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Hameida Janmohamed, Patricia O’Shea Jairazbhoy and Khurshid Khanum Janmohamed Cassamali Jairazbhoy at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Description:
Hameida Janmohamed, Patricia O’Shea Jairazbhoy (wife of Nazir Ali Jairazbhoy), and Khurshid Khanum Janmohamed Cassamali Jairazbhoy (mother of Nazir Ali Jairazbhoy) sit on the steps of a terrace in Mrs. Khurshid Jairazbhoy’s home. The home was designed by architect Amir Ali Jairazbhoy, son of Khurshid Khanum Jairazbhoy. The village, Malir, is east of Karachi.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Hameida Janmohamed, Patricia O’Shea Jairazbhoy and Khurshid Khanum Janmohamed Cassamali Jairazbhoy at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy, at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Description:
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy stand on the sloping, curving balcony of Mrs. Khurshid Jairazbhoy’s home, designed by her son, architect Amir Ali Jairazbhoy.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Patricia O’Shea Jairazbhoy, at Ms. Khurshid Jairazbhoy's home, Malir Village (Pakistan), 1963

Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, Churchgate (Mumbai, India), 1963

Description:
Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, at 6 Rehmat Manzil, 3rd floor, Churchgate. This is. Laundry is drying on string clothesline. View facing northwest onto Vir Nariman Road, of two cars and one kala-pili taxi. Multi-story apartment buildings and Ambassador Hotel are on the opposite side of road.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Indian crow on the balcony of the home of Ashraf Ali Jairazbhoy, Churchgate (Mumbai, India), 1963

Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy standing in Khurshid Jairazbhoy’s garden, Malir Village (Pakistan), 1963

Description:
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy stand in Mrs. Jairazbhoy’s garden of mango trees and aloes in Malir village, east of Karachi, Pakistan. Both wear Western tailored frocks and cardigans. Mrs. Khurshid Jairazbhoy wears a headscarf.
Date:
1963
Resource Type:
still image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Khurshid Khanum Janmohamed Cassamali Jairazbhoy and Mrs. Patricia O’Shea Jairazbhoy standing in Khurshid Jairazbhoy’s garden, Malir Village (Pakistan), 1963

Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Description:
Datta Saunke (nagāṙā drum pair), J. R. Yadav playing (shehnai double-reed aerophone), and another musician (surpeṭī drone) at the Durgā-pūjā Mahotsav festival, during a recording session. The festival was held at the Cross Maidan garden in Dhobi Talao neighborhood.
Date:
October 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Description:
Datta Saunke (nagāṙā drum pair), J. R. Yadav (shehnai double-reed aerophone) and another musician at a recording session (microphones visible) during the Durgā-pūjā Mahotsav festival. The festival was held at the Cross Maidan garden in Dhobi Talao neighborhood.
Date:
October 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Pair of sambal, in the possession of B. K. Gurav, Vadodara (India), November 1963

Description:
Conical kettle drums. The larger left hand drum is played with a curving stick, which applies pressure to the drumhead, varying its pitch. The smaller right hand drum is played with a straight stick. The drums are usually played by devotees during rituals to the goddess Mahalaxmi. The drums are tied together and around the waist of the player for ease of access.
Date:
October 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Pair of sambal, in the possession of B. K. Gurav, Vadodara (India), November 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

Description:
B. K. Gaurav playing a sambal drum pair, his left hand holding a curving stick for creating variable sliding pitches on larger drum; Balkrishna Maruti Rao Shirke, playing a sundari or piti (small shehnai), with a larger shehnai at his feet. A third musician is playing a peti drone box. A microphone at the center records the session.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav, Balkrishna Maruti Rao Shirke, and a surpeṭī musician perform, Vadodara (India), 1963

B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Description:
B. K. Gurav plays tablā, Balkrishna Maruti Rao Shirke plays shehnai, a young man plays shruti peti drone. Two Neuman microphones on stands in the foreground indicate that this is a recording session. Two young boys and adult man watch from behind.
Date:
November 4, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
B. K. Gurav (tablā), Balkrishna Maruti Rao Shirke (shehnai), and shruti peti drone musician, Vadodara (India), 1963

Mṛdaṅgam, ḍholak, pakhāwaj, and ḍamaru, possession of R. S. Mayekar, Mumbai (India), 1963

