse and figure. Two lion statues lie atop the white-and-red-striped walls surrounding the compound. Almost all of the statues are polychrome, with some black statues on lower level of compound. A tall black statue and stele is in front of compound. Paddy fields and a tree are visible in the background; there is a hammer-and-sickle (?) atop a pole. Sheaves of drying grass (?) are hanging from the tree. The numbers “19|3” are visible on a tall pole in front of compound.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:

Village Guardian (?): View of a cement statue of god Aiyanar (blue face, moustache) astride rearing white horse (Kalki ?). His two servants (?), female and male, stand beneath the horse. Statues of two black horses on the lower level of the area rimmed by stone wall.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:

Black stone statue of a deity, possibly Karuppu Swamy.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:

Village Guardian (?): View of a cement statue of the god Aiyanar (blue face, moustache) astride a rearing white horse (Kalki?). His two servants (?), female and male, stand beneath the horse.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:

Village Guardian (?): View of a cement statue of god Aiyanar (blue face, moustache) astride a rearing white horse (Kalki?). His two consorts or servants, Puranai (white body, naked except for thighs), and Putkalai (yellow body), stand beneath the horse. The horse’s front hooves rest on the shoulders of the god Shiva, Aiyanar’s father, who is mounted sideways on his bull, Nandi. The group includes statues of a lion and another bull. There is a large tree above.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Aiyanar village guardian statue, Madurai (India : District), 1984

Description:

Aiyanar Village Guardian: Cement statue of the god Aiyanar astride a rearing white horse (Kalki?). His two consorts or servants Puranai (white body, naked except for thighs) and Putkalai (yellow body) stand beneath the horse. The horse’s front hooves rest on the shoulders of the god Shiva, and Aiyanar’s father, who is mounted sideways on his bull Nandi. In front are statues of a lion and another bull. Beneath the front of the horse is an alcove with a dark goddess and serpent. The photograph was taken en route between Madurai and Usilampatty.

Date:

March 11, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Altar in a private home, Sempatti (India), 1984

Description:

Sempatti home altar with Tamil inscriptions: St. George on horseback killing the dragon (top). The bottom image is unclear due to reflection.

Date:

March 10, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Amy Catlin-Jairazbhoy, Amir Ali Jairazbhoy, Shereen Chaubey Jairazbhoy, Bangalore (India), 1984

Description:

Amy Catlin-Jairazbhoy (ethnomusicologist), Amir Ali Jairazbhoy (architect), and Shereen Chaubey Jairazbhoy (painter). They are at “Shererock,” a building designed by Amir Ali Jairazbhoy, located at 17/2 Miller Road in Bangalore.

Date:

March 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - Basavanneppa Band leads the procession into traffic, Belgaum (India), 1984

Description:

Overhead view of the Basavanneppa Band in a crowded street. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - crowd around the Basavanneppa Band, Belgaum (India), 1984

Description:

Two clarinets duet in the center of the Basavanneppa Band playing in formation during a baraat wedding procession. The researchers’ camera and video recorder and tripod are held by research assistants. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - crowd of men and boys join the procession, Belgaum (India), 1984

Description:

Overhead view of a crowd of men and boys join baraat wedding procession in a street located at 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - crowd of men and boys join the procession, Belgaum (India), 1984

Description:

Overhead view of a crowd of men and boys joining baraat wedding procession in a street.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - family members with a bridegroom on a pony, Belgaum (India), 1984

Description:

A bridegroom in a saffron turban and Western suit rides white Kacchi pony at a baraat wedding procession. Family members walk beside him.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - Kacchi pony awaits a bridegroom, Belgaum (India), 1984

Description:

A caparisoned and saddled white Kacchi pony awaits a bridegroom. A clarinet musician plays, band members assemble, and school children gather to begin the baraat procession.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - vocalist, Mahadev B. Tavare, sings in front of band members, Belgaum (India), 1984

Description:

At a wedding procession, the male vocalist Mahadev B. Tavare sings in imitation of a woman's voice into a microphone as a clarinet musician plays. Band members surround him. The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession - vocalist, Mahadev B. Tavare with the Basavanneppa Band, Belgaum (India), 1984

Description:

