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Zella Jones and her parents stand in their front yard, Red Bluff, 1898

Description:
A distant view of the Jones' residence in Red Bluff. From left to right, Zella Jones, William H. Jones and Lavinia Jones stand behind the picket fence that encloses their property on the opposite side of the street. A dirt road runs horizontally across the image in the foreground. A sidewalk and the picket fence run behind and parallel to the dirt road. The Joneses stand behind the fence left-of-center. Trees stand in the yard behind them. Their homes stands at left behind some of the trees.
Date:
1898
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Zella Jones and her parents stand in their front yard, Red Bluff, 1898

Zella Jones and her parents on their front porch, Red Bluff, 1898

Description:
A distant view, from left to right, of Lavinia (Kellum) Jones, William H. Jones and Zella Jones on the front porch of their home in Red Bluff. The front of the house is viewed at an angle from the front lawn. Four square posts support the porch. Lavinia Jones stands between the two left posts and behind a hammock. She stands to the right of a window and to the left of the front door. William H. Jones sits in a rocking chair just up the front steps and in front of the front door. Zella Jones stands to the right of the steps and to the left of a post. A window and bicycle are behind her. A water spigot stands in the yard in front of the house. A hose connected to the spigot winds its way across the yard.
Date:
1898
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Zella Jones and her parents on their front porch, Red Bluff, 1898

"Yukon Bell" moored along the bank of the Yukon River, Circle, 1946

Description:
Photograph of the boat, "Yukon Bell" sitting in the Yukon River, moored to the bank. The rock- and log-strewn bank stretches through the foreground on an upward angle from the lower left corner to the right. The Yukon River extends from the left side of the bank and into the distance. Along the bank, left-of-center, the boat "Yukon Bell" floats in the water. A rope tethers it to the bank at right. The boat is viewed at a slightly elevated angle from the side. The front of the boat faces right. A horizontal bar with attached fish hooks stretches through the center line of the boat. "YUKON BELL," is printed along the starboard side of the boat. The Yukon River and surrounding landscape stretch into the background.
Date:
August 20, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
"Yukon Bell" moored along the bank of the Yukon River, Circle, 1946

Yreka jail, viewed from the opposite side of the street, Yreka, 1898

Description:
Photograph of the Yreka jail viewed from across the street. A dirt street passes across the foreground on an upward angle from the lower right corner towards the left and out of frame. On the right, or far side of the road, the jail stands on the street corner. A stone wall encircles the building; a doorway is cut into the middle of the side of the wall that runs parallel to the street. Beyond the stone wall, the brick jail rises and peeks above the wall. It is viewed at an angle from the front and the side; it faces towards the street. A decorative chimney rises from each corner of the roof. The building sits on a street corner. Another street stretches behind the building and a house stands on the far side of the cross street, left-of-center.
Date:
1898
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Yreka jail, viewed from the opposite side of the street, Yreka, 1898

Yreka Bakery, viewed at an angle, Yreka, 1898

Description:
Photograph of Yreka Bakery standing along the side of a dirt street passing through Yreka. A dirt street stretches through the image on an upward angle from the lower left corner and receding into the distance at right. The bakery lines the left side of the road. It is of lumber construction and is viewed at an angle. The short side is nearest to camera at left and the long side runs parallel to the road. A tall stovepipe extends from the center of the roof and out of frame. Signage atop the roof reads, "BAKERY AND CONFECTIONERY." Fencing extends from the long side of the building, towards the left and out-of-frame. Posters are affixed to the side of the fence; they read: [first sign unreadable], "MASTIFF PLUG CUT FOR THE HAIR [... ?] MASTIFF PLUG CUT [... ?]," and "[SMGEE?] PLUM LONG CUT." Beyond the far side of the bakery, a house lines the road. Trees and utility poles stand along the right side of the road as it stretches towards the horizon.
Date:
1898
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Yreka Bakery, viewed at an angle, Yreka, 1898

"Youth Arisen" mural panel by Leo Katz at the Frank Wiggins Trade School, Los Angeles, 1935

Description:
View of the central, "Youth Arisen," panel of Katz's mural of three panels, funded by the WPA (Works Project Administration). A central youth, with his eyes closed, is shown between creative uses of technology (like the movie camera seen in this photograph) and destructive uses as in war. The overall theme of the murals shown in the other two panels is the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
Date:
1935
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
"Youth Arisen" mural panel by Leo Katz at the Frank Wiggins Trade School, Los Angeles, 1935

"Youth Arisen" mural panel by Leo Katz at the Frank Wiggins Trade School, Los Angeles, 1935

Description:
View of the central, "Youth Arisen," panel of Katz's mural of three panels, funded by the WPA (Works Project Administration). A central youth, with his eyes closed, is shown between creative uses of technology (like the movie camera seen in this photograph) and destructive uses as in war. The overall theme of the murals shown in the other two panels is the history of the uses of tools serving the creative and destructive passions of man within the context of the Toltec and Aztec cultures.
Date:
1935
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
"Youth Arisen" mural panel by Leo Katz at the Frank Wiggins Trade School, Los Angeles, 1935