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Patricia O’Shea Jairazbhoy at Mount Mary Church, Bandra (Mumbai, India), 1963

Description:
Patricia O’Shea Jairazbhoy stands on the left staircase of the Mount Mary Grotto at Mount Mary Church. A man prays at statue of the Virgin Mary under the spire; there is a Crucifix in the alcove below. The words "Meditation" and "Peace" are above two arches.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Patricia O’Shea Jairazbhoy at Mount Mary Church, Bandra (Mumbai, India), 1963

Hameida Janmohamed, Patricia O’Shea Jairazbhoy and Khurshid Khanum Janmohamed Cassamali Jairazbhoy at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Description:
Hameida Janmohamed, Patricia O’Shea Jairazbhoy (wife of Nazir Ali Jairazbhoy), and Khurshid Khanum Janmohamed Cassamali Jairazbhoy (mother of Nazir Ali Jairazbhoy) sit on the steps of a terrace in Mrs. Khurshid Jairazbhoy’s home. The home was designed by architect Amir Ali Jairazbhoy, son of Khurshid Khanum Jairazbhoy. The village, Malir, is east of Karachi.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Hameida Janmohamed, Patricia O’Shea Jairazbhoy and Khurshid Khanum Janmohamed Cassamali Jairazbhoy at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy, at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Description:
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy stand on the sloping, curving balcony of Mrs. Khurshid Jairazbhoy’s home, designed by her son, architect Amir Ali Jairazbhoy.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy, at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, Churchgate (Mumbai, India), 1963

Description:
Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, at 6 Rehmat Manzil, 3rd floor, Churchgate. This is. Laundry is drying on string clothesline. View facing northwest onto Vir Nariman Road, of two cars and one kala-pili taxi. Multi-story apartment buildings and Ambassador Hotel are on the opposite side of road.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, Churchgate (Mumbai, India), 1963

Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy standing in Khurshid Jairazbhoy’s garden, Malir Village (Pakistan), 1963

Description:
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy stand in Mrs. Jairazbhoy’s garden of mango trees and aloes in Malir village, east of Karachi, Pakistan. Both wear Western tailored frocks and cardigans. Mrs. Khurshid Jairazbhoy wears a headscarf.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy standing in Khurshid Jairazbhoy’s garden, Malir Village (Pakistan), 1963

Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Description:
Datta Saunke (nagāṙā drum pair), J. R. Yadav playing (shehnai double-reed aerophone), and another musician (surpeṭī drone) at the Durgā-pūjā Mahotsav festival, during a recording session. The festival was held at the Cross Maidan garden in Dhobi Talao neighborhood.
Date:
October 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Description:
Datta Saunke (nagāṙā drum pair), J. R. Yadav (shehnai double-reed aerophone) and another musician at a recording session (microphones visible) during the Durgā-pūjā Mahotsav festival. The festival was held at the Cross Maidan garden in Dhobi Talao neighborhood.
Date:
October 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Pair of sambal, in the possession of B. K. Gurav, Vadodara (India), November 1963

Description:
Conical kettle drums. The larger left hand drum is played with a curving stick, which applies pressure to the drumhead, varying its pitch. The smaller right hand drum is played with a straight stick. The drums are usually played by devotees during rituals to the goddess Mahalaxmi. The drums are tied together and around the waist of the player for ease of access.
Date:
October 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Pair of sambal, in the possession of B. K. Gurav, Vadodara (India), November 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Description:
B. K. Gurav plays tablā, Balkrishna Maruti Rao Shirke plays shehnai, a young man plays shruti peti drone. Two Neuman microphones on stands in the foreground indicate that this is a recording session. Two young boys and adult man watch from behind.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Mṛdaṅgam, ḍholak, pakhāwaj, and ḍamaru, possession of R. S. Mayekar, Mumbai (India), 1963

Description:
Large drums, from left: mṛdaṅgam: L 22”, diameter (ink i.e. syahi black spot) 6 ½; dia. (plain) 8 ½”. ḍholak: L 17”; diameter 9 ½; waist: 39 ½”. pakhāwaj (pakhavaj): L 23”, diameter (ink i.e. syahi black spot) 5”; dia. (plain) 7”. Ḍamaru: L 7”; diameter 6 ½”.
Date:
November 12, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Mṛdaṅgam, ḍholak, pakhāwaj, and ḍamaru, possession of R. S. Mayekar, Mumbai (India), 1963

Dhol-Lezim dance troupe musicians, Lonāvale (India), 1963

Description:
Musicians in a Dhol-Lezim (Lejim) mandal dance troupe (Shri Ram Mandir Gowli: Ram Temple Milkmen) play a large ḍhol barrel membranophone and a tāsa shallow bowl drum played with cane sticks (chob). About 20 Gowli men encircle them playing pairs of jhāñjh bronze cymbals, and lezim rattles with jingling cymbals loosely attached.
Date:
December 13, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Dhol-Lezim dance troupe musicians, Lonāvale (India), 1963

Kathodi Ādivāsī boys and a man sing and dance moving clockwise, Kune (India), 1963

Description:
Kathodi (Katkari) Ādivāsī boys and a man sing and dance moving in a clockwise circle, holding each other by the shoulder from behind. They sing “Vinchu chawla”--“A serpent has bitten me.” Kune Mission village, after Khapoli, near Lonavala, Maharashtra.
Date:
December 14, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Kathodi Ādivāsī boys and a man sing and dance moving clockwise, Kune (India), 1963

Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963

Description:
Two images. Left: Ramchandra Babaji Salukhe playing shehnai, with a shruti musician. Right: D. M. Bhonsle playing a “cangara” (nagāṙā?). They are performing prior to a tamasha performance. The diary of Nazir Ali Jairazbhoy states “Recorded shehnai party. Not very good.”
Date:
December 16, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963