Description:
Large drums, from left: mṛdaṅgam: L 22”, diameter (ink i.e. syahi black spot) 6 ½; dia. (plain) 8 ½”. ḍholak: L 17”; diameter 9 ½; waist: 39 ½”. pakhāwaj (pakhavaj): L 23”, diameter (ink i.e. syahi black spot) 5”; dia. (plain) 7”. Ḍamaru: L 7”; diameter 6 ½”.
Date:
November 12, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Mṛdaṅgam, ḍholak, pakhāwaj, and ḍamaru, possession of R. S. Mayekar, Mumbai (India), 1963

Dhol-Lezim dance troupe musicians, Lonāvale (India), 1963

Description:
Musicians in a Dhol-Lezim (Lejim) mandal dance troupe (Shri Ram Mandir Gowli: Ram Temple Milkmen) play a large ḍhol barrel membranophone and a tāsa shallow bowl drum played with cane sticks (chob). About 20 Gowli men encircle them playing pairs of jhāñjh bronze cymbals, and lezim rattles with jingling cymbals loosely attached.
Date:
December 13, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Dhol-Lezim dance troupe musicians, Lonāvale (India), 1963

Kathodi Ādivāsī boys and a man sing and dance moving clockwise, Kune (India), 1963

Description:
Kathodi (Katkari) Ādivāsī boys and a man sing and dance moving in a clockwise circle, holding each other by the shoulder from behind. They sing “Vinchu chawla”--“A serpent has bitten me.” Kune Mission village, after Khapoli, near Lonavala, Maharashtra.
Date:
December 14, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Kathodi Ādivāsī boys and a man sing and dance moving clockwise, Kune (India), 1963

Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963

Description:
Two images. Left: Ramchandra Babaji Salukhe playing shehnai, with a shruti musician. Right: D. M. Bhonsle playing a “cangara” (nagāṙā?). They are performing prior to a tamasha performance. The diary of Nazir Ali Jairazbhoy states “Recorded shehnai party. Not very good.”
Date:
December 16, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Tamasha performance - Ramachandra Babaji Salukhe (shehnai) with a surpeṭī musician, and D. M. Bhonsle ("congara"), Kolhapur (India), 1963

Instrument maker scraping painting on a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Description:
Abdul Karim Ismail Saheb cutting indentations into decorative celluloid strips in the making of a sitar or taṃbūrā. This is the first stage of the scrimshaw process in which scratches are made in the decorative strips, to be filled with pigment in the next stage. The location is the verandah of the workshop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Instrument maker scraping painting on a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Instrument maker applying paint on a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Description:
Abdul Karim Ismail Sahib applying paint on the indented celluloid strip in the making of a sitar or taṃbūrā. This is the second stage of the scrimshaw process in which scratches are filled with pigment. Black coal dust is used for black color. The location is the verandah of the workshop of Abdul Karim Ismail Saheb.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Instrument maker applying paint on a taṃbūrā at the shop of Abdul Karim Ismail saheb and Sons, Miraj (India), 1963

Instrument maker decorating an instrument at Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Description:
Indenting decorative celluloid strips in the making of a sitar or taṃbūrā. This is the first stage of the scrimshaw process in which scratches are made, to be filled with pigment in the next stage. Framed photos of ancestors, relatives, and ustāds hang from the top of the verandah wall at the workshop of Abdul Karim Ismail Saheb and Sons.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Instrument maker decorating an instrument at Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Description:
Abdul Karim Ismail Saheb at his home and music shop. Abdul Karim smiles with his sons, grandsons, workers, and others, including children. With them are Nazir Ali Jairazbhoy (middle row, dark shirt), Yacoob Rajabally (also known as Yacoob Qawwal and Yacoob Premragi) (top row, dark shirt) and Felix van Lamsweerde (bottom row, center-left). The portrait of a bearded man wearing a turban and medals on wall is possibly his grandfather.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Description:
Nazir Ali Jairazbhoy (center) holds a child in front of the loaded Volkswagen van, next to Yacoob Rajabally (also known as Yacoob Qawwal and Yacoob Premragi) (smoking), with Abdul Karim Ismail Saheb (left), Felix van Lamsweerde (right), and others.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Gummala, ḍholki, vette, and dappu, instruments of the Rāj Gond people, Hyderabad (India), 1963

