Design, colored by hand, for painted inscription of a theatre, “The Playhouse, Northumberland Ave…Mgr. Cyril Maude.” Signed [by Gill] “A.E.R. Gill & Percy J. Smith, Writers.”
One of three examples of lettering on vellum, none dated. The text on this item states, “The Choir Stalls and Pulpit where given in memory of his three Sisters: Ann Smith, Jane Priestman, & Eleanor Turner, by William Smith of Corbridge.”
One of three examples of lettering on vellum, none dated. The text on this item states, “The Chancel Panelling was given by Mrs. Cuthbert Hutchinson in memory of her Mother Henrietta Gylby and her two Children Percy and Hilda.”
One of 4 miscellaneous sketches and drawings for materials intended to be printed. This drawing is likely planned for lettering and says, “The Studio.”
8 Specimens, including a gathering with a 9 blank leaves and 3 leaves in manuscript done in the holograph of Rene Hague. Printed at Hague & Gill printers.
Type specimen and/or proof with Gill’s corrections and initials. 4pp printed on two sides. The text begins, “But the word pride has a frightening sound…”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Text notes that these are “uncials…adapted from fifth to eighth century work.”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Text notes that these are “uncials…adapted from fifth to eighth century work.” A note in Gill’s hand states not to “make the lower arm of the F quite so low as here shown.”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Text notes that this hectograph is for the plan of a book opening, with instructions for measurements and folding.
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Text notes that these are “half-uncials…adapted from round writing of sixth to eighth centuries.”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Text notes that these are “half-uncials…adapted from round writing of sixth to eighth centuries.”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Shows three full alphabets, one that is “Serif magnified.”
Hewitt, Graily. A hectographed calligraphic sample sheet, designed for the use of students of calligraphy. Shows several capital letters in “Roman Capitals.”
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
A calligraphic sample that has been hectographed. One from a set of 14 sample sheets provided to the students of Edward Johnston. [Note: when Johnston began to teach, Eric Gill was one of only 9 students].
Calligraphic example by Ethel Moore [maiden name of Mrs. Gill, who took the name ‘Mary’ as her name upon entering the Catholic church], written when she was a pupil of Edward Johnston. First line of poem reads, “Let those who are in favor with their stars…” Four lines of text.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows upper and lower-case B and the number 2.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows upper and lower-case C and the number 3.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows upper and lower-case E and the number 4.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows upper and lower-case H and the number 5.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters G, H, I and J.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters K, L and M.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters N, O and P.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters A, B and C.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters D, E and F.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters T, U and V.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters W, X and Y.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows lower-case b, d and p.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This item is from a set of six original lettered sheets. Shows upper and lower-case A and the number 1.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. This photograph is from a group of nine photographs comprising a complete alphabet. Shows upper and lower-case letters Z and Qu.
Sketch of a frame to be carved, and lettered at top, “Ave Maria plena gratia.” Marginal notes discuss size and carving details. Not identified in Gill business records, or included in Gill Inscriptional work.
Design for inscription on stone, “Edmondus Warre…” Signed and dated by Gill. Annotation reads, “…very rough, but I think it suggests how the lettering would go in.”
Memorial inscription on stone for Sylvia Ruth DuCane, born 12 Feb. 1870 died 16 May 1907. Oblong folio sheet, design is in 2 sections. Signed AER Gill.
Greek lettering [for side of Hopton-Wood stone relief T-shaped crucifix of nude Christ] Quote of Matthew 19.12 in Greek. 2 Leaves: 31x12” & 23x18” on verso of 2d: penciled sketch for location and installation of Boulter Headstone. See Inscr. Work 200 and Thorp Gill plate #1. Inscription work 203.
Greek lettering [for side of Hopton-Wood stone relief T-shaped crucifix of nude Christ] Quote of Matthew 19.12 in Greek. 2 Leaves: 31x12” & 23x18” on verso of 2d: penciled sketch for location and installation of Boulter Headstone. See Inscr. Work 200 and Thorp Gill plate #1. Inscription work 203.
From collection of ms drafts of alphabets and sample lettering & calligraphic work. “Sketch for a notice for the L.C.C. School, Regent St.” 16 lines of text.