At a baraat wedding procession, the male vocalist Mahadev B. Tavare sings, in imitation of a woman's voice, into a microphone (attached to a bicycle with an amplifier) with two clarinets; band members playing a side drum, a tāsa drum and trumpet are behind them. The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Members of the Basavanneppa Band at a baraat wedding procession. A band member holds a mini Casio keyboard and stands beside a microphone and amplifier attached to a bicycle. They are in front of an Indian Airlines bus. The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

At a wedding procession, nine brass players and one clarinetist of the Basavanneppa Band stand alongside an Indian Airlines bus. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Two clarinets and a trumpet play in the center of a band in formation during a wedding procession as a city bus passes. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Two clarinets and a trumpet play in the center of a band in formation during a wedding procession as a city bus passes. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Members of the Basavanneppa Band at a baraat wedding procession. A band member holds a mini Casio keyboard and stands beside a microphone and amplifier attached to a bicycle. They are in front of an Indian Airlines bus. The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Nine brass players of the Basavanneppa Band in front of an Indian Airlines bus at a wedding procession. “Basawaneppa Band Belgaum” is written on large a megaphone. The Basavanneppa Band included bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:

Overhead view of the Basavanneppa Band at an intersection during a baraat wedding procession. The Basavanneppa Band included bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2)04.

Date:

February 18, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Bishop Mar Aprem and Deacon E. L. Verghese, Thrissur (India), 1984

Description:

Bishop Mar Aprem (left), of the Syrian Christian Church, Nestorian Church of the East. Deacon E. L. Verghese (right) (ordained in 1929), remembers someone (A. A. Bake) recording the Deacons in 1938.

Date:

April 4, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Black peppercorns and green cardamom pods dry in sun, Vandiperiyar, 1984

Description:

Black peppercorns and green cardamom pods dry in sun on woven mats in the courtyard of a thatched roof mud home in Vandiperiyar Village.

Date:

March 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Children watch a Villupāttu (bow song) ritual, Kottaram (Tamil Nadu, India), 1984

Description:

Children watch a Villupāttu ritual with adults standing behind them at an Ayyappan Temple (also known as Villupattu, Villadichampaatu, and Villisai).

Date:

March 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Children watch a Villupāttu (bow song) ritual, Kottaram (Tamil Nadu, India), 1984

Description:

Children stand in a line during a Villupāttu ritual at an Ayyappan Temple (also known as Villupattu, Villadichampaatu, and Villisai).

Date:

March 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Chummar Choondal and residents of his village, Chettupuzha (India), 1984

Description:

Chummar Choondal, in a blue shirt, poses for a group portrait with and the residents of a Choondal Village, with the children lined up in the front.

Date:

April 3, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Chummar Choondal and residents of his village, Chettupuzha (India), 1984

Description:

Chummar Choondal, in a blue shirt, poses for a group portrait with and the residents of a Choondal Village, with the children lined up in the front.

Date:

April 4, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Dancer performs with the Om Periyaswamy Dance Troupe, Madurai (India), 1984

Description:

Performance of a dance by the Om Periyaswamy dance troupe at the Tamil Nadu Hotel. Dancer balances a kavadi (small wooden structure with an arch covered with a piece of cloth) on his back while dancing. Blurry photo.

Date:

March 14, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Dancer performs with the Om Periyaswamy Dance Troupe, Madurai (India), 1984

Description:

Performance of a dance by the Om Periyaswamy dance troupe at the Tamil Nadu Hotel. Dancer balances a kavadi (small wooden structure with an arch covered with a piece of cloth) on his back while dancing. Blurry photo.

Date:

March 14, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Dancer performs with the Om Periyaswamy Dance Troupe, Madurai (India), 1984

Description:

Performance of a dance by the Om Periyaswamy dance troupe at the Tamil Nadu Hotel. Dancer balances a kavadi (small wooden structure with an arch covered with a piece of cloth) on his back while dancing. Blurry photo.

Date:

March 14, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

D. Balakrishna and his father, Mysore Doreswami Iyyengar, Bangalore (India), 1984

Description:

D. Balakrishna and his father, Mysore Doreswami Iyyengar (Vi. Doresvāmi Ayyaṅgār), play a vīṇā duet at home, located at 51, 4th Main Road.