Description:
From the left: gummala (pot drum), ḍholki (cylindrical drum), vette (flat, kettle drum), and dappu (wooden frame drum). Instruments of Rāj Gond people of Adilabad. The gummala also used by Kolām people in Adilabad. Possession of Tribal Cultural Research and Training Institute.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gummala, ḍholki, vette, and dappu, instruments of the Rāj Gond people, Hyderabad (India), 1963

Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Description:
Full view of the two-story home and music shop of Abdul Karim Ismail Saheb. Abdul Karim, his sons, grandsons, and workers stand in front. A sign reads “Music Dukan” (?). Felix van Lamsweerde walks toward the building. Nazir Ali Jairazbhoy's Volkswagen van is parked to the right.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Description:
Nazir Ali Jairazbhoy stands with Abdul Karim Ismail Saheb at his home and music shop. Abdul Karim smiles with his sons, grandsons, granddaughters, and workers. A portrait of a bearded man wearing a turban and medals on the wall is possibly his grandfather.
Date:
December 19, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Group portrait of the family of Abdul Karim, owner of Abdul Karim Ismail Saheb and Sons, Miraj (India), 1963

Ishvaramma Pocānā (sitārā and andil), and Satyammā, Jangmolu (dimkī), Hyderabad (India), 1963

Description:
Wandering musicians, Ishvaramma Pocānā playing a sitārā and andil (like tāla), and Satyammā (Jangmolu caste) playing dimkī, are seated on a curb with a baby and a young girl. They are singing a katha (story) of Harishchandra Maharaj in Telugu. The sitārā is a 3- stringed lute, the andil is a donut-shaped, hollow metal ring with pellets inside, held on the thumb and struck against the body of the sitārā, and the dimkī is a skin-covered pot drum with a rear opening. Male pedestrians stop to watch.
Date:
December 22, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ishvaramma Pocānā (sitārā and andil), and Satyammā, Jangmolu (dimkī), Hyderabad (India), 1963

Ishvaramma Pocānā (sitārā and andil), and Satyammā, Jangmolu (dimkī), Hyderabad (India), 1963

Description:
Wandering musicians, Ishvaramma Pocānā playing sitārā, and Satyammā (Jangmolu caste) playing a dimkī, seated on a curb with a young girl standing between them. The sitārā is a 3- stringed lute, the andil is a donut-shaped, hollow metal ring with pellets inside, held on the thumb and struck against the body of the sitārā, and the dimkī is a skin-covered pot drum with a rear opening. Male pedestrians stop to watch.
Date:
December 22, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ishvaramma Pocānā (sitārā and andil), and Satyammā, Jangmolu (dimkī), Hyderabad (India), 1963

Two-headed clay drum (madiala ?), of the Bagata people, Hyderabad (India), 1963

Description:
Two-headed clay drum, a vase-type pot drum, with paste on both sides (madiala?). An instrument of the Bagata (Bhagatā) people and other tribes in Āraku Valley. “Paste” refers to weighted paste applied on both drumheads. The image shows the larger head, usually played by the left hand. A.P. photo. Possession of the Tribal Cultural Research and Training Institute.
Date:
December 21, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Two-headed clay drum (madiala ?), of the Bagata people, Hyderabad (India), 1963

Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Description:
Congregational singers at Christmas Eve hymn singing Telugu Christmas songs: to Mariamma (Mary), and Jesus; a lullaby; a rama; and a “village" song. Musicians play rectangular clappers (left), a ḍholak or mṛdaṅgam (center), and harmonium (right). A large kalam decorates the floor.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Description:
Congregational singers at Christmas Eve hymn singing Telugu Christmas songs: songs to Mariamma (Mary), and Jesus; a lullaby; a rama; and a “village" song. A large kalam decorates the floor. Decorative cut-paper strips including a Christian cross hang overhead. A gas lantern illuminates gathering. The researcher's driver holds a microphone.
Date:
December 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Congregational singers at a Christmas Eve hymn singing, Kottagūdem (India), 1963

Lake in a landscape, Hyderabad (India), 1963

Description:
View of a lake in Hyderabad in an area with boulders, surrounded by trees and large carefully placed rocks. People are bathing and washing clothes. Possibly Banjara Lake in Banjara Hills, created in 1930. Banjara Hills is also the location of tribal Cultural Research and Training Institute which was visited on the previous day.
Date:
December 22, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Lake in a landscape, Hyderabad (India), 1963