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Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Description:
Gīgīpada (Gigipada, Gīgī Pada) singers of the Holeya community (left to right): Yerappa Basavappa Sutagaji, of Kalma Galli (voice and taal or jhāñjh cymbals); Ramachandra Ramappa Dhavale, of Tigadi Galli (voice and daf); and Basappa Gagappa Talwar, of Talwar Galli (voice and tuṇtuṇe). Gigipada singers performed Kannada songs, created by Hulkund Basappa, Purandara Dasa, and Hosur Somappa, at festivals. They sang mystical songs, auspicious songs, and modern songs on sanitation and cleanliness of body and mind.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gīgīpada singers Yerappa Basavappa Sutagaji, Ramachandra Ramappa Dhavale and Basappa Gagappa Talwar, Bailhongal (India), 1984

Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Description:
Two Holeya (Dalit, Pulaya) agricultural women in traditional saris sing back a song, after hearing the song recorded by musicologist A. A. Bake in 1938. The woman on the right wears sacred red and white muttu beads worn only by jogtīs (devadāsīs) (women dedicated to Goddess Renuka/Yellamma). Men wearing white dhotis or navy pants stand behind. The names of four women singing are: Basava Bhimshappa Bharamannavar, Gangavva Shivappa Bharamannavar, Dayamavva Phakirappa Bharamannavar, and Bhimavva Yalapappa.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Eight visible girls (of 18) in bright long skirts and blouses hold hands as they sing and dance in a circle around the image of an elephant (not visible in image), representing the vahana of Goddess Lakshmi, thus worshiping Shakti, the feminine principle.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Haḏgā at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Nine visible girls (of 18) in bright long skirts and blouses hold hands as they sing and dance in a circle around the image of an elephant (lower right corner of image), representing the vahana of Goddess Lakshmi, thus worshiping Shakti, the feminine principle.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Members of the Basavanneppa Band at a baraat wedding procession. A band member holds a mini Casio keyboard and stands beside a microphone and amplifier attached to a bicycle. They are in front of an Indian Airlines bus. The location is 35/1 Vardhappa Rd., Belgaum 590004.
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Holy Name Cathedral choir members with Reverend Ali and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Description:
Left to right: Reverend Adina, of the Holy Name Cathedral with choir members Mr. Divakar Abnes, Mr. Tejappa Peter (violinist, age 74), Mrs. Makalamma Havalad, Mrs. Hinnamma Ajagrni, age 78; Smt. Jeevubai Goni and Amy Catlin-Jairazbhoy (behind Smt. Goni). Session at Holy Name Cathedral to playback music recorded by the musicologist A. A. Bake in 1938, and to re-record music performed by the session participants. The participants were brought to the session by the minister, Reverend Adina.
Date:
February 25, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holy Name Cathedral choir members with Reverend Ali and Amy Catlin-Jairazbhoy, Hubli (India), 1984

Sattakulai multiple-reed aerophone at the Tamil Nadu Hotel, Madurai (India), 1984

Description:
Close-up view of the playing end of a sattakulai multiple-reed aerophone, an earlier version of the longer bari nāgasvaram. Composed of a wooden pipe with ten holes, a brass bell, and a brass staple to attach the reed. Extra reeds hang by strings. Its player Mukkasāmi, age 55, said the sattakulai (cattak kuḻāy) is becoming extinct.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Sattakulai multiple-reed aerophone at the Tamil Nadu Hotel, Madurai (India), 1984

Saraswathi Swaminathan, archivist, interviews Doreswami, Madurai (India), 1984

Description:
Saraswathi Swaminathan, archivist of the Archives and Research Center for Ethnomusicology, interviews Doreswami, age 80, in Tamil. Doreswami is the grandfather of Mr. K. Bose, the principal of Usilampatty school. The interview was recorded at the Usilampatty Circuit House.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Saraswathi Swaminathan, archivist, interviews Doreswami, Madurai (India), 1984