Date:

March 1, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

D. Balakrishna and his father, Mysore Doreswami Iyyengar, Bangalore (India), 1984

Description:

D. Balakrishna and his father, Mysore Doreswami Iyyengar (Vi. Doresvāmi Ayyaṅgār), play a vīṇā duet at home, located at 51, 4th Main Road.

Date:

March 1, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

D. Balakrishna and his father, Mysore Doreswami Iyyengar, Bangalore (India), 1984

Description:

D. Balakrishna and his father, Mysore Doreswami Iyyengar (Vi. Doresvāmi Ayyaṅgār), play a vīṇā duet at home, located at 51, 4th Main Road.

Date:

March 1, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Distant view of hills at a tea plantation, Vandiperiyar (India), 1984

Description:

View from a hilltop of ranges and roads in the Vandiperiyar tea plantation.

Date:

March 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Doreswami listens to A. A. Bake’s 1938 recordings, reacts, and identifies some of them, Madurai (India), 1984

Description:

Doreswami, age 80, listens to A. A. Bake’s 1938 recordings, reacts, and identifies some of them, especially items from three (Tefi 6, 7, and 8). The interview was recorded at the Usilampatty Circuit House. Nazir Ali Jairazbhoy plays the recordings on TCD5 cassette player as Doreswami places the speaker against his ear, as he is somewhat deaf.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Doreswami listens to a recording of music made by A. A. Bake in 1938, Usilampatty (India), 1984

Description:

Doreswami, age 80, is rather deaf but listened with the speaker at his ear, and identified many Bake recordings and sang along.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Doreswami listens to a recording of music made by A. A. Bake in 1938, Usilampatty (India), 1984

Description:

Doreswami, age 80, is rather deaf but listened with the speaker at his ear, and identified many Bake recordings and sang along.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Doreswami listens to a recording of music made by A. A. Bake in 1938, Usilampatty (India), 1984

Description:

Doreswami, age 80, is rather deaf but listened with the speaker at his ear, and identified many Bake recordings and sang along.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Drummer singing, Pengamuck (India), 1984

Description:

A drummer singing, with villagers visible just behind him.

Date:

April 4, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Drummer singing, Pengamuck (India), 1984

Description:

A drummer singing, with villagers visible just behind him.

Date:

April 4, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Elephant carrying palm stalks on a road in a forested area, Kerala (India), 1984

Description:

Elephant carrying palm stalks on a road in a forested followed by four young men.

Date:

March 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Facade of a Syrian Orthodox church, Kerala (India), 1984

Description:

Exterior view of the upper portion of a church facade in the state of Kerala.

Date:

March 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Facade of a Syrian Orthodox church (?), Ullannur (India), 1984

Description:

Facade of a church (?) with an attached sign reading "Ave Maria" at the top. Below the sign are bas relief figures of an Ādivāsī hunter, with a dog, aiming a crossbow or rifle at a tiger with a deer watching. Hunters and tigers are often seen on Syrian Christian churches in Kerala. The hunter represents the Keralite, the tiger represents Tipu Sultan and his invasion of Kerala.

Date:

March 25, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field and mountain, Madurai (India : District), 1984

Description:

View of a mountain profile with two peaks, with trees and vegetable plots below.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Partly loaded jeep for a field trip, at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College. The head of the driver, Ram Gaekwad, is visible at the back of the jeep. Umashankar Mantravadi, member of the Bake Restudy team, is on the right.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Kalpana Bandiwdekar, Archive Assistant at the Archives and Research Center for Ethnomusicology (left), and Amy Catlin-Jairazbhoy at the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Amy Catlin-Jairazbhoy (front, right) and others beside the partly loaded jeep at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

The Archives and Research Center for Ethnomusicology Bake Restudy team beside the jeep, loaded for the field trip: Umashankar Mantravadi; Ashok Ranade, associate director; Amy Catlin-Jairazbhoy; Saraswathi Swaminathan, archivist (in yellow); library assistant (unidentified); Kalpana Bandiwdekar, archive assistant; and M. D. Bhandare, American Institute of Indian Studies staff member.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

