Henry Hebard West was a Los Angeles resident, Southern Pacific Railroad employee, and candid photographer. His photograph album contains images of Los Angeles and vicinity, but also includes many photos of travels to Northern California, the Midwest, and New England. Most of the photos are portraits of the West family in Los Angeles, where they lived at 240 S. Griffin Avenue, in a house built by the photographer's father. The photos provide a first-hand look at the architecture, interior decoration, furniture, clothing, hair styles, and transportation of the period. They document the life of the West family over a span of forty years, as they age, marry, raise children, enjoy outings to nearby city parks, beaches, hotels, and missions, and vacation together in Northern California, returning again and again to places like Yosemite, Silver Lake, Gem Lake, June Lake, Convict Lake, and Minnelusa to camp; sled; hike; trout fish; and hunt deer, rabbits, doves, and sage hens.
Aldous Leonard Huxley (1894-1963) was a prolific writer of novels, essays, poetry, criticism, and screenplays. The Aldous Huxley Papers portion of the collection consists correspondence between Aldous Huxley and publishers Harper & Row, personal correspondence, holographic notes, literary manuscripts and personal effects. Laura Archera Huxley (1911-2007) was a musician, author, psychological counselor and lecturer. The materials in the collection that comprise the personal papers of Laura Archer Huxley include personal correspondence, holographic and typewritten notes, manuscripts, collected articles and clippings and interviews. As well, there are photographs and audiovisual recordings of both Aldous Huxley and Laura Archera Huxley.
On Wednesday, October 30, 1895, Armenians were massacred in Erzurum and the surrounding Armenian villages. American journalist William Sachtleben happened to be in Erzurum at that time, investigating the disappearance of American cyclist Frank Lenz. During the massacre Sachtleben was in the American mission building, where over 200 Armenians fled for protection. Sachtleben witnessed the aftermath of the massacre; he took photographs of the victims in the Armenian Cemetery and wrote three lengthy and detailed letters about the massacre that were published, unsigned and attributed to an Occasional Correspondent, in the London Times on November 16, 27 and December 9. In the Nov. 16 letter he wrote: "Saturday, Nov. 2...I went with one of the cavasses of the English Legation, a soldier, my interpreter, and a photographer (Armenian) to the Armenian Gregorian Cemetery. The municipality had sent down a number of bodies, friends had brought more, and a horrible sight met my eyes. Along the wall on the north in a row 20ft. wide and 150ft. long, lay 321 dead bodies of the massacred Armenians..." In the Times Nov. 27 letter, Sachtleben wrote: "The number of houses of Armenians in Erzerum is about 2,000...Of these 2,000 houses, about 1,500 to 1,800 are completely emptied of their contents. Many families, formerly well-to-do, are now completely in poverty, having lost all their goods in the shops and all their household articles as well..."
The Photo Jack collection, held by the Arab Image Foundation (Lebanon) comes from the Studio Photo Jack, and includes different photographic practices ranging from photo surprise in public space to reportage from private events. The images show the diversity of northern Lebanon and its communities across religious, ethnic, cultural and class lines.
This digital collection will include 4,375 photographic prints from the archive, reflecting this important period in Ghanaian history with images of political figures and events, the processes of industrialization, and ceremonial and daily life in communities throughout Ghana following independence.