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:
View of a cement statue of a rearing white horse (Kalki ?) with its front hooves resting on the shoulders of a moustached, garlanded statue of female figure (Goddess Kali ?). The rider’s right arm is visible holding stick aloft in his hand. There is a lion statue and two Nandi bull statues at the base of the horse and figure. Two lion statues lie atop the white-and-red-striped walls surrounding the compound. Almost all of the statues are polychrome, with some black statues on lower level of compound. A tall black statue and stele is in front of compound. Paddy fields and a tree are visible in the background; there is a hammer-and-sickle (?) atop a pole. Sheaves of drying grass (?) are hanging from the tree. The numbers “19|3” are visible on a tall pole in front of compound.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:
View of a cement statue of woman astride rearing white horse, its hooves resting on the heads of two guards holding maces. A third, smaller figure behind them also holds a mace. Three figures stand under the belly of the horse: a male with two right arms, one in an abhaya mudra, and one holding a flame (?) aloft; a female with her left hand near her head; and a young girl with a long braid.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:
View looking down toward a statue of a rearing white horse, with a cowshed, haystack and green paddy fields visible in background. A bodhi tree with aerial branches and a man in a white turban are in the foreground. Three boys and an elderly man with walking stick walk up the slope toward the man in white turban.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Sixteen visible girls in bright long skirts and blouses stand in a line, some holding hands, with an image of an elephant, representing the vahana of Goddess Lakshmi (thus worshiping Shakti, the feminine principle) on the ground in front of them.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Gangadhar Nagar - Haranśikārī daf musician with ritualist Chandappa Jampana Kattimani, Hubli (India), 1984

Description:
A man in white plays a daf; Haranśikārī (Haran Shikari, Haranshikari) ritualist Chandappa Jampana Kattimani dances with his eyes closed as men, women and children gathered around him watch; Gaekwad, driver of the Archives and Research Center for Ethnomusicology research team, stands and guards villagers.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Haranśikārī daf musician with ritualist Chandappa Jampana Kattimani, Hubli (India), 1984

Nāiyāndī Mēḷam ensemble - I. P. Kurusāmi, a nāgasvaram musician, ensemble leader, Usilampatty (India), 1984

Description:
I. P. Kurusāmi, hereditary temple processional musician, plays a nāgasvaram, a long multiple-reed aerophone. Kurusāmi was a member of a Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumi (Urumbi, Urummi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble - I. P. Kurusāmi, a nāgasvaram musician, ensemble leader, Usilampatty (India), 1984

Nāiyāndī Mēḷam ensemble - A. K. Ganesan, a tavil musician, Usilampatty (India), 1984

Description:
A. K. Ganesan, hereditary temple processional musician, plays tavil barrel-shaped drum. Ganesan was a member of a Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumbi (Urummi, Uṟumi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble - A. K. Ganesan, a tavil musician, Usilampatty (India), 1984

Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Description:
Two Holeya (Dalit, Pulaya) agricultural women in traditional saris sing back a song, after hearing the song recorded by musicologist A. A. Bake in 1938. The woman on the right wears sacred red and white muttu beads worn only by jogtīs (devadāsīs) (women dedicated to Goddess Renuka/Yellamma). Men wearing white dhotis or navy pants stand behind. The names of four women singing are: Basava Bhimshappa Bharamannavar, Gangavva Shivappa Bharamannavar, Dayamavva Phakirappa Bharamannavar, and Bhimavva Yalapappa.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holeya community women sing back a song after hearing a 1938 A. A. Bake recording, Bailhongal (India), 1984

Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Description:
Gondhal ceremony--Inauguration of the Archives and Research Centre for Ethnomusicology. Devotional ritual music to Hindu Goddess Amba. Standing behind a mandhab, vocal ensemble musicians with instruments (left to right): Jagannath Tite (tuṇtuṇe), Bhagvan Renake (jālra), and R. H. Garuda (sambal). A flame, incense and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Gondhal and Jāgran ceremony - Mānik Bāī with a musician, Pune (India), 1984

Description:
Jāgran (Vāghyā Muralī)--Inauguration of the Archives and Research Centre for Ethnomusicology. Behind the mandhab, Mānik Bāī gestures and holds a tuṇtuṇe, and a musician sings and plays jālra, during a Jāgran (Hindu ritual): Vāghyā Muralī Jāgran – Marathi devotional ritual music to Hindu deity Khaṇḍobā Goddess Amba. A flame and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony - Mānik Bāī with a musician, Pune (India), 1984