The Archives and Research Center for Ethnomusicology Bake Restudy team beside the jeep, loaded for the field trip: Umashankar Mantravadi; Ashok Ranade, associate director; Amy Catlin-Jairazbhoy; Saraswathi Swaminathan, archivist (in yellow); library assistant (unidentified); Kalpana Bandiwdekar, archive assistant; and M. D. Bhandare, American Institute of Indian Studies staff member.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

The Bake Restudy team beside the jeep, from left: Umashankar Mantravadi (2nd); Kalpana Bandiwdekar, Archive Assistant at the Archives and Research Center for Ethnomusicology (2nd); Saraswathi Swaminathan, Archivist at the Archives and Research Center for Ethnomusicology (4th); M. D. Bhandare (5th), American Institute of Indian Studies staff member; and Amy Catlin-Jairazbhoy (6th).

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Amy Catlin-Jairazbhoy (left) and Saraswathi Swaminathan, Archivist at the Archives and Research Center for Ethnomusicology.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

The Bake Restudy team beside the jeep, from left: Umashankar Mantravadi; Kalpana Bandiwdekar, Archive Assistant at the Archives and Research Center for Ethnomusicology (blue shirt); Saraswathi Swaminathan, Archivist at the Archives and Research Center for Ethnomusicology (tan sari); Amy Catlin-Jairazbhoy, ethnomusicologist; M. D. Bhandare, American Institute of Indian Studies staff member.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Amy Catlin-Jairazbhoy (center, in red); M. D. Bhandare, American Institute of Indian Studies staff (left); Archives and Research Center for Ethnomusicology archivist Saraswathi Swaminathan (in yellow); archive assistant Kalpana Bandiwdekar (2nd from right); and others beside the partly loaded jeep at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Amy Catlin-Jairazbhoy (center left); Umashankar Mantravadi, Bake Restudy team member; and others beside the partly loaded jeep at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Office staff member of the Archives and Research Center for Ethnomusicology, with a dog on the morning the jeep was loaded for the Bake Restudy field trip.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

View of the partly loaded jeep for the field trip, at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies. Umashankar Mantravadi, Bake Restudy team member, is on the right; the head of the driver, Ram Gaekwad, is visible at the back of the jeep.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Library assistant (unidentified) at the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

The Archives and Research Center for Ethnomusicology Bake Restudy team: library assistant (unidentified); Kalpana Bandiwdekar, Archive Assistant; Amy Catlin-Jairazbhoy; Saraswathi Swaminathan, Archivist; and M. D. Bhandare, AIIS staff member.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

View of the partly loaded jeep in front of the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies, at Deccan College.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

View of the partly loaded jeep at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:

Six office staff members of the Archives and Research Center for Ethnomusicology, with Ram Gaekwad, driver (2nd from left), beside the jeep, loaded for the field trip.

Date:

February 17, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Flooded forest, Madurai (India : District), 1984

Description:

View of a flooded forest in the foreground, with mountain silhouettes in the background.

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Flooded forest, Madurai (India : District), 1984

Description:

View of a flooded forest with mountains in the distance

Date:

March 13, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Flooded tree in foreground, with edge of mountain in background, Madurai (India : District), 1984

Description:

View en route between Madurai and Usilampatty.

Date:

1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Fountain possibly on the grounds of a Syrian Orthodox church, Ullannur (India), 1984

Description:

Round base of a fountain (?). Sculptural decoration includes Christ on cross and a mother and child (upper center), and an elephants (lower left). The fountain is probably on the grounds of the church with the “Ave Maria” sign.

Date:

March 25, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - a drum musician, Ranjit, and children and women sing Bhāṭ songs, Hubli (India), 1984

Description:

Haranśikārī (Haran Shikari, Haranshikari) community drummer, Ranjit, children and women sing and clap Bhāṭ songs after hearing A. A. Bake’s 1938 recordings of Bhāṭs made. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - a drum musician, Ranjit, and children and women sing Bhāṭ songs, Hubli (India), 1984

Description:

Haranśikārī (Haran Shikari, Haranshikari) community drummer, Ranjit, and a group of children and women begin to sing Bhāṭ songs. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Amy Catlin-Jairazbhoy and Nazir Ali Jairazbhoy leave the Krishna temple, Hubli (India), 1984

Description:

Amy Catlin-Jairazbhoy and Nazir Ali Jairazbhoy leave the Krishna temple. Chandappa Jampana Kattimani in a grey fez and glasses watches between them, with boys and women. At Gangadhar Nagar.

