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Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Description:
Portrait of the Jairazbhoy family with Hussein Visram, the Jairazbhoy Wakf office manager. They are on the Jairazbhoy Wakf office grounds, Vir Nariman Road, Colaba, Mumbai, opposite Leopold Café.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Description:
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy, and Rafique Ali Jairazbhoy outside Jairazbhoy Wakf office grounds, opposite Leopold’s Café on Vir Nariman Road, Colaba, Mumbai, opposite Leopold Café.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ashraf Ali Jairazbhoy, Hussein Visram, Patricia O’Shea Jairazbhoy, Nazir Ali Jairazbhoy and Rafique Ali Jairazbhoy, Colaba (Mumbai, India), 1963

Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

Description:
Musician and teacher Babu Sherbande plays manjira (small bronze finger cymbals) for a song sung by his student, Nila Sewlinga Vaghmare. She plays a cawandga, a variable tension monochord whose string is attached to a wooden handle, and stretched and loosened by the left hand, while being plucked with the right-hand fingers. Bronze bells (ghanti) are attached to the bronze holder for the strap that is attached to the wooden cylindrical body, whose upper edge is rimmed in bronze, and whose bottom is covered by a thin leather membrane, through which the end of the string passes and is tied. Bronze jingles are attached to the wooden handle. Nila Vaghmare’s daughter, Ratna Shankar Vaghmare, sings along and plays a tuṇtuṇe, a plucked monochord with a horsehead peg and a wooden cylindrical resonator. The cawandga and tuṇtuṇe were made in the shop of Abdul Karim Ismail Saheb, sitar makers of Miraj.
Date:
December 19, 1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Babu Sherbande, Nila Sewlinga Vaghmare, and Ratna Shanka Vaghmare, Miraj (India), 1963

Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Description:
Banjara women with children discuss arrangements for the upcoming recording session of women’s songs. The women wear large nose rings, toe rings, and elaborate necklaces. Their long cholīs (blouses), gāgrās (ankle-length full skirts), and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women, Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Description:
Banjara women dancing and singing accompanied by a daf or ḍapla (?). Two women bedecked with white bangles with arms and bodies lowered, as Gajā, plays a daf or ḍapla (?) with thin bamboo sticks. Dwellings are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Description:
Banjara women dancing and singing. Six women dance (a welcome song for marriage?) with raised arms, bedecked with white bangles. They wear large nose rings, toe rings, and elaborate necklaces. Their long cholīs (blouse) gāgrās (ankle-length full skirts) and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The headman, Gajā, plays a daf for their song. Other men had left for work in fields. Huts and a thatch-roof cowshed are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, accompanied by a ḍapla/dappu (?), Hyderabad, vicinity (India), 1963

Banjara (or Lambadi) women singing and dancing, Hyderabad, vicinity (India), 1963

Description:
Twelve Banjara women dance (welcome song for marriage?) with raised arms, bedecked with white bangles. They wear large nose rings and elaborate necklaces. Their long cholīs (blouses), gāgrās (ankle-length full skirts), and oṛhnīs (shawl worn over head, one end tucked into waist) are decorated with needlework, coins, and mirror work. The headman Gajā, plays a daf / ḍapla (?) for their song. Other men had left for work in fields. Bañjārā homes are visible in the background. The village is 17 miles from Hyderabad.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Banjara (or Lambadi) women singing and dancing, Hyderabad, vicinity (India), 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Description:
B. K. Gurav plays tablā, Balkrishna Maruti Rao Shirke plays shehnai, a young man plays shruti peti drone. Two Neuman microphones on stands in the foreground indicate that this is a recording session. Two young boys and adult man watch from behind.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Cawanda at the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Description:
Cawandga, a variable tension monochord whose string is attached to a wooden handle, and stretched and loosened by the left hand, while being plucked with the right-hand fingers. Three bronze bells ghanti are attached to the bronze holder for the strap attached to the wooden cylindrical body, whose bottom is tightly covered by a thin leather membrane, through which the end of the string passes and is tied. Three bronze jingles are attached to the wooden handle. The instrument is said to have originated in the skull of the evil king Kartavirya Arjun, after he was beheaded by Lord Parasurama, son of Goddess Renuka/Yellamma. Devotees play the instrument in honor of Goddess Renuka-Yellamma and Lord Parasurama. The cawandga was made at the shop of Abdul Karim Ismail Saheb, sitar Makers of Miraj.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Cawanda at the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Cawanda at the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Description:
Cawandga view from underside, a variable tension monochord whose string (not shown) is attached to a wooden handle, and stored within the wooden “drum.” The string is stretched and loosened by the left hand, while being plucked with the right-hand fingers. Three bronze bells ghanti are attached to a serpentine bronze wire hanging on two bronze rings attached to the wooden resonator, to which a leather carrying strap is attached to the wooden resonator. The bottom of the resonator is tightly covered by a thin leather membrane, through the center of which the end of the string passes, where it is knotted and tied to a small piece of raw cotton padding to prevent the membrane from tearing. A stitched piece of printed textile with a decorative tassel at its corner loosely covers the wooden body. The cawandga was made at the shop of Abdul Karim Ismail Saheb, sitar Makers of Miraj. .
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Cawanda at the shop of Abdul Karim Ismail Saheb, Miraj (India), 1963

Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Description:
Congregational singers at Christmas Eve hymn singing Telugu Christmas songs: to Mariamma (Mary), and Jesus; a lullaby; a rama; and a “village" song. Musicians play rectangular clappers (left), a ḍholak or mṛdaṅgam (center), and harmonium (right). A large kalam decorates the floor.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Description:
Congregational singers at Christmas Eve hymn singing Telugu Christmas songs: songs to Mariamma (Mary), and Jesus; a lullaby; a rama; and a “village" song. A large kalam decorates the floor. Decorative cut-paper strips including a Christian cross hang overhead. A gas lantern illuminates gathering. The researcher's driver holds a microphone.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963