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:
Partly loaded jeep for a field trip, at the entrance to the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies at Deccan College. The head of the driver, Ram Gaekwad, is visible at the back of the jeep. Umashankar Mantravadi, member of the Bake Restudy team, is on the right.
Date:
February 17, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Description:
Kalpana Bandiwdekar, Archive Assistant at the Archives and Research Center for Ethnomusicology (left), and Amy Catlin-Jairazbhoy at the Archives and Research Center for Ethnomusicology, on the premises of the American Institute of Indian Studies.
Date:
February 17, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Field trip preparation at the Archives and Research Center for Ethnomusicology, Deccan College Campus, Pune, 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
At a wedding procession, nine brass players and one clarinetist of the Basavanneppa Band stand alongside an Indian Airlines bus. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Description:
On the day of an enactment of the folk tale about Lord Krishna, his two wives, and the magical pārijāt tree, the Mallava Megeri Krishna Pārijāta Company poses outdoors on a dhurrie carpet, with actors Shrimati Mallava Megeri, troupe leader, holding a doll; Gudusab Nadat Khajidoni; and Mallakajappa Mallappa Gaddankeri (Krishna); and with musicians Krishnaji Varad Tulasigiri (tablā); Hanuman Mastar (harmonium); and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, watches his son and grandson participate in a ritual, Hubli (India), 1984

Description:
Chandappa Jampana Kattimani’s young grandson in red shorts rises while dancing ecstatically with his father’s help. Kattimani smiles and watches. Other Haranśikārī (Haran Shikari, Haranshikari) watch. An altar of three bricks and ashes is in the foreground. At Gangadhar Nagar.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Chandappa Jampana Kattimani, Haranśikārī leader, watches his son and grandson participate in a ritual, Hubli (India), 1984

Gangadhar Nagar - Haranśikārī daf musician and a dancing man holding a sword, Hubli (India), 1984

Description:
Induced enactment of a Haranśikārī (Haran Shikari, Haranshikari) ritual dance. A man in white plays a daf frame drum, a bearded man dances while holding a sword above his head with both hands. The sword is a Haranśikārī cultural symbol. At Gangadhar Nagar.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Haranśikārī daf musician and a dancing man holding a sword, Hubli (India), 1984

Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Description:
In an open area in the village, the musicians are, from left: unidentified musician (pambai, drum pair), A. K. Ganesan (tavil), unidentified musician (instrument blocked), unidentified musician (“shrutiputtu” shrutipeti, “tone box”) pumped free-reed aerophone (substitutes for traditional ottu reed pipe), I. P. Kurusāmi (nāgasvaram), unidentified musician (nāgasvaram), unidentified musician (taḷām cymbals), M. Raman is behind a musician (tavil), unidentified (timiri – small membranophone played with two sticks), Karutta Kannan (pambai, single drum), and behind Karutta Kannan, an unidentified musician (pambai, drum pair). Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumbi (Urummi, Uṟumi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble, Usilampatty (India), 1984

Nāiyāndī Mēḷam ensemble - I. P. Kurusāmi, a nāgasvaram musician, ensemble leader, Usilampatty (India), 1984

Description:
I. P. Kurusāmi, hereditary temple processional musician, plays a nāgasvaram, a long multiple-reed aerophone. Kurusāmi was a member of a Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Uṟumi (Urumbi, Urummi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble - I. P. Kurusāmi, a nāgasvaram musician, ensemble leader, Usilampatty (India), 1984

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:
View of a cement statue of the god Aiyanar, and the temple corner, from a high vantage point behind, with hanging aerial branches of bodhi tree in the foreground. A statue of a woman appears to crawl toward the edge of the temple wall toward Aiyanar.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Aiyanar temple guardian statue, Madurai (India : District), 1984

Description:
An Aiyanar temple guardian: Cement statue of god Aiyanar (goddess?) astride a rearing white horse (Kalki), placed on a high pedestal at the corner of a temple wall. His (?) consort or servant Puranai stands beneath the horse with other figures. The slide was taken en route between Madurai and Usilampatty.
Date:
1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar temple guardian statue, Madurai (India : District), 1984