Date:

February 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, and his brother with Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Description:

Nazir Ali Jairazbhoy, Amy Catlin-Jairazbhoy, Chandappa Jampana Kattimani (Haranśikārī, Haran Shikari, Haranshikari leader), and his brother, Corporator of Gangadhar Nagar, sitting on folding chairs on a verandah. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī community leader, and his sons, with community members, Hubli (India), 1984

Description:

Ritualist Chandappa Jampana Kattimani and sons wear red. A young man plays a daf. Other Haranśikārī (Haran Shikari, Haranshikari) men watch. At Gangadhar Nagar.

Date:

February 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī community leader, anoints Seven Goddess images, Hubli (India), 1984

Description:

Ritualist Chandappa Jampana Kattimani anoints silver and gold bas-relief devi images of Seven Goddesses placed on cotton batting on a woven carpet. His son holds a dagger. An unidentified ritual object lies in front of the goddesses. Children and women watch. At Gangadhar Nagar.

Date:

February 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī (Haranshikari) leader, chants, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani raises his right hand as he chants. His sons and village men, women and children listen. HIs young grandson looks into camera. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, chants, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani bends forward as he chants. His sons and village men, women and children listen. One son looks into camera. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, chants, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani chants passionately. His sons and village men, women and children listen. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader leads chanting, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani sits and leads men in chanting khur (chant). Women and children watch. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader leads chanting, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani sits and leads men in chanting khur (chant). Women and children watch. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, watches his grandson dance in a ritual, Hubli (India), 1984

Description:

A man in a white t-shirt plays a daf for the ecstatic dance of Chandappa Jampana Kattimani’s young grandson. Others join. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, watches his grandson participate in a ritual, Hubli (India), 1984

Description:

An older man in a red skirt, patterned shawl, and waist-bells holds a sword upright and watches a Chandappa Jampana Kattimani’s young grandson dancing with ankle bells. Kattimani watches smiling; a tiny woman in a blue sari in front of him watches. A bearded man dances with a sword overhead. Haranśikārī (Haran Shikari, Haranshikari) villagers watch and look into the camera. A clay-tiled roof and building is behind them; an altar of three bricks, ashes, and fire pit are in the foreground. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, watches his son and grandson participate in a ritual, Hubli (India), 1984

Description:

Chandappa Jampana Kattimani’s young grandson in red shorts rises while dancing ecstatically with his father’s help. Kattimani smiles and watches. Other Haranśikārī (Haran Shikari, Haranshikari) watch. An altar of three bricks and ashes is in the foreground. At Gangadhar Nagar.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani holds a membranophone, Hubli (India), 1984

Description:

Community leader Chandappa Jampana Kattimani holds long cylindrical membranophone for a photograph. Villagers are gathered behind him.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Description:

Gangadhar Nagar community leader Chandappa Jampana Kattimani holds a photograph and obituary of the musicologist Arnold Adriaan Bake. He is being interviewed off camera by Nazir Ali Jairazbhoy, who asks whether he remembers Bake’s visit in 1938.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Description:

Gangadhar Nagar community leader Chandappa Jampana Kattimani holds a photograph and obituary of the musicologist Arnold Adriaan Bake. He is being interviewed off camera by Nazir Ali Jairazbhoy, who asks whether he remembers Bake’s visit in 1938.

Date:

February 23, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Gangadhar Nagar - Chandappa Jampana Kattimani, Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Description:

Nazir Ali Jairazbhoy, Amy Catlin-Jairazbhoy, Chandappa Jampana Kattimani (Haranśikārī, Haran Shikari, Haranshikari leader), and his brother the Corporator of Gangadhar Nagar, sitting on a verandah. At Gangadhar Nagar.

Date:

February 24, 1984

Resource Type:

still image

Photographer:

Catlin-Jairazbhoy, Amy

Collection:

Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts