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Interior view of The Bachelors haberdashery designed by Julius Ralph Davidson, Los Angeles, circa 1929

Description:
Interior view of a built-in wall display and built-in sofa at The Bachelors haberdashery, designed by Julius Ralph Davidson in an art deco style, "featuring panels of Makassar ebony set into aluminum frames, brown and tan carpeting laid in strips, and high-quality pigskin upholstery." (Christopher Long, "The Rise of California Modern Design, 1930-41." in ed. Wendy Kaplan, California Design, 1930-1965: Living in a Modern Way (2012), 65.
Date:
[circa 1929]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Interior view of The Bachelors haberdashery designed by Julius Ralph Davidson, Los Angeles, circa 1929

Interior view of The Bachelors haberdashery designed by Julius Ralph Davidson, Los Angeles, circa 1929

Description:
Detail of the art deco styled interior of The Bachelors haberdashery, designed by Julius Ralph Davidson in an art deco style. A cactus in a pot stands in front of venetian blinds serving as a room divider. The room beyond is furnished with directors chairs and a wood paneled desk, and the wall on the left is faced with closets with wood paneled sliding doors.
Date:
[circa 1929]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Interior view of The Bachelors haberdashery designed by Julius Ralph Davidson, Los Angeles, circa 1929

Stanley Reckless painting in the studio of his Silver Lake home as his wife (?) observes, Los Angeles, 1930-1939

Description:
Stanley Reckless was born Stanley Zbytniewski. In 1913 he enrolled at the Pennsylvania Academy of the Fine Arts (PAFA), studied under Daniel Garber. In 1915, 1916 he was awarded 2 Cresson Traveling Scholarships, and traveled to Paris, enrolling briefly at the Academie Julian. In 1920 he moved to Lumberville, Pennsylvania and started exhibiting at PAFA, the National Academy of Design, and the Corcoran Gallery of Art. In 1924 he settled in New Hope, Pennsylvania, where he painted the landscape and shared a studio with Charles Hargens. In 1930 he moved to California where he painted portraits of members of the film industry. He co-founded the Art Center School in Los Angeles.
Date:
[between 1930-1939]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Stanley Reckless painting in the studio of his Silver Lake home as his wife (?) observes, Los Angeles, 1930-1939

Bed room in the William Conselman Residence, Eagle Rock, 1930-1939

Description:
View of a bed room in the house of William Conselman, with wood paneled walls and an open beam ceiling, and furnished with a bed, upholstered chair and ottoman, all covered in a leopard print fabric, and a desk, chair side table and floor lamp. There are 3 prints or paintings of horses on the wall.
Date:
[between 1930-1939]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Bed room in the William Conselman Residence, Eagle Rock, 1930-1939

Vaudeville (?) act with two men in front of a stage curtain, 1920-1939

Description:
Photograph of two men standing in front of a stage curtain, dressed in 3-piece suits, performing a vaudeville act, with one man playing a ukulele and singing with his mouth wide open next to another man who is frowning, holds a finger over the ear closest to the singer and holds his other hand over his stomach.
Date:
[between 1920-1939]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Vaudeville (?) act with two men in front of a stage curtain, 1920-1939

Carlos and Ada Vierra, Santa Fe, 1932

Description:
Carlos Vierra (1876 – 1937) studied at the Mark Hopkins Institute (now part of the San Francisco Art Institute) under Gottardo Piazzoni in the 1890s, and also studied illustration in New York. He was the first resident artist in New Mexico and one of the first 3 members of the Santa Fe Art Colony. He was a strong advocate for preserving landmark buildings in New Mexico and promoted a modern architectural style now called the Pueblo Revival Style architecture that reflects this historic architectural heritage.
Date:
1932
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Carlos and Ada Vierra, Santa Fe, 1932

Bert Geer Phillips, artist, Taos, 1932

Description:
Bert Geer Phillips was an American artist and a founding member of the Taos Society of Artists. He was the first artist to permanently settle in Taos, New Mexico (1898) and is considered to be the founder of the Taos art colony. He is known for his paintings of Native Americans, New Mexico, and the American Southwest.
Date:
1932
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Bert Geer Phillips, artist, Taos, 1932