Holeya community women sing Kanarese songs, Bailhongal (India), 1984

Description:
During a session to sing Kanarese songs, seven Holeya women and two children sit on fabric on a tile floor. Two hand woven rugs are on the walls behind them. Session to playback and re-record music originally recorded by musicologist A. A. Bake in 1938 (Bake 68.6, 68.7 and .68.8, and 70.1). This is the first playback and re-record session of the 1984 Bake Restudy field trip.
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Holeya community women sing Kanarese songs, Bailhongal (India), 1984

Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Sixteen visible girls (of 18) in bright long skirts and blouses hold hands as they sing and dance in a circle around the image of an elephant, representing the vahana of Goddess Lakshmi, thus worshiping Shakti, the feminine principle. One girl crouches and points to the image.
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Description:
Fourteen visible girls in bright long skirts and blouses stand in a line, some holding hands. They all look at another girl who faces two girls on the right, and who stands to the right of an image of an elephant, representing the vahana of Goddess Lakshmi (thus worshiping Shakti, the feminine principle).
Date:
February 20, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Haḏgā dance demonstration - school girls demonstrate a Haḏgā dance at Mahila Vidyalaya (girls' high school), Belgaum (India), 1984

Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Description:
Two clarinets and a trumpet play in the center of a band in formation during a wedding procession as a city bus passes. The Basavanneppa Band includes bass drums (2), side drums (2), snare drums (2), clarinets (3), baritone horns (3), trumpets (4), and tubas (2). The location is 35/1 Vardhappa Rd., Belgaum 590004.
Date:
February 18, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Baraat wedding procession with the Basavanneppa Band, Belgaum (India), 1984

Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Description:
Gangadhar Nagar community leader Chandappa Jampana Kattimani holds a photograph and obituary of the musicologist Arnold Adriaan Bake. He is being interviewed off camera by Nazir Ali Jairazbhoy, who asks whether he remembers Bake’s visit in 1938.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Description:
Gangadhar Nagar community leader Chandappa Jampana Kattimani holds a photograph and obituary of the musicologist Arnold Adriaan Bake. He is being interviewed off camera by Nazir Ali Jairazbhoy, who asks whether he remembers Bake’s visit in 1938.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Chandappa Jampana Kattimani holds a photograph of Arnold Adriaan Bake, Hubli (India), 1984

Gangadhar Nagar - Haranśikārī / Haran Shikari community gathered as Gopibai Sivlal, a Kanjar Bhāṭ woman, dances, Hubli (India), 1984

Description:
Gopibai Sivlal, a Kanjar Bhāṭ woman, dances in the Rajasthani ghumar style while women sing and clap. She dances to the same songs as were recorded by musicologist A. A. Bake in 1938 (Tefi# 63.12), “Bhat dance with women’s song” and “Kamlivalo” (“Blanket Man”), about Prophet Mohammed. In the left foreground, Nazir Ali Jairazbhoy’s left hand adjusts the microphone. Many women and children watch. At Gangadhar Nagar. This scene was used in the Bake Restudy video. Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned in 1991 and they performed the same song with additional historical verses.
Date:
February 24, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Haranśikārī / Haran Shikari community gathered as Gopibai Sivlal, a Kanjar Bhāṭ woman, dances, Hubli (India), 1984

Gangadhar Nagar - Gopibai Sivlal, a Kanjar Bhāṭ woman, dances alone, Hubli (India), 1984

Description:
Gopibai Sivlal, a Kanjar Bhāṭ woman, dances alone in the Rajasthani ghumar style with arms outstretched holding two crossed sticks, while children, women, and men watch. Ranjit, a bearded drummer, plays ḍholak. Women sing and clap. At Gangadhar Nagar.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Gopibai Sivlal, a Kanjar Bhāṭ woman, dances alone, Hubli (India), 1984

Gangadhar Nagar - Gopibai Sivlal, a Kanjar Bhāṭan, dances alone, Hubli (India), 1984

Description:
Gopibai Sivlal, a Kanjar Bhāṭ woman, dances alone in the Rajasthani ghumar style with arms outstretched holding two crossed sticks above her head, while children, women, and men watch. Ranjit, a bearded drummer, plays ḍholak. At Gangadhar Nagar.
Date:
February 24, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Gopibai Sivlal, a Kanjar Bhāṭan, dances alone, Hubli (India), 1984

Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, with singers, Madurai (India), 1984

Description:
Madurai Minakshi Temple bhajana mandali group devotional singing in front of the candle-lit altar to many deities, represented in framed Tanjore style paintings. Baby Krishna is distinguishable on left side. Probably Meenakshi is in the center. Tiruppati, age 62 and the bhajan group leader, is barely distinguishable on left side, second in the line, after the harmonium player. Others hold lyric books as they sing the songs that A. A. Bake recorded in 1938 (Tefi 7.6, a Tirupaha - Praise of God, 14.1, 14.6, and 14.4, as well as six other items, including newer bhajans and an arati). Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy went to Madurai especially to meet Tiruppati, whom A. A. Bake recorded in 1938.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, with singers, Madurai (India), 1984

Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, singing with kaimani cymbals, Madurai (India), 1984

Description:
Seated portrait of Tiruppati, age 62, singing, the blind leader of Madurai Meenakshi Temple bhajan mandali (group devotional, sacred song singers). Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy went to Madurai especially to meet Tiruppati, whom A. A. Bake recorded in 1938.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tiruppati, leader of the Madurai Meenakshi Temple bhajan mandali, singing with kaimani cymbals, Madurai (India), 1984

Nāiyāndī Mēḷam ensemble - A. K. Ganesan, a tavil musician, Usilampatty (India), 1984

Description:
A. K. Ganesan, hereditary temple processional musician, plays tavil barrel-shaped drum. Ganesan was a member of a Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam, Kaliyappan Mela Cettu, Urumbi (Urummi, Uṟumi) Mēḷam).
Date:
March 11, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Nāiyāndī Mēḷam ensemble - A. K. Ganesan, a tavil musician, Usilampatty (India), 1984

Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Description:
View of a cement statue of woman astride a rearing white horse, the hooves resting on the heads of two guards holding maces. A third, smaller figure behind them also holds a mace. Three figures stand under the belly of the horse: a male with two right arms, one in an abhaya mudra, and one holding a flame (?) aloft; a female with her left hand near her head; and a young girl with a long braid.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar temple guardian statue with a woman astride a horse, Madurai (India : District), 1984

Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Description:
Village Guardian (?): View of a cement statue of god Aiyanar (blue face, moustache) astride rearing white horse (Kalki ?). His two servants (?), female and male, stand beneath the horse. Statues of two black horses on the lower level of the area rimmed by stone wall.
Date:
March 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Aiyanar village (?) guardian statue group, Madurai (India : District), 1984

Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Description:
Gondhal ceremony--Inauguration of the Archives and Research Centre for Ethnomusicology. Three musicians perform a Jāgran (Hindu ritual): Vāghyā Muralī Jāgran – Marathi devotional ritual music to Hindu deity Khaṇḍobā and Goddess Amba. Standing behind a mandhab, musicians (left to right): Jagannath Tite (tuṇtuṇe), Bhagvan Renake (jālra), and R. H. Garuda (sambal). A flame, incense and objects are on the left.
Date:
February 8, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gondhal and Jāgran ceremony, Pune (India), 1984, Pune (India), 1984

Tep Venkatachalam (Tevar) Pillai, professional singer and tep player, Madurai (India), 1984

Description:
Venkatacalam Tevar (aka Pillai) professional singer and tep player. Singing “Kaman Pāndigai,” a Tamil lavani genre in debate form, while playing tep (frame drum). Looking downward, his fingers are splayed in both hands. He wears a silver ring on his left index finger. Young boy in the audience smiles.
Date:
March 12, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tep Venkatachalam (Tevar) Pillai, professional singer and tep player, Madurai (India), 1984

Tep Venkatachalam (Tevar) Pillai, professional singer and tep player, Madurai (India), 1984

Description:
Venkatacalam Tevar (also known as Pillai) professional singer and tep player. Singing “Kaman Pāndigai,” a lavani genre sung in debate form, while playing tep (frame drum). With his eyes closed, he gestures with his right hand.
Date:
March 12, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tep Venkatachalam (Tevar) Pillai, professional singer and tep player, Madurai (India